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In this classic text, first published in 1977, Tom Nairn memorably depicts the 'slow foundering' of the United Kingdom on the rocks of imperial decline, constitutional anachronism and the gathering force of civic nationalism. Rich in comparisons between the nationalisms of the British Isles and those of the wider world, thoughtful in its treatment of the interaction between nationality and social class, The Break-Up of Britain concludes with a bravura essay on the Janus-faced nature of national identity. Postscripts from the Thatcher and Blair years trace the political strategies whose upshot accelerated the demise of a British state they were intended to serve. As a second Scottish independence referendum beckons, a new Introduction by Anthony Barnett underlines the book's enduring relevance.
Turning the conventional Break-Up of Britain narrative inside-out, this book scans the horizon of overseas projections of British identities that unravelled during the decades of global decolonisation
Offers an intellectual history of the New Left, with a focus on the nexus between socialism and national identity in the work of key New Left thinkers.
This volume is not only a detailed look at some of the writing produced in Scotland and Wales in the years surrounding political devolution, it also include a look at the ways in which difference sub-cultural commuities use fiction to renegotiate their relationships with the British whole.
"Essential reading" – The Spectator "Compelling" – Times Scotland "Timely, important, compelling" – Bella Caledonia "A gripping story of power games and hubris" – The Observer "Reads like a thriller" – Iain Dale "All of this is raw meat to ravenous journalists, and in Break-Up David Clegg and Kieran Andrews go at it with gusto" – Literary Review "A forensic examination of the Salmond saga" – Sunday Times *** Alex Salmond and Nicola Sturgeon's political partnership changed the face of Scotland, bringing the country to within 200,000 votes of independence and holding sway at Holyrood for more than a decade. So how and why has their thirty-year alliance irretrievably broken down? Break-Up tells the inside story of how the once unbreakable unity of the Scottish National Party was ripped apart amid shocking claims of sexual assault. With unrivalled access to both camps and the women who made the allegations, and with rigorously fair-minded reporting, journalists David Clegg and Kieran Andrews go behind the headlines to uncover the truth about this extraordinary episode, in a piece of political history that reads like a thriller. Now fully updated, this is a jaw-dropping tale of inappropriate behaviour in the highest reaches of power, of lies, distrust and alleged conspiracy, with profound implications not only for Salmond and Sturgeon themselves but for Scotland's governing party and the wider independence campaign.
With this delicious collection of favorite basic recipes by heavy metal bands from around the globe, Annick "The Morbid Chef” Giroux declares war on junk food, and fires up the flame for a special heavy metal feast. Hellbent for Cooking feeds voracious appetites with a varied menu of over a hundred recipes from thirty countries, including Yorkshire Pudding from England, Beer Pizza Crust from Germany, Spaghetti Barracuda from Italy, Fårikål from Norway, Country Lamb Exohiko from Greece, Churrasco from Brazil, and Mushroom Steak à la Jack Daniel’s from the United States. The dishes are legendary, and so are the bands. Feel the heat of thrash metal pioneers Sepultura, Kreator, Anthrax, and Nuclear Assau Raise your infernal fork for madman Chris Reifert’s Mummified Jalapeño Bacon Bombs, then sample Roast Beef with Green Beans prepared under the watchful eye of Udo Dirkschneider of Accept. Try After the Bombs’ Speed Metal Vegan Tofu, or Eyehategod’s favorite New Orleans Blood Red Beans and Rice. Afterwards, Doro Pesch of Warlock serves her Black Forest Cake, and Richard Christy from Death pours his trademark cocktail, the mighty Viking Testicle. Now for anyone with a taste for metal: The kitchen gates are open--grab your weapons of mass nutrition and let the feasts begin! Featuring a full flavorful menu of appetizer, breakfast, lunch, dinner, vegetarian, seafood, dessert, and drink recipes contributed by members of: Abigail, Abscess, Accept, After the Bombs, Alcoholic Rites, Amebix, Anthrax, Anvil, Armored Saint, Arphaxat, Atomizer, Autopsy, Bastardator, Bëehler, Blackfire, Blasphemy, Brutal Truth, Budgie, Bulldozer, Cauldron, Children of Technology, Control Denied, Countess, Cruachan, Dantesco, Deadmask, Death, Death SS, Deiphago, Denial of God, Desolation Angels, Destruction, Devastation, Dissection, Doro, Dusk, Electric Wizard, Elixir, Envenom, Exciter, Eyehategod, Faustcoven, Funerot, Goat Horn, Gorgoroth, Grimorium Verum, Gwar, Hidden Hand, Holocausto, Impaler, Inepsy, Judas Priest, Killers, Kreator, Lamp of Thoth, L’Impero Delle Ombre, Lord Vicar, Mantak, Master, Master’s Hammer, Mayhem, Melechesh, Messiah, Midnight, Minotaur, Mortal Sin, Mütiilation, Necromantia, Necrosadist, Nuclear Assault, Obituary, Obscurity, Orodruin, Pagan Altar, Pentagram, Piledriver, Possessed, Procession, Repulsion, Reverend Bizarre, Rigor Mortis, Rotting Christ, Sadistik Exekution, Saint Vitus, Sepultura, Shackles, Sigh, Sir Lord Baltimore, Skyforger, Slaughter, S.O.D., Spirit Caravan, Stiny Plamenu, Tankard, Thanatos, The Gates of Slumber, The Obsessed, The Rods, Lord Weird Slough Feg, Thin Lizzy, Toxic Holocaust, Trench Hell, Trouble, Tygers of Pan Tang, U.D.O.. Uriah Heep, Warlock, Warpig, Weapon, Wino, Witchfynde, Witchtrap, Xibalba, and Zemial.
This book traces the growth of Indian National movements and British policy. In the context of their origins in earlier centuries, Dr. Pandey provides a lucid analysis of the economic and social developments that took place during the last forty years of the British Raj. The first three chapters investigate the structure of the British Raj, its administration, its relations with the British government, and its policies. They trace the emergence of both Indian nationalism and Muslim separatism and examine the causes of the latter's rapid growth. The following chapters objectively interpret the story of the triangular struggle between colonialism, communalism, and nationalism from 1910 to 1947. In this part of the book, the author explains how the independence as well as the partition of India became inevitable, and shows a clear perception of the character of the few men in whose hands lay the fate of milliions- Gandhi, the Nehrus, Patel, Jinnah, Linlithgow, Wavell, and the last Viceroy Mountbatten -- Provided by publisher.
'An eloquent, forensic examination of resurgent English nationalism as the force that has driven Brexit and may now break up the United Kingdom' Jonathan Coe 'A fascinating book that draws on poetry, literature and on-the-ground reporting' The Times 'A wonderful book which will be quoted in years to come' New European In the past, it was possible to live with delightful confusion: one could be English or British, Scottish or Irish, and a citizen/subject of the United Kingdom (or Great Britain). Now this archaic state is coming under terrible strain. The English revolt against Europe is also a revolt against the Scottish and Irish, and the pressures to declare Scottish independence and to push for a border poll that would unite Ireland may become irresistible. Can England and Wales find a way of dealing with the state's new place in the world? What constitutional, federal arrangements might prevent the disintegration of the British state? How Britain Ends is a book about history, but also about the strange, complicated identity of Britishness.
In this acclaimed study of British statehood, identity and culture, Tom Nairn deftly dispels the conviction that the Royal Family is nothing more than an amusing relic of feudalism or a mere tourist attraction. Instead, he argues that the monarchy is both apex and essence of the British state, the symbol of a national backwardness. In this fully updated edition, Nairn’s powerful and bitterly comic prose lays bare Britain’s peculiar, pseudo-modern, national identity—which remains stubbornly fixated on the Crown and its constitutional framework, the “parliamentary sovereignty” of Westminster.
A novel in essays that locates a “romance” within the mesh of electronic communication. So I didn't call you: instead I posted a new avatar of myself without my habitual dark glasses. I have learned: an image, any image, is a blind. All avatars give different information, illusions of contact called Telepresence, none of them the real thing. You texted me, 3 am, from some station … As though it made any difference. But it did. —from Break.up In this “novel in essays,” Joanna Walsh simultaneously flees and pursues an ambiguous partner in an affair conducted mostly online. Traversing Europe, she awaits emails and texts and PMs, awash in her dreams, offering succinct meditations on connection and communication. If Marguerite Duras situated the telephone as the twentieth century's preferred hopeless form of connection, Walsh pinpoints the nodal points of a “romance” within today's mesh of electronic communication. As Deborah Levy observed recently, “Joanna Walsh is fast becoming one of our most important writers.” Her 2015 book Hotel, an investigation of transience conducted through hotel reviews, was described by The Paris Review as “a slim, sharp meditation on hotels and desires. [Walsh is] funny throughout, even as she documents the dissolution of her marriage and the peculiar brand of alienation on offer in lavish places.” Praise for Joanna Walsh “Walsh's writing has intellectual rigor and bags of formal bravery.” —The Financial Times “Hotel feels like something you want to endlessly quote: sharp, knowing, casually erudite … there is power and an affecting gravitas in what Walsh does with detail.” —Sydney Review of Books “Walsh is a sublimely elegant writer … artful and intelligent.” —The New Statesman