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The third novel in a historical series set in Devon in the early 20th century, following the fortunes of a large aristocratic family before, during and after the First World War.
From the late Herbert Muschamp, the former architecture critic of The New York Times and one of the most outspoken and influential voices in architectural criticism, a collection of his best work. The pieces here—from The New Republic, Artforum, and The New York Times—reveal how Muschamp’s views were both ahead of their time and timeless. He often wrote about how the right architecture could be inspiring and uplifting, and he uniquely drew on film, literature, and popular culture to write pieces that were passionate and often personal, changing the landscape of architectural criticism in the process. These columns made architecture a subject accessible to everyone at a moment when, because of the heated debate between modernists and postmodernists, architecture had become part of a larger public dialogue. One of the most courageous and engaged voices in his field, he devoted many columns at the Times to the lack of serious new architecture in this country, and particularly in New York, and spoke out against the agenda of developers. He departed from the usual dry, didactic style of much architectural writing to playfully, for example, compare Frank Gehry’s Guggenheim Bilbao to the body of Marilyn Monroe or to wax poetic about a new design for Manhattan’s manhole covers. One sees in this collection that Muschamp championed early on the work of Frank Gehry, Rem Koolhaas, Zaha Hadid, Thom Payne, Frank Israel, Jean Nouvel, and Santiago Calatrava, among others, and was drawn to the theoretical writings of such architects as Peter Eisenman. Published here for the first time is the uncut version of his brilliant and poignant essay about gay culture and Edward Durrell Stone’s museum at 2 Columbus Circle. Fragments from the book he left unfinished, whose title we took for this collection—“A Dozen Years,” “Metroscope,” and “Atomic Secrets”—are also included. Hearts of the City is dazzling writing from a humanistic thinker whose work changed forever the way we think about our cities—and the buildings in them.
The work is grouped into four books, the first three starting approx. Five thousand years ago, and the last, on a critical day, bringing them and the characters all together into one work. Opening with "A Book of Traxis," I introduce an ancient, imperial race of creatures from the adjacent Cygnus Arm of the Milky Way Galaxy, across from the Crab Nebula, where a girl is graduating from a technical school. For her finals project, she develops a device that more or less creates a temporary copy of life forms, past and present, depending upon data input. The device is seen as a minor accomplishment, one which could be used to confirm or refute Traxian history books, but little more. The ruler of Traxis finds the device intriguing, and likely one she might be able to employ in combat, to probe a far distant enemy prior to invasion. Her chosen target world is Telmut 3, which humanity refers to as Earth. In "A Book of Earth," we find odd occurrences, with fabled beings from the remote past somehow being reborn, if indeed they were ever born before. Among the returning entities are a number of Greek heroes, such as Herikles, crossing the streets of New York City, and impish Pan roaming the wilderness of Pennsylvania and Ohio, filching food from farms, where he eventually meetsa mermaid. Through astronomical observations, Prof. von Kreiger of Cornell University is able to deduce the impending invasion, but can see little the people of Earth might do to prevent the implied conflict. With "A Book of Gods," we have the return of the Greek pantheon, and a new god, Herikles' great grandfather, Perseus, the first king of Mycen, complete with the glory of Pegasus, sent upon a quest to find his wife, Andromeda, the first queen of Mycen. The gods, being gods, realize the approach of the Traxian armada and set preparations to meet force with divinity. Finally, in "A Book of Khaos," the enemy is met and conflict is . . . well . . . more than expected. There is a minor twist in the story here, as a major defender of Earth, Aphrodite, discovers the truth regarding the rebirth of Olympus, tracing events to the machine aboard the Traxian mothership. Fearing annihilation for herself and her amazing family, she approaches the Traxian ruler, in search of salvation. Except for a few minor additions for the glossary (I was informed by a reader some years ago this might be nice for the cartoon-raised generation who may not be well versed in Thomas Bulfinch's mythology text books) and some rewriting (truncation, actually) of published lyrics and the addition of a few poignant chapter quotations, the manuscript is complete, with the ending left a bit open for a possible sequel.
Surrounded by evil on all sides, Erevis Cale and his comrades continue their fight against the Shar in this second adventure in the Twilight War series The Archwizards of Shade Enclave have emerged from the desert with a message of peace and an act of war. Split by petty disputes and causeless feuds, the merchant realm of Sembia is wide open for invasion. With many Sembians more than happy to sell out to the Shadovar, can only one man do anything to stop it? Erevis Cale is more than willing to try, though he must make a deal with a devil along the way—a deal that will tear a friend’s soul in two but is key to preventing the realms from being torn asunder by the Shadowstorm.
Eric von Harben, the son of an old friend of Tarzan, has disappeared! Tarzan is on the trail to find him when he discovered a mysterious lost valley where two surviving outposts of ancient Rome survive, almost unchanged by time. Tarzan is thrust into the arena and must face a new enemy in the Emperor of Castra Sanguiarius.
America today is a mobile society. Many of us travel abroad, and few of us live in the towns or cities where we were born. It wasn't always so. "Travel from America to Europe became a commonplace, an ordinary commodity, some time ago, but when I first went such departure was still surrounded with an atmosphere of adventure and improvisation, and my youth and inexperience and my all but complete lack of money heightened that vertiginous sensation," writes W. S. Merwin. Twenty–one, married and graduated from Princeton, the poet embarked on his first visit to Europe in 1948 when life and traditions on the continent were still adjusting to the postwar landscape. Summer Doorways captures Merwin at a similarly pivotal time before he won the Yale Younger Poets Award in 1952 for his first book, A Mask for Janus—the moment was, as the author writes, "an entire age just before it was gone, like a summer."
This is a historical work on life in pre-Columbian America. It includes the theories of the origins of the indigenous peoples of America and the main developments in their political, cultural, and economic life. Although published about a century ago and presenting possibly outdated views, this work is still an interesting source of information and a great resource for historical research.