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Harry White examines the influence of music in the development of the Irish literary imagination from 1800 to the present day. He identifies music as a preoccupation which originated in the poetry of Thomas Moore early in the nineteenth century. He argues that this preoccupation decisively influenced Moore's attempt to translate the 'meaning' of Irish music into verse, and that it also informed Moore's considerable impact on the development of European musical romanticism, as in the music of Berlioz and Schumann. White then examines how this preoccupation was later recovered by W.B. Yeats, whose poetry is imbued with music as a rival presence to language. In its readings of Yeats, Synge, Shaw and Joyce, the book argues that this striking musical awareness had a profound influence on the Irish literary imagination, to the extent that poetry, fiction and drama could function as correlatives of musical genres. Although Yeats insisted on the synonymous condition of speech and song in his poetry, Synge, Shaw and Joyce explicitly identified opera in particular as a generic prototype for their own work. Synge's formal musical training and early inclinations as a composer, Shaw's perception of himself as the natural successor to Wagner, and Joyce's no less striking absorption of a host of musical techniques in his fiction are advanced in this study as formative (rather than incidental) elements in the development of modern Irish writing. Music and the Irish Literary Imagination also considers Beckett's emancipation from the oppressive condition of words in general (and Joyce in particular) through the agency of music, and argues that the strong presence of Mendelssohn, Chopin and Janácek in the works of Brian Friel is correspondingly essential to Friel's dramatisation of Irish experience in the aftermath of Beckett. The book closes with a reading of Seamus Heaney, in which the poet's own preoccupation with the currency of established literary forms is enlisted to illuminate Heaney's abiding sense of poetry as music.
With vampires and werewolves running amuck, Bruno Casta struggles to distance himself from the horrors of his life while fighting for humanity on the road to discovering the Chronicles of the Damned.
Russell, Penny and Will have not seen each other for twenty years. Why, then, do they spend a month driving around the coast of Britain in a van refusing to listen to music? Why do they find little blue bottles washing up on the shore containing pages from a future Bible? And why is Penny carrying such a huge spade? Funny, surprising and good-hearted, The Brandy of the Damned is a dream-like short novel that leaves the reader strangely grounded and which reveals different things each time it is read. It is the literary equivalent of stepping off the path and heading out into the woods, knowing that if you can't see what's ahead you are never bored. The Brandy of the Damned is a genuinely original story told by a unique voice. It exists in a genre of one.
General Dwight Eisenhower commands a diverse army that must destroy Hitler’s European fortress. On the coast of France, German commander Erwin Rommel prepares for the coming invasion, as the Führer thwarts the strategies Rommel knows will succeed. Meanwhile, Sergeant Jesse Adams, a veteran of the 82nd Airborne, parachutes with his men behind German lines. And as the invasion force surges toward the beaches of Normandy, Private Tom Thorne of the 29th Infantry Division faces the horrifying prospects of fighting his way ashore on Omaha Beach, a stretch of coast more heavily defended than the Allied commanders anticipate. From G.I. to general, this story carries us through the war’s most crucial juncture, the invasion that altered the flow of the war, and, ultimately, changed history.
Jeff Shaara has written vivid, perceptive portraits of America’s wars that have thrilled and mesmerized readers across generations. Collected for the first time in this eBook volume are Jeff Shaara’s epic New York Times bestselling novels of World War II: The Rising Tide, The Steel Wave, and No Less Than Victory. As the United States wades into the shifting tides of war, Shaara details every move—the tank battles along the Mediterranean coast, the audacious invasion at Omaha Beach, the deadly final spasms of the Third Reich. He brings to life such figures as Eisenhower and Patton, as well as the courageous men on the front lines of battle. On full display throughout is the inimitable style and striking narrative range that have made Jeff Shaara such an esteemed and essential chronicler of the American age. Contains an excerpt from Jeff Shaara’s acclaimed new novel of World War II in the Pacific, The Final Storm, which Booklist called “extraordinarily evocative.”
What is music -- where does it come from and what does it mean? If music is in the background, and no one listens to it, does it still exist? Why do composers write music, and how do they learn their profession? What about Canadian music -- a regional dialect of this "universal language"? How has it been created inside the country -- how well is it understood abroad? Music papers are reflections from a life of composing and teaching. These articles, talks and reviews, whether intended originally for general or professional audiences, communicate a passion for music rooted in a North American culture and place, informed by long and loving familiarity with masterpieces from elsewhere. Also included are alternative versions of the early life of Glenn Gould, proofs of the existence of musical life in Toronto, and some questions still unanswered.
Book two of Magic Born In 2066, the Magic Born are segregated in urban reservations. The laws do not protect them, or their allies. Councilwoman Elizabeth Marsden is a powerful player in New Corinth politics, but a closely guarded secret could destroy her life—she's a hidden Magic Born. Her family has gone to great lengths to erase all her magic-related records, until a trancehacking outlaw discovers the last remaining one… Vadim Bazarov smuggles Magic Borns through the underground railroad and threatens to reveal Elizabeth's secret unless she helps him access blank ID cards. Elizabeth wants to hate him for having a stranglehold on her life, but can't help being attracted to someone so sure of who and what he is. Vadim initially sees her as a political ice queen, but is intrigued by her suppressed magical abilities. He trains Elizabeth to use her magic, and before long finds himself falling for her. But their newfound love may be shortlived; an anti-magic ordinance forces one of them to make a choice that will change both their lives for good. 86,000 words
What does a monster with an angel's soul do when a prince comes along to steal his girl? He wants to kill him, of course. When the Gods meddle in the lives of mortals, personal disaster is assured, and disaster is coming for golem, girl and prince. ***** The Gryphon Taint was written to be a nice big read, with romance, with adventure, with trouble, and lots of all three. There is an angel whose soul was rent from his divine body a hundred years earlier, but who is now trapped in the hulking shell of a creature of sticks and mud. There is a girl, born hideously ugly, who may have elvish blood and in whom the Gods have taken a strange interest. And there is a prince whose bloodline boasts a link to a mythical heritage. If so, the girl shares it, for she is his distant cousin through a bastard line. ***** In the land of Ulmenir, where kings boast the blood of gryphons, some things aren't quite as they seem.
Be wary, ye whoÉ Sorry. Just wanted to warn you up front that some of these stories donÕt have conclusions. Most of them do, but some I just never could finish. Oh, yeah, and some of them are parts of series that are here published alone because I just was unable to find the other stories. I swore when I was young that that would never happen to me. It did. IÕm dealing with it. The reason that such stories Ñ those without endings and those for which there are other, connected stories Ñ is that, well, IÕm getting old. I wanted to collect the majority of my writings before IÕm dead. Some of these are very early stories. The earliest, I believe, is ÒCounterterrorist.Ó Yes, the main characterÕs name is Jack, but it was written many years Ñ decades Ñ before Jack Bauer, counterterrorist, made it to TV in 24. That should be obvious, but I thought IÕd mention it. Just try to enjoy the stories.