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The Bradford Legacy is the story of Carter Bradford, a fabulously rich descendant of an American family of entrepreneurs with a financial empire worth billions. Carter is a seriously flawed human being suffering from destructive narcissism and is, by all standards of measurement, a sociopath. From his earliest years Carter has been manipulative and cruel but amazingly charming when the need was there. Following his grandfather, Hiram Bradford, Carter chooses a political career and sets his sights on the Presidency. As the story progresses Carter uses his wealth and political power, augmented by a willingness to commit murder, to reach his goals. In many ways Carter Bradford is an extreme example of the worst of any number of American politicians or, maybe he isn’t. Let the reader judge.
In this engaging new book, Bradford Martin illuminates a different 1980s than many remember—one whose history has been buried under the celebratory narrative of conservative ascendancy. Ronald Reagan looms large in most accounts of the period, encouraging Americans to renounce the activist and liberal politics of the 1960s and ‘70s and embrace the resurgent conservative wave. But a closer look reveals that a sizable swath of Americans strongly disapproved of Reagan's policies throughout his presidency. With a weakened Democratic Party scurrying for the political center, many expressed their dissatisfaction outside electoral politics. Unlike the civil rights and Vietnam era protesters, activists of the 1980s often found themselves on the defensive, struggling to preserve the hard-won victories of the previous era. Their successes, then, were not in ushering in a new era of progressive reforms but in effecting change in areas from professional life to popular culture, while beating back an even more forceful political shift to the right. Martin paints an indelible portrait of these and other influential, but often overlooked, movements: from on-the-ground efforts to constrain the administration's aggressive Latin American policy and stave off a possible Nicaraguan war, to mock shanties constructed on college campuses to shed light on corporate America's role in supporting the apartheid regime in South Africa. The result is a clearer, richer perspective on a turbulent decade in American life.
A bizarre storm reveals a family heirloom hiding a secret & a lie that threatens lives. Will Caroline discover the true Bradford legacy in time?
A National Historic Landmark with a complex and remarkable two-hundred-year history, Melrose Plantation near Natchitoches, Louisiana, was home to many notable women, including freedwoman and entrepreneur Marie Thérèse Coincoin and artist Clementine Hunter. Among that influential group, Cammie Henry, the mistress of Melrose during the first half of the twentieth century, stands out as someone who influenced the plantation’s legacy in dramatic and memorable ways. In Cane River Bohemia, Patricia Austin Becker provides a vivid biography of this fascinating figure. Born on a sugar plantation in south Louisiana in 1871, Cammie Henry moved with her husband to Melrose in 1899 and immediately set to work restoring the property. She extended her impact on Melrose, the surrounding community, and the region when she began to host an artist colony in the 1920s and 1930s. Writers and painters visiting the bucolic setting could focus on their creative pursuits and find encouragement for their efforts. The most frequent visitors—considered by Cammie to be her circle of “congenial souls”—included writer/journalist Lyle Saxon, naturalist Caroline Dormon, author Ada Jack Carver, and painter Alberta Kinsey. Artists and artisans such as Harnett Kane, Roark Bradford, William Spratling, Doris Ulmann, and Sherwood Anderson also found their way to Melrose. In addition to hosting well-known guests, Henry began a collection of history books, nineteenth-century manuscripts, and scrapbooks of clippings and memorabilia that later brought her attention from the wider world. Researchers and writers contacted Henry frequently as the reputation of her library grew, and today the Cammie G. Henry Research Center at Northwestern State University houses this impressive collection that serves as a lasting tribute to Henry’s passion for the preservation of words as well as for the South’s material culture, including quilting, spinning, and gardening.
Reprint of the original, first published in 1866.
Emil Pulaski, private investigator and former FBI agent, is hired by the Salash Tribe of Indians to find a stolen will. At stake, is the large and very valuable Bradford ranch adjoining their reservation. It had been left to the tribe by the owner, William Bradford, in a 1905 will that disappeared in 1909 when he was found dead under mysterious circumstances. The will reappears briefly in 1990's after it was found by Leela Thayer, a local artist, only to be stolen by a tribal member in an attempt to extort money from one of the Bradford heirs. The thief ends up murdered, and Emil teams up with Leela Thayer to recover the will. The Bradford heir turns out to have connections with a major crime family in Los Angeles and calls for help with devastating results. More murders, mayhem, and a bomb explosion that almost costs Emil his life, soon follow and the small city of Coeur d'Alene flows with the blood of the innocent.
The Legacy of Boadicea explores the construction of personal and national identities in early modern England. It highlights the problems and anxieties of national identity in a nation with no native classical past. Written in an accessible style, The Legacy of Boadicea: * offers powerful new readings of the ancient British past in Shakespeare's King Lear and Cymbeline * persuasively illuminates a 'Boadicean' heritage in royal iconography, drama, and the social symptoms of religious dissent * articulates parallels between the eventual domestication of Britain's warrior queen in Restoration drama, and the social, political and legal decline in the status of women.