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The rise and fall of the man who cracked Prohibition to become one of the world’s richest criminal masterminds—and helped inspire The Great Gatsby. Love, murder, political intrigue, mountains of cash, and rivers of bourbon…The tale of George Remus is a grand spectacle and a lens into the dark heart of Prohibition. Yes, Congress gave teeth to Prohibition in October, 1919, but the law didn’t stop George Remus from amassing a fortune that would be worth billions of dollars today. As one Jazz Age journalist put it, “Remus was to bootlegging what Rockefeller was to oil.” Author Bob Batchelor breathes life into the largest bootlegging operation in America—greater than that of Al Capone—and a man considered the best criminal defense lawyer of his era. Remus bought an empire of distilleries on Kentucky’s “Bourbon Trail” and used his other profession, as a pharmacist, to profit off legal loopholes. He spent millions bribing officials in the Harding Administration, and he created a roaring lifestyle that epitomized the Jazz Age over which he ruled. That is, before he came crashing down in one of the most sensational murder cases in American history: a cheating wife, the G-man who seduced her and put Remus in jail, and the plunder of a Bourbon Empire. Remus murdered his wife in cold-blood and then shocked a nation winning his freedom based on a condition he invented—temporary maniacal insanity. “The fantastic story of George Remus makes the rest of the “Roaring Twenties” look like the “Boring Twenties” in comparison.” ―David Pietrusza, author of 1920: The Year of the Six Presidents
The #1 New York Times bestselling author of the Black Dagger Brotherhood delivers the first novel in an enthralling new series set amid the shifting dynamics of a Southern family defined by wealth and privilege—and compromised by secrets, deceit, and scandal. . . . Upstairs on the sprawling estate of Easterly, the kings of the bourbon capital of the world—the Bradford family—appear to play by the rules of good fortune and taste. Downstairs, the staff works tirelessly to maintain the impeccable Bradford facade. And never the twain shall meet. For Lizzie King, Easterly’s head gardener, crossing that divide nearly ruined her life. Falling in love with Tulane, the prodigal son of the bourbon dynasty, was nothing she intended—and their breakup proved her instincts right. Now, after two years, Tulane is coming home. And no one will be left unmarked. . . .
NEW YORK TIMES BESTSELLER • In J. R. Ward’s thrilling finale to her Bourbon Kings series, the Bradford family dynasty teeters on the edge of collapse after the murder of their patriarch—and a shocking arrest. At first, the death of William Baldwine, the head of the Bradford family, was ruled a suicide. But then his eldest son and sworn enemy, Edward, came forward and confessed to what was, in fact, a murder. Now in police custody, Edward mourns not the disintegration of his family or his loss of freedom . . . but the woman he left behind. His love, Sutton Smythe, is the only person he has ever truly cared about, but as she is the CEO of the Bradford Bourbon Company’s biggest competitor, any relationship between them is impossible. And then there’s the reality of the jail time that Edward is facing. Lane Baldwine was supposed to remain in his role of playboy, forever in his big brother Edward’s shadow. Instead he has become the new head of the family and the company. Convinced that Edward is covering for someone else, Lane and his true love, Lizzie King, go on the trail of a killer—only to discover a secret that is as devastating as it is game-changing. As Lane rushes to discover the truth, and Sutton finds herself irresistibly drawn to Edward in spite of his circumstances, the lives of everyone at Easterly will never be the same again. For some, this is good; for others, it could be a tragedy beyond imagining. Only one thing is for certain: Love survives all things. Even murder. Praise for J. R. Ward’s Bourbon Kings series “A most sinful indulgence . . . The gorgeous Kentucky backdrop will sweep you away.”—Susan Wiggs “Breathless fun!”—Lisa Gardner
'Downton Abbey meets Dynasty in this richly imagined, captivating family saga' USA Today Behind the glamorous facade of Kentucky's most famous family lurks a secret - one that threatens its very foundation . . . In Charlemont, Kentucky, the Bradford family is the crème de la crème of high society - just like their exclusive brand of bourbon. And their complicated lives and vast estate are run by a discrete staff who inevitably become embroiled in their affairs. This is especially true now, when the apparent suicide of the family patriarch is starting to look more and more like murder. No one is above suspicion - especially the eldest Bradford son, Edward. The bad blood between him and his father is known far and wide, and he is aware that he could be named a suspect. As the investigation into the death intensifies, he keeps himself busy at the bottom of a bottle - as well as with his former horse trainer's daughter. Meanwhile, the family's financial future lies in the perfectly manicured hands of a business rival, a woman who wants Edward all to herself. Everything has consequences; everybody has secrets. And few can be trusted. Then, at the very brink of the family's demise, someone thought lost to them forever returns to the fold. Maxwell Bradford has come home. But is he a saviour . . . or the worst of all the sinners?
On a hike deep in the Rocky Mountains, Kai Monahan watches as a dozen dragons—actual freaking dragons—battle beneath a fat white moon. When one crashes nearly dead at her feet and transforms into a man, Kai does the only thing a decent person could: she grabs the nearest sword and saves his life. As the dragon/man, Rhys, recovers from the attack, a chance brush of skin against skin binds him inextricably to Kai. Becoming heartsworn to a human—especially such a compelling one—is the last thing Rhys wants. But with an ancient enemy gathering to pit dragons against humanity and his strength nearly depleted, Kai has just become the one thing Rhys needs. A complete bond will give him the strength to fight; a denied bond means certain death. Kai is terrified at the thought of allowing any dragon into her mind…or her heart. Accepting the heartswearing and staying with the dragons means sacrificing everything, and Kai must decide if her freedom is worth risking Rhys's life—a life more crucial to the fate of humanity than she could possibly know. Book One of the Dragonsworn trilogy 95,000 words
'Licentious or bigoted, noble or ignoble, ' wrote Nancy Mitford, 'there has seldom been a dull Bourbon.' The story of the Bourbon kings encompasses the two most glorious and turbulent centuries in French history, yet surprisingly, this is still the only narrative account of the dynasty for the general reader. They emerge from a shadowy line of medieval princes in 1589 to rule France for over 200 years, dominating Europe, launching an endless series of wars, creators of the dazzling splendour of Versailles, survivors from the French Revolution. The Bourbons begin with the dashing figure of Henri IV, with his courage, gaiety and 64 mistresses. They include figures such as the Sun King Louis XIV and Louis XVI who ended under the guillotine, and close with the little-known 'Henri V' - expected to return and rule France in 1873 but whose refusal to abandon the Lily banner of the Bourbons for the Tricolore finally lost him the throne. The Bourbon Kings of France is an accessible yet thorough history, written for the general reader and of particular interest to anyone who enjoys history or wishes to learn more about the Bourbons. Praise for The Bourbon Kings of France: 'A blending of wide historical knowledge and vigorous independent judgement to make a lively, exciting but dependable account for the general reader' - Sunday Times 'Enormously entertaining ... an excellent read ... a cross between a package tour of the Bourbon dynasty and a Guide Michelin to the favourites, mistresses and ministers of the French monarchy' - Spectator Paris-born Desmond Seward is a British popular historian who has written many books but is perhaps best known for The Hundred Years War, The Monks of War, The Wars of the Roses and Richard III. He lives in England's West Country.
Hotel chain mogul Sol DuMont is about to learn that some of life’s biggest surprises come in deceptively small packages—namely a petite heiress named Rain who’s hell-bent on upsetting her family’s expectations—in this first book in the all new series by Thea de Salle, set against the sultry backdrop of New Orleans. Thirty-seven-year-old Sol DuMont is a divorcee and the owner of a mid-sized hotel chain in New Orleans. Since Hurricane Katrina, his father’s death, and the decision that he and his ex-wife Maddy are far better off friends than lovers, he’s lost interest in almost everything he held dear—parties, people, and pushing limits. All his limits. Then Arianna Barrington checks into his hotel. Twenty-four-year-old Arianna “Rain” Barrington could have been society’s sweetheart. Her family is moneyed, connected press darlings, and make sweeping headlines from coast to coast for reasons both good and bad. But when her mother shoves her at Charles Harwood—the obnoxious, entitled heir of Harwood Corp—to cement a billion-dollar business merger, Rain does the only thing she can think of to escape: she creates a scandal so big Harwood doesn’t want her anymore before fleeing to New Orleans for much-needed rest and relaxation. All she wants is jazz piano, beignets, and to sail the Mississippi. What she gets is Sol DuMont, a whirlwind affair, and a hands-on education in sex, power play, and pushing limits. All her limits.
As a pharmacist turned lawyer turned master prohibition era bootlegger, George Remus is now remembered as one of the most notorious figures of the American prohibition. Even though he was a lifelong teetotaler, Remus built one of the nation's largest illegal liquor empires with little regard to disguises or secrecy. This biography tells the complete story of Remus' private life and public persona, focusing especially on the turbulent rise and fall of his bootlegging kingdom. It begins with an overview of Remus' early life and careers in pharmacy and law, and covers his bootlegging career, including his overwhelmingly successful early business ventures, his 1922 bootlegging conviction, his murder of wife Imogene (after she had a well-publicized affair with prohibition agent Franklin Dodge), and Remus' subsequent trial for her murder.
The founder of the Bourbon dynasty, Henry IV, who ruled France from 1589 to 1610, is the most romantic of French kings. Very different from his grandson Louis XIV, he was a hard-fighting, hard swearing Southerner, who fought over 200 battles and had 60 (recorded) mistresses* After surviving his predecessor's murderous court, he rebuilt a France ruined by thirty years of war between Catholics and Protestants, enabling her to become the most powerful country in Europe. A man of enormous charm and humanity, he was famous for promising that every French peasant was going to have a chicken in the pot in Sundays. Even Napoleon admired him, always keeping a statue of him nearby.
Lyric theater in ancien régime France was an eminently political art, tied to the demands of court spectacle. This was true not only of tragic opera (tragédie lyrique) but also its comic counterpart, opéra comique, a form tracing its roots to the seasonal trade fairs of Paris. While historians have long privileged the genre’s popular origins, opéra comique was brought under the protection of the French crown in 1762, thus consolidating a new venue where national music might be debated and defined. In The Comedians of the King, Julia Doe traces the impact of Bourbon patronage on the development of opéra comique in the turbulent prerevolutionary years. Drawing on both musical and archival evidence, the book presents the history of this understudied genre and unpacks the material structures that supported its rapid evolution at the royally sponsored Comédie-Italienne. Doe demonstrates how comic theater was exploited in, and worked against, the monarchy’s carefully cultivated public image—a negotiation that became especially fraught after the accession of the music-loving queen, Marie Antoinette. The Comedians of the King examines the aesthetic and political tensions that arose when a genre with popular foundations was folded into the Bourbon propaganda machine, and when a group of actors trained at the Parisian fairs became official representatives of the sovereign, or comédiens ordinaires du roi.