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A spider and a fly. A boy and an ant. A dog and a beaver. They may seem like unlikely companions, but they’ll soon learn that they have more in common than they think. When a creature is in need, help often comes from the most unexpected places. The Bookworm and Other Stories is a collection of stories both short and long about animals, birds, and insects who come together in kindness and friendship. Kids will learn fun facts about the animal kingdom while laughing at the antics of these delightful characters. In the end, they’ll see that we can be friends with everyone, regardless of our differences.
Word count 26,380
• Winner of the 1997 Drue Heinz Literature Prize This collection is filled with narrative and character grounded in the meaning and value the earth gives to human existence. In one story, a woman sleeps with the village priest, trying to gain back the land the church took from her family; in another, relatives in the Azores fight over a plot of land owned by their expatriate American cousin. Even apparently small images are cast in terms of the earth: Milton, one narrator explains, has made apples the object of a misunderstanding by naming them as Eden's fruit: "In the Bible, no fruit is named in the Garden of Eden - and to this day apples are misunderstood. They were trying to tempt people not into sin but into listening to the earth more closely. . . . their white meal runs wet with the knowledge of the language of the land, but people do not listen."Vaz's beautiful, intensely conscious language often delicately slips her stories into the realm of the fado, the Portuguese song about fate and longing. "Listen for the nightingale that presses its breast against the thorns of the rose," on character sings, "that the song might be more beautiful." Such a verse might describe Vaz's own motive behind her willingness to confront her subject's ambiguities and her characters' conflicts - the simultaneous joy and sorrow of some of life's discoveries, the pain sometimes hidden within passion and pleasure.
While most of the characters you'll meet in these pages are far from perfect, and, with all their anxieties, foibles and frailties, a world away from being heroic, they are recognisably human. What they lack in polish or perfection they more than abundantly make up for in inconspicuous generosity and modesty, much too often under-appreciated for the ramifications these quieter graces have on those around them. This is a collection of stories of varying tonalities, spanning an emotional range comprising anything from the gentle 'My Uncle Dom' to the light and playful 'Reversal', the humorous and, at times, outrageously farcical 'Dimblewit' to the absurd, even grotesque 'The Bookworm', and again, the dark and disturbing 'The Visitation'. Two pieces among this collection of seven stories, 'Artist' and 'A Brass Razoo', present us with portraits particularly Australian.
DigiCat Publishing presents to you this special edition of "Work Suspended and Other Stories" by Evelyn Waugh. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Are damaged people destined to inflict damage? A young boy sidelined for being different, an artist unable to distance herself from her past, a famed actress past her prime, a Casanova who plays women but is acutely aware of his loneliness. These are some amongst the various tales of damaged people seeking escape, fulfilment or acceptance. Some long, some short, these sixteen stories have common themes of unhappy marriages; of secrets and lies, pleasure and guilt; of children letting down parents and vice versa; of women of a certain age, and whether they’ve still ‘got it’; of entitled and misogynistic men; and of the hypocrisy and double standards within Indian society. With original and unexpected angles, these tales explore the darkness that underpins the often ordinary lives of people. Thought-provoking, intense and evocative, these stories will transport you into the heart of India where tradition and modernity collide, often with devastating results.
On moving into a new apartment abroad in his Bavarian hometown, the narrator realises that some of his possessions and elements of his new neighbourhood open a window into a flurry of memories, serving as allegorical threads to his childhood, self-consciousness and discovery of the world. What begins as a personal narrative quickly cedes to a social archaeology, inviting the reader/listener on a homegoing journey in the backdrop of Cameroon’s tottering democratic trajectory. Modulated with poetry and music, The Radio tunes in to diaspora, home, nation, education, existence, religion as well as Mbum popular culture, showcasing creative re-appropriation and re-mixing of global trends and icons in specific communities.
This publication is a culmination of my attempt at writing which started in 1966 in emulating Daniel Defoes Robinson Crusoe whose story I had grown so greatly fascinated with through English lessons I was having from a friend of my late father. It was then that I started nurturing dreams of writing a similar life-like story in the first person narrative voice. I would almost every day religiously confine myself in my study and write zestfully for hours from morning after breakfast up to night with intermittent breaks. Soon, I was beginning to get lost in the imaginary world I was starting to create. My first story was in 1972 in response to a call for contributions to a short story competition. It might have been part of the preliminary run-down to our participation in FESTAC in Lagos Nigeria. Ever since then I have been engrossed in writing one thing or another. But at some time I would be mostly preoccupied with reading and editing the scripts of my slowly accumulating story collections. But the dim prospects of being published were a damper to accelerated writing. But I still kept an eye on my work as treasures to be preserved for posterity. Some of the stories: The Day of Judgment Has Arrived, Bra Spiders Flight on his Friend Bra Cunny Rabbits Success have been adaptations of folktale I have heard, collected and translated from Krio. Requiem for the Presumptuous Mister Courifer has been an adapted version of Adelaide Caseley Hayfords Mister Courife. Richard Gets Lured into a Wide Reading and Literate Culture is an adaptation of the autobiography of a section of black American writer, Richard Wright who in fact passed through Freetown on his way to Ghana in 1954 a year before I was born. A dream of Coming into Great Wealth Turns Sour an adaptation of a fascinating episode in the life of Olaudah Equiano, the first major black African writer to have emerged from the dungeons of slavery to line the literary landscape.The most recent is Writer's Cramp Gripping, or Crippling an ill-fated response to a cue to a writers competition at Writers.com. The total number of stories included is 12 covering a wide range of themes of love, changing fortunes, materialism, the process of growing up, reflections on ones past, the blatant display of power featuring life-like characters. Some of the selections have been read to great effect at public readings. The prospects of being published seeming more and more chancy even with the publication of my Folktales from Freetown which was widely reviewed internationally on the BBC, American journals and stocked in many university libraries in the US and in Britain as well as in the Library of Congress, made me decide in 2007 after returning from the U.S.A. on an International Visitors programme to start publishing on the internet rather than keep waiting for an unforeseen chance of publication. This saw many of them published in ezinearticles.com and articlescorner.com, the latter which was in 2009 pulled down. But for the fact that I had had printed copies from the site I would have lost all trace of them as well. The Day of Judgement could be rightly said to have received the greatest exposure having first been published in LOTUS, a journal of the Afro Asian Writers Association, read throughout the world and translated into Bulgarian and published in a journal of the Bulgarian PEN in 2008. My decision to start publishing my stories on the web in spite of its hazards and its being un-remunerative was to give visibility to them and my creativity which could otherwise be lost to time and to the reading world.