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Colonial Australia produced a vast number of journals and magazines that helped to create an exuberant literary landscape. They were filled with lively contributions by many of the key writers and provocateurs of the day (and of the future). Writers such as Marcus Clarke, Rolf Boldrewood, Ethel Turner, and Katharine Susannah Prichard published for the first time in these journals. This book offers a fascinating selection of material; a miscellany of content that enabled the 'free play of intellect' to thrive and, matched with wry visual design, made attractive artifacts that demonstrate the role this period played in the growth of an Australian literary culture. *** "Gelder and Weaver arrange this anthology of excerpts from the journals of Australia in the later 19th century to show off the rich contents of these journals. The excerpts refute the stereotype that Australia in this era was rousingly nationalist. The book features color illustrations of magazine covers, which show how accomplished the pre-1900 publishing industry in Australia was. Recommended." - Choice, Vol 52, No. 4, December 2014Ã?Â?Ã?Â?Ã?Â?Ã?Â?
Collection of essays and case studies outlining Australian book production and consumption, from the 1880s to the end of World War II. Explores all aspects of print culture including authorship, editing, design and printing, publication, distribution, bookselling, libraries and reading habits. Includes photos, contributor notes, bibliography and index. Two further books in the 'A History of the Book in Australia' project are planned. Lyons is Professor of History at the University of New South Wales. He has previously written (with Lucy Taksa) 'Australian Readers Remember'. Arnold is Deputy Director of the National Centre for Australian Studies, Monash University. He has previously co-edited the 'Biography of Australian Literature: A-E'.
Biography of a Book traces the life of an iconic Australian literary work in the lead-up to, and for a century after, its initial publication: Henry Lawson's 1896 collection While the Billy Boils. Paul Eggert follows Lawson's gradual development of a pared-back bush realism in the early 1890s, as he struggled to forge a career, writing short stories and sketches for the newspapers. Lawson's famous collection came out at a decisive moment for the development of a fully professional Australian literary publishing industry, then in its infancy in Sydney. The volume's editing, design and production were collaborative events that changed the feel and nature of Lawson's writing. He had to give ground on his texts and their sequencing. The collection went on to be reprinted and repackaged countless times. Its production and reception histories act like a geological cross-section, revealing the contours of successive cultural formations in Australia. In unravelling the life of Lawson's classic work Eggert's book-historical approach challenges and clarifies established understandings of crucial moments in Australian literary history and of Lawson himself
A Revolution for Our Rights is a critical reassessment of the causes and significance of the Bolivian Revolution of 1952. Historians have tended to view the revolution as the result of class-based movements that accompanied the rise of peasant leagues, mineworker unions, and reformist political projects in the 1930s. Laura Gotkowitz argues that the revolution had deeper roots in the indigenous struggles for land and justice that swept through Bolivia during the first half of the twentieth century. Challenging conventional wisdom, she demonstrates that rural indigenous activists fundamentally reshaped the military populist projects of the 1930s and 1940s. In so doing, she chronicles a hidden rural revolution—before the revolution of 1952—that fused appeals for equality with demands for a radical reconfiguration of political power, landholding, and rights. Gotkowitz combines an emphasis on national political debates and congresses with a sharply focused analysis of Indian communities and large estates in the department of Cochabamba. The fragmented nature of Cochabamba’s Indian communities and the pioneering significance of its peasant unions make it a propitious vantage point for exploring contests over competing visions of the nation, justice, and rights. Scrutinizing state authorities’ efforts to impose the law in what was considered a lawless countryside, Gotkowitz shows how, time and again, indigenous activists shrewdly exploited the ambiguous status of the state’s pro-Indian laws to press their demands for land and justice. Bolivian indigenous and social movements have captured worldwide attention during the past several years. By describing indigenous mobilization in the decades preceding the revolution of 1952, A Revolution for Our Rights illuminates a crucial chapter in the long history behind present-day struggles in Bolivia and contributes to an understanding of indigenous politics in modern Latin America more broadly.
A bibliographical guide to the works in American libraries concerning the Christian missionary experience in China.
Since its publication in 1903, Joseph Furphy’s Such is Life has become established as an Australian classic. But which version of the novel is the authoritative text, and what does its history reveal about Australian cultural life? From Furphy’s handwritten manuscript through numerous editions, a controversial abridgement for the British market (condemned by A.D. Hope as a “mutilation”), and periods of obscurity and rediscovery, the text has been reshaped and repackaged by many hands. Furphy’s first editors at the Bulletin diluted his socialist message and “corrected” his Australian slang to create a more marketable book. Later, literary players including Vance and Nettie Palmer, Miles Franklin, Kate Baker and Angus & Robertson all took an interest in how Furphy’s work should be published. In a fascinating piece of literary detective work, Osborne traces the book’s journey and shows how economic and cultural forces helped to shape the novel we read today.