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“Brings literature lovers on a journey through London, from Chaucer in the fourteenth century to present day . . . as diverse as the city itself.” —British Heritage Travel Many of the greatest names in literature have visited or made their home in the colorful and diverse metropolis of London. From Charles Dickens to George Orwell, Virginia Woolf to Bernadine Evaristo, London’s writers have brought the city to life through some of the best known and loved stories and characters in fiction. This book takes you on an area-by-area journey through London to discover the stories behind the stories told in some of the most famous novels, plays, and poems written in, or about, the city. Find out which poet almost lost one of his most important manuscripts in a Soho pub. Discover how Graham Greene managed to survive the German bomb that destroyed his Clapham home. Climb down the dingy steps from London Bridge to the Thames Path below and imagine how it felt to be Nancy trying to save Oliver Twist, only to then meet her own violent death. Drink in the same pub where Bram Stoker listened to the ghost stories that inspired Dracula, the plush drinking house where Noel Coward performed, and the bars and cafes frequented by modern writers. Tour the locations where London’s writers, and their characters lived, worked, played, loved, lost, and died. This is the first literature guide to London to be fully illustrated throughout with beautiful color photographs. It can be used as a guidebook on a physical journey through London, or as a treasury of fascinating, often obscure tales and information for book lovers to read wherever they are.
"Book Lovers' London" is a comprehensive guide to the city's bookshops--new, second-hand, and antiquarian. This handy companion also covers all the best book-related markets, thrift shops, auctions, and fairs; major libraries and literary museums; sites of literary interest, academic courses, and literary walks; and the best book-related web sites. It is an outstanding reference, complete with a general, area, and subject index.
The New York Times bestseller—for fans of All the Light We Cannot See and The Tattooist of Auschwitz! “An irresistible tale which showcases the transformative power of literacy, reminding us of the hope and sanctuary our neighborhood bookstores offer during the perilous trials of war and unrest.”—KIM MICHELE RICHARDSON, author of The Book Woman of Troublesome Creek August 1939: London prepares for war as Hitler’s forces sweep across Europe. Grace Bennett has always dreamed of moving to the city, but the bunkers and drawn curtains that she finds on her arrival are not what she expected. And she certainly never imagined she’d wind up working at Primrose Hill, a dusty old bookshop nestled in the heart of London. Through blackouts and air raids as the Blitz intensifies, Grace discovers the power of storytelling to unite her community in ways she never dreamed—a force that triumphs over even the darkest nights of the war. “A gorgeously written story of love, friendship, and survival set against the backdrop of WWII-era London.”—JILLIAN CANTOR, author of In Another Time and Half Life “A love letter to the power of books to unite us, to hold the world together when it’s falling apart around our ears. This fresh take on what London endured during WWII should catapult Madeline Martin to the top tier of historical fiction novelists.”—KAREN ROBARDS, author of The Black Swan of Paris Don't miss Madeline Martin's next heartwarming historical novel, The Booklover's Library! Also by Madeline Martin: The Librarian Spy The Keeper of Hidden Books
Zombies. The outbreak began in New York. Soon it had spread to the rest of the world. People were attacked, infected, and they died. Then they came back. No one is safe from the undead. As anarchy and civil war took grip across the globe, Britain was quarantined. The British press was nationalised. Martial law, curfews and rationing were implemented. It wasn't enough. An evacuation was planned. The inland towns and cities of the United Kingdom were to be evacuated to defensive enclaves being built around the coast, the Scottish Highlands, and in the Irish Republic. Bill Wright, a Westminster insider and an advisor to a future Prime Minister, broke his leg on the day of the outbreak. Unable to join the evacuation, he watched from his window as the streets filled with refugees. He watched as the streets emptied once more. He watched as they filled up again, this time with the undead. Then the power went out. He is trapped. He is alone. He is running out of food and water. He knows that to reach the safety of the enclaves he will have to venture out into the wasteland that once was England. On that journey he will ultimately discover the horrific truth about the outbreak, a decades old conspiracy, and his unwitting part in it. This is the first volume of his journal. (73,000 words)
Why do artists write novels? What impact does the artist?s novel have on the visual arts? How should such a novel be experienced? In recent years, there has been a proliferation of visual artists who create novels as part of their broader art practice. They do so in order to address artistic issues by means of novelistic devices, favoring a sort of art predicated on process and subjectivity, introducing notions such as fiction, narrative, and imagination. In this sense, it is possible to see the novel as a new medium in the visual arts; yet very little is known about it. This two-volume publication is the first to explore in depth the subject of the artist?s novel.00Part 1, 'A New Medium', is a theoretical examination that looks critically at the different ways contemporary artists employ the artist?s novel, focusing mainly on four key case studies: Benjamin Seror?s 'Mime Radio', Cally Spooner?s 'Collapsing in Parts', Mai-Thu Perret?s 'The Crystal Frontier', and Goldin+Senneby?s 'Headless'. It seeks to situate the artist?s novel within the broader context of the visual arts in the hopes of sparking a much-needed discussion about a practice that has long been ignored by critical strands in art discourse. It includes valuable resources, such as the only existing bibliography of artists? novels.00Published with Part 2: 'The Fantasy of the Novel'(ISBN 9788867494255) as a two-volume publication.