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Jack writes a letter to the Librarian because he needs help. His brother has been eaten by a book!
Jen Campbell's collection of terrifyingly gruesome tales lends a modern edge to fairy tale collections for young readers. Drawing on her extensive knowledge of fairy tale history, Campbell's stories undo the censoring, gender stereotyping and twee endings of more modern children's fairy tales, to return both classic and little-known stories to their grim versions, whilst celebrating a diverse range of characters. Featuring 14 short stories from around the globe, The Sister Who Ate Her Brothers is illustrated in a contemporary style by Canadian comic artist Adam de Souza. De Souza's brooding illustrations are a highly original blend of 19th-century Gothic engravings and moody film noir graphic novels. Beautifully produced in a hardback format with a rose gold ribbon marker, The Sister Who Ate Her Brothers is a truly thrilling gift.
Disgusted with having to take her bratty brother, Booker, trick-or-treating, Elizabeth suddenly encounters an actual witch, who kidnaps Booker until Elizabeth agrees to perform a series of tasks. Original.
A collection of humorous poetry.
Twelve-year-old Harry is alarmed when his computer takes on a life of its own and zaps his obnoxious older brother.
When Louis gets eaten up by a Gulper, his big sister Sarah knows she has to act fast, and she sets off in hot pursuit. But rescuing a boy from a Gulper's tummy isn't so simple—especially when other strange and scary creatures are looking for their dinner too...
"When Chase has to go to school and say, "My brother ate my homework," he knows there's no way his teacher believes him. But it's true! His brother really did eat his homework. What is Chase to do? My Brother Ate My Homework is a story of adversity and reconciliation and the special bond between brothers that shines even in the worst of times."
No one believes a young boy when he says an alligator is in his house.
As World War I draws to a close in 1918, German citizens are starving and suffering under a repressive regime. Sixteen-year-old Moritz is torn. His father died in the war and his older brother still risks his life in the trenches, but his mother does not support the patriotic cause and attends subversive socialist meetings. While his mother participates in the revolution to sweep away the monarchy, Moritz falls in love with a Jewish girl who also is a socialist. When Moritz's brother returns home a bitter, maimed war veteran, ready to blame Germany's defeat on everything but the old order, Moritz must choose between his allegiance to his dangerously radicalized brother and those who usher in the new democracy.
"I write hungry sentences," Natalie Diaz once explained in an interview, "because they want more and more lyricism and imagery to satisfy them." This debut collection is a fast-paced tour of Mojave life and family narrative: A sister fights for or against a brother on meth, and everyone from Antigone, Houdini, Huitzilopochtli, and Jesus is invoked and invited to hash it out. These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams. I watched a lion eat a man like a piece of fruit, peel tendons from fascia like pith from rind, then lick the sweet meat from its hard core of bones. The man had earned this feast and his own deliciousness by ringing a stick against the lion's cage, calling out Here, Kitty Kitty, Meow! With one swipe of a paw much like a catcher's mitt with fangs, the lion pulled the man into the cage, rattling his skeleton against the metal bars. The lion didn't want to do it— He didn't want to eat the man like a piece of fruit and he told the crowd this: I only wanted some goddamn sleep . . . Natalie Diaz was born and raised on the Fort Mojave Indian Reservation in Needles, California. After playing professional basketball for four years in Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University. She lives in Surprise, Arizona, and is working to preserve the Mojave language.