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In the fires of World War II, a child must save his people from darkness... Ten-year-old Uriel has always been an outcast. Born mute in a Jewish village known for its choir, he escapes into old stories of his people, stories of angels and monsters. But when the fires of the Holocaust consume his village, he learns that the stories he writes in his golden notebook are terrifyingly real. In the aftermath of the attack, Uriel is taken in by Uwe, a kind-hearted linguist forced to work for the commander of the local Nazi Police, the affably brutal Major Brandt. Uwe wants to keep Uriel safe, but Uriel can't stay hidden. The angels of his tales have come to him with a dire message: Michael, guardian angel of the Jewish people, is missing. Without their angel, the Jewish people are doomed, and Michael's angelic brethren cannot search for him in the lands corrupted by Nazi evil. With the lives of millions at stake, Uriel must find Michael and free him from the clutches of the Angel of Death...even if that means putting Uwe in mortal danger. The Book of Uriel is a heartbreaking blend of historical fiction and Jewish folklore that will enthrall fans of The Book Thief and The World That We Knew.
Uriel Simon describes the fascinating controversy that raged from the tenth to the twelfth centuries regarding the theological status and literary genre of the Psalms. Saadiah Gaon, who initiated the controversy, claimed that the Psalter was a second Torah—the Lord's word to David—and by no means man's prayer to God. Salmon ben Yerucham and Yefet ben Ali insisted on the Karaite view that the Book of Psalms was the prophetic common prayerbook of Israel. Totally opposing both of these concepts, Rabbi Moses Ibn Giqatilah regarded the Psalms as non-prophetic prayers authored by different poets, beginning with David and ending with the captive Levites in the Babylonian exile. Finally, Rabbi Abraham Ibn Ezra reverted to the belief held by the Talmudic sages—that the Psalms were Israel's divinely inspired and most sacred poetry. The book also includes the full text of a previously unknown introduction to Ibn Ezra's lost commentary on the Psalms, which is much more elaborate and revealing than the introduction to his familiar classical commentary.
An unemployed single mother opens a prosperous business. A pennypincher overcomes his stingy habits. A widow uncovers a creative talent that evolves into a profession. These and other true stories, recounted by Richard Webster in Uriel, demonstrate the impact this powerful archangel has had on countless lives. Known for transforming misfortunes into blessings, Uriel can heal emotional trauma, enhance creativity, enhance prosperity, develop intuition, and bring tranquility. Whether you need spiritual enlightenment, creative inspiration, or prophetic insight, the practical techniques in this book--involving meditation, color, music, and crystals--can put you in touch with the Angel of Salvation.
* What is the standard view of history is completely wrong? * What if science and writing developed from an advanced prehistoric civilisation in the British Isles? * What is written evidence in the Dead Sea Scrolls records megalithic history and provides the plans for a machine that could rebuild civilisation following a global catastrophe? * And what if Jesus and his brother James were practitioners of megalithic astronomy? In URIEL'S MACHINE Knight & Lomas offer powerful new evidence that our planet was hit by seven mountain-sized lumps of comet, creating a series of giant waves that ripped across the globe. Putting together the latest findings of leading geologists with their own sensational new archaeological discoveries, they show how a civilisation emerged and was able to build an international network of sophisticated astronomical observatories which provided accurate calendars, could measure the diameter of the planet and accurately predict comet impact years in advance. The revelation that this is the true purpose of the great megalithic sites in Western Europe, built long before the Egyptian pyramids.
The return of one of Black Library's most popular omnibuses, back in print for the first time in ages. The Ultramarines are a byword for loyalty and courage, their martial prowess is legendary and is second only to the God-Emperor. Graham McNeill’s epic trilogy of Ultramarines novels is a masterpiece of non-stop action! Containing the novels Nightbringer, Warriors of Ultramar and Dead Sky, Black Sun, the series follows the adventures of Space Marine Captain Uriel Ventris and the Ultramarines as they battle against the enemies of mankind. From their home world of Macragge, into the dreaded Eye of Terror and beyond, Graham McNeill’s prose rattles like gunfire and brings the Space Marines to life like never before. This book contains the novels Nightbringer, Warriors of Ultramar and Dead Sky, Black Sun, all written by Graham McNeill.
Uriel Ventris is back! The game is set in the grim darkness of the far future, where mighty armies clash on countless war-torn worlds and Humanity stands alone, beset on all sides by the threats of the heretic, the mutant and the alien. There is no mercy. There is no respite. Prepare yourself for battle.
"It is possible for every individual to form a personal relationship with the Archangels and receive their loving guidance. . . . When you develop an awareness of the presence of angels and invite their participation into your life, magical things begin to happen."--from the book. Lightning Print on Demand Title
This publication emerges from Uriel Orlow's Theatrum Botanicum (2015-18), a multi-faceted project encompassing film, sound, photography, and installation, which looks to the botanical world as a stage for politics. Working from the dual vantage points of South Africa and Europe, the project considers plants as both witnesses to, and dynamic agents in, history. It links nature and humans, rural and cosmopolitan medicine, tradition and modernity across different geographies, histories, and systems of knowledge--exploring the variety of curative, spiritual, and economic powers of plants. The project addresses "botanical nationalism" and "flower diplomacy" during apartheid; plant migration; the role and legacies of the imperial classification and naming of plants; bioprospecting and biopiracy; and the garden planted by Nelson Mandela and his fellow inmates at Robben Island prison. This publication is made up of two intertwining books: one documents the works of Theatrum Botanicum, including the scripts for two films; the second is a compendium of brief, commissioned essays that aims to offer an accessible snapshot of the complex and multifaceted issues that inform and are raised by the artworks. The independent but interrelated essays, which either speak directly to the artworks or follow lines of inquiry alongside them, cover perspectives from postcolonial cultural studies; art criticism and art history; natural history, botany (including ethnobotany and economic botany), and conservation; jurisprudence and critical legal studies; and critical race studies.
Aidann Thompson was a regular kid, a good student, letterman athlete, and a stellar cook. But then he graduated high school and all hell breaks loose, literally. With a visit from an very old friend, his world is turned upside down and backwards as he finds out what has been laying dormant in him until now. All of a sudden he finds out that he has to become an Archangel, a warrior for the council of God, who creates the finest weapons and armaments a heavenly host has ever been armed with. Now he needs to discover his past, and prepare for the onslaught.