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The Umbanda religion summons the spirits of old slaves and Brazilian Indians to speak through the mouths of mediums in trance. Its practitioners worship African gods, often calling them by the names of Catholic saints; simultaneously embrace the concepts of karma, reincarnation, and Christian charity; and believe in the capacities of both modern science and ancient magic. A relatively new religion dating to the beginning of the twentieth century, Umbanda has its origins in Rio de Janeiro and its surrounding urban areas where Afro-Brazilians, many ex-slaves or the descendants of slaves, practiced versions of the religion handed down to them by their ancestors. Umbanda's popularity has grown tremendously over the past century, attracting not only those who seek the assistance of spirits in solving problems in their lives, but those in pursuit of a path to a rich spiritual life and a fellowship of faith and service. Over the course of nearly a decade, Lindsay Hale spent countless hours attending rituals and festivals and interviewing participants of Umbanda, immersing himself in this fascinating religious world. In describing its many aspects and exploring its unique place within the lives of a wide variety of practitioners, Hale places Umbanda spiritual beliefs and practices within the broader context of Brazilian history and culture.
The history and development of the Brazilian religion Umbanda are explored in this text. The author describes the defining features of the religion, its practices, followers and beliefs, its dramatic geographical spread across the country, and its relationship to rapid urban growth.
This authoritative volume offers a comprehensive exploration of Umbanda, meticulously crafted for both academic researchers and religious practitioners. As the most detailed analysis of Umbanda ever written in English, it covers the religion’s history, deities, hierarchies of entities, essential tools, rituals, and temple practices. Each chapter methodically unpacks a critical aspect of Umbanda: from ancient mythology and its more recent syncretic roots to its modern-day practices and the role of Brazil’s socio-political background in shaping it. Altar setups, chants, the role and composition of offerings, and the occult details of mediumistic channelling are explored with the precision and insight of a seasoned practitioner. Tailored specifically for English-speaking readers, this work ensures precise translations of key terms and names, bridging cultural gaps while maintaining the integrity of Umbanda’s spiritual and ritualistic essence. The translations are crafted to facilitate a deep understanding of Umbanda, ensuring the content is accessible and resonates without sounding categorically foreign or rather exotic. Topics Covered Include ● The historical, sociological, and political contexts that shaped Umbanda ● The religion's theological evolution and doctrinal development ● Orishas, spiritual hierarchies, and mythological narratives ● Temple layout, ritual implements, and the significance of sacred offerings ● The traditions of spiritual channelling and their hidden rites ● Essential images ● A comprehensive glossary of key terms and concepts The Book of Umbanda is an essential reference for students, educators, scholars, and practitioners of the religion from diverse backgrounds and life experiences. It also holds significant value for professionals and academics across various disciplines, including sociology, anthropology, cultural studies, philosophy, theology, and history.
This volume explains how a multi-faith community in Brazil uses music both to combine and segregate three Afro-Brazilian religions: Batuque, Umbanda, and Quimbanda. It is a book-length study in English about music in Afro-Brazilian religions, which have synthesized African religions, folk Catholicism, Amerindian traditions, and in some cases European Spiritism.
Every January millions of people crowd the seashore to receive the blessings of lemanja, goddess of the sea. All year long in terreiros in Brazil and around the world, Orixa worshipers revel in the divine presence of the living Gods, directly...
Searching for Africa in Brazil is a learned exploration of tradition and change in Afro-Brazilian religions. Focusing on the convergence of anthropologists’ and religious leaders’ exegeses, Stefania Capone argues that twentieth-century anthropological research contributed to the construction of an ideal Afro-Brazilian religious orthodoxy identified with the Nagô (Yoruba) cult in the northeastern state of Bahia. In contrast to other researchers, Capone foregrounds the agency of Candomblé leaders. She demonstrates that they successfully imposed their vision of Candomblé on anthropologists, reshaping in their own interest narratives of Afro-Brazilian religious practice. The anthropological narratives were then taken as official accounts of religious orthodoxy by many practitioners of Afro-Brazilian religions in Brazil. Capone draws on ten years of ethnographic fieldwork in Salvador de Bahia and Rio de Janeiro as she demonstrates that there is no pure or orthodox Afro-Brazilian religion. Challenging the usual interpretations of Afro-Brazilian religions as fixed entities, completely independent of one another, Capone reveals these practices as parts of a unique religious continuum. She does so through an analysis of ritual variations as well as discursive practices. To illuminate the continuum of Afro-Brazilian religious practice and the tensions between exegetic discourses and ritual practices, Capone focuses on the figure of Exu, the sacred African trickster who allows communication between gods and men. Following Exu and his avatars, she discloses the centrality of notions of prestige and power—mystical and religious—in Afro-Brazilian religions. To explain how religious identity is constantly negotiated among social actors, Capone emphasizes the agency of practitioners and their political agendas in the “return to roots,” or re-Africanization, movement, an attempt to recover the original purity of a mythical and legitimizing Africa.
• Explains how Kimbanda’s presiding deity Eshu embodies both masculine and feminine principles, both god and devil, and thus represents human nature itself with all its vices and virtues • Discusses Kimbanda’s magical practices, initiation rites, sacred knives, and sacrificial offerings • Details the seven realms and the entities that inhabit and govern each of them Although it has been demonized as a form of Satanic cult, Kimbanda--the tradition of Afro-Brazilian black magic--is a spiritual practice that embraces both the light and dark aspects of life through worship of the entities known as Eshu and Pombajira. Exploring the history and practice of Kimbanda, also known as Quimbanda, Diego de Oxóssi builds a timeline from the emergence of Afro-Brazilian religions in the 17th century when African slaves were first brought to Brazil, through the development of Orisha cults and the formation of Candomblé, Batuque, Macumba, and Umbanda religious practices, to the modern codification of Kimbanda by Mãe Ieda do Ogum in the 1960s. He explains how Kimbanda’s presiding deity Eshu Mayoral embodies both masculine and feminine principles, both god and devil, and thus represents human nature itself with all its vices and virtues. Discussing the magical practices, initiation rites, and spiritual landscape of Kimbanda, the author explains how there are seven realms, each with nine dominions, and he discusses the entities that inhabit and govern each of them. The author explores spirit possession and Kimbanda’s sacrificial practices, which are performed in order to honor and obtain the blessing of the entities of the seven realms. He discusses the sacred knives of the practice and the role each plays in it. He also explores the 16 zimba symbols and sigils used to attract the spirits most apt to realizing the magician’s will as well as traditional enchantment songs to summon and work with those spirits. Offering an accessible guide to Kimbanda, the author shows that this religion of the people is popular because it recognizes the dark and light sides of human morality and provides a way to interact with the deities to produce direct results. DIEGO DE OXÓSSI is a Chief of Kimbanda and Orishas Priest. For more than 20 years he has been researching and presenting courses, lectures, and workshops on pagan and African-Brazilian religions. He writes a weekly column at CoreSpirit.com and is the publisher at Arole Cultural. He lives in São Paulo, Brazil.
Umbanda is an urban 20th-century phenomenon, often described in the literature as Brazil¿s first ¿national¿¿or truly ¿Brazilian¿¿ religion. Early on, Umbanda was thought to bridge elitist forms of European-derived spirit mediumship and racially stigmatized Afro-Brazilian traditions. Through analysis of narratives of spirit possession and mediumship, we discover how Umbandists experience a creative dialogue between cultural norms and a cosmos that often transcends them. In Umbanda it is through the body, its senses, and its experience that the spirits become present. The fascinating life stories and narratives of a variety of practitioners are the heart of this book of the experiences that are Umbanda.
Get ready to launch yourself on an incredible journey into a fascinating cultural force and powerful magical system. Born in turn-of-the-century Brazil, the vibrant magical religions of Umbanda, Macumba, Spiritism, and Candomblé combined ecstatic African traditions with European Spiritualism. They share much in common with Wicca, shamanism, and even ceremonial magic. This book is an insider's look at their practices, practices that you can incorporate into your own workings. Call on the powers of the Orixás, the gods of the Afro-Brazilian pantheon; practice their spellwork and rituals, trance and mediumship; experience the energies of tropical botanicals used in magic and healing; and sample Afro-Brazilian cuisine: the foods of the gods. This book: Presents authentic Brazilian magic from a Portuguese and Brazilian scholar. The author has attended ceremonies, interviewed heads of sects, recorded music, and collected artifacts for this book Deepens understanding of channeling, color magic, drumming, nature religions, naturopathic healing, even psychotherapy Introduces a refreshing perspective with important lessons for practitioners of all religions
Candomble is an African-Brazilian religion that has over two million adherents throughout Brazil, but also in the Americas and in Europe. Despite the popularity of Candomble, many people still confuse the religion with a cult, or perceive it as part of other religions, such as Spiritualism, Umbanda, or even non-orthodox Catholicism. Candomble is an independent religion with a composite philosophical base derived from a number African cultures, and has its own corpus of orally-transmitted texts, ancient rituals, and organic lifestyle. Initiation into Candomble takes the reader through the foundational ideas and practices of this composite religion, guided by an author who is not only a scholar but also a practitioner of Candomble.