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Age range 14+ Sean hasn't been able to speak a word since he was put into care, and is sent to live with his grandad, a retired author whom he has never met before. Suddenly living an affluent life, nothing like the world of the estate he grew up in, where gangs run the streets and violence is around every corner, Sean spends his time drawing, sculpting and reading his grandad's stories. But his grandad has secrets of his own in his past. As he retreats to the shed, half-buried in his treasured garden, Sean finds one of his stories about 'The Baku', a creature that eats the fears of children. Plagued by nightmares, with darkness spreading through the house, Sean must finally face the truth if he's to have a chance to free himself and his grandfather from the grip of the Baku.
Baku, the capital of Azerbaijan and formerly part of the Russian Empire and Soviet Union, is the original oil city, with oil and urbanism thoroughly intertwined--economically, politically, and physical--in the city's fabric. Baku saw its first oil boom in the late nineteenth century, driven by the Russian branch of the Nobel family modernizing the oil fields around Baku as local oil barons poured their new wealth into building a cosmopolitan city center. During the Soviet period, Baku became the site of an urban experiment: the shaping of an oil city of socialist man. That project included Neft Dashlari, a city built on trestles in the Caspian Sea and designed to house thousands of workers, schools, shops, gardens, clinics, and cinemas as well as 2,000 oil rigs, pipelines, and collecting stations. Today, as it heads into an uncertain post-oil future, Baku's planners and business elites regard the legacy of its past as a resource that sustains new aspirations and identities. Richly illustrated with historical images and archival material, this book tells the story of the city, paying particular attention to how the disparate spatial logics, knowledge bases, and practices of oil production and urban production intersected, affected, and transformed one another creating an urban cultural environment unique among extraction sites. The book also features a new photo essay by celebrated photographer Iwan Baan.
Within the city of Vancouver, and amongst the deep wilderness of B.C. dwells the Barrier Kult. They're an assembly of incognito professional skateboarders that ritualize their skill on concrete barriers. The team was created ten years ago by Deer Man of Dark Woods and Depth Leviathan Dweller, who decided to adorn a mask of anonymity after growing tired of the repetition of the professional skate world. One would argue that the Barrier Kult's entire way of skating is repetitive, but the team takes this as a challenge to land big tricks... on stone cold concrete. BA. KU.resembles a religious cult and is likewise intricate and timeless. The skaters' ages range from early twenties, to mid-forties, with members spread around the world and meet up in Vancouver, (or wherever there is a proper barrier) when it comes time to collect footage for a video/film. Though alchemy and other ritual practices interest the Barrier Kult, their true roots lie in music and nature. The team is promoted by and has worked with countless bands in the black metal/noise community and feels that the genre has been able to loan the group its face and image. By connecting with these heavy musical influences,BA. KU.has been able to grow a loyal fan base that is not concerned with who may be behind the balaclava mask. While watching the team perform, the vast nature of B.C. creates the atmosphere, and war metal amplifies the experience. Most of skateboarding culture has been linked to punk, rap, metal and other similar genres, so the rookie members ofBA. KU.are all proud to sport the musical inspirations of the organization.
Ronald Grigor Suny examines the Revolution in Baku, important provincial capital and oil center of the Russian empire. His study of Baku's national and class conflicts, Bolshevism as it developed in the city, and the failure of the Commune in 1918 amends our picture of the Revolution as the work of a highly conspiratorial party, seizing power by force and imposing its will on a reluctant population by terror. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
In its first years as an independent state, Azerbaijan was a prime example of post-Soviet chaos - beset by coups and civil strife and astride an ethnic, political and religious divide. Author Goltz was detoured in Baku in mid-1991 and decided to stay, this diary is the record of his experiences.
Spanning three generations and stretching from the 1940s to the 1990s, the four distinct parts that make up Solar Plexus intertwine to tell the tale of a group of friends who grew-up around the same courtyard in Baku. Each section is told from a different perspective as the friends’ passions, deceits, rivalries and disappointments play out against the shifting turmoil of those decades: from the Great Patriotic War and Stalin’s Purges, to the industrial institutes and Russification of the ’50s and ’60s, through to the struggle for independence and violence of the early ’90s.
In this collection of paranormal short stories, Takeshi Uesugi finds out that he is the reincarnation of the Baku, a spirit that devours peoples nightmares, while Mephist helps ghosts, demons, and other supernatural spirits.
Fans of adult coloring books will love the intricate, imaginative illustrations of mythological creatures including dragons, unicorns, griffins, and more in this extreme coloring and search challenge book—the perfect gift for coloring addicts. The awesomely detailed style fans have come to know and love through Kerby Rosanes' New York Times bestselling coloring books—Animorphia, Imagimorphia, Fantomorphia, and Geomorphia—comes to vivid life in this coloring book featuring mythical creatures that morph and explode into astounding detail. Bring each imagination-bending image alive with color and find the objects hidden throughout the pages of this fantastical coloring book.
Karina Yesayeva Khachatorian is an Armenian who grew up in the cosmopolitan city of Baku, Azerbaijan, part of the USSR. However, underlying tensions between the Armenian population and the Azerbaijanis erupted into violence. This is the story of what happened to one family as they fled their home and immigrated to the United States.
The Azerbaijani people have been divided between Iran and the former Soviet republic of Azerbaijan for more than 150 years, yet they have retained their ethnic identity. The collapse of the Soviet Union and the emergence of an independent Azerbaijan have only served to reinforce their collective identity. In Borders and Brethren, Brenda Shaffer examines trends in Azerbaijani collective identity from the period of the Islamic Revolution in Iran through the Soviet breakup and the beginnings of the Republic of Azerbaijan (1979-2000). Challenging the mainstream view in contemporary Iranian studies, Shaffer argues that a distinctive Azerbaijani identity exists in Iran and that Azerbaijani ethnicity must be a part of studies of Iranian society and assessments of regime stability in Iran. She analyzes how Azerbaijanis have maintained their identity and how that identity has assumed different forms in the former Soviet Union and Iran. In addition to contributing to the study of ethnic identity, the book reveals the dilemmas of ethnic politics in Iran.