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The crowning jewel of medieval Hebrew rhymed prose in vigorous translation vividly illuminates a lost Iberian world. With full scholarly annotation and literary analysis.
V.I:Aach-Apocalyptic lit.--V.2: Apocrypha-Benash--V.3:Bencemero-Chazanuth--V.4:Chazars-Dreyfus--V.5: Dreyfus-Brisac-Goat--V.6: God-Istria--V.7:Italy-Leon--V.8:Leon-Moravia--V.9:Morawczyk-Philippson--V.10:Philippson-Samoscz--V.11:Samson-Talmid--V.12: Talmud-Zweifel.
Analysing well-known Hebrew medieval poets from a new, refreshing standpoint and focusing on less known authors and periods, this book shows the maturity of the research in this field. Written in English (and French) the articles make the Hebrew texts more easily available to scholars of comparative literature.
The year 1492 has long divided the study of Sephardic culture into two distinct periods, before and after the expulsion of Jews from Spain. David A. Wacks examines the works of Sephardic writers from the 13th to the 16th centuries and shows that this literature was shaped by two interwoven experiences of diaspora: first from the Biblical homeland Zion and later from the ancestral hostland, Sefarad. Jewish in Spain and Spanish abroad, these writers negotiated Jewish, Spanish, and diasporic idioms to produce a uniquely Sephardic perspective. Wacks brings Diaspora Studies into dialogue with medieval and early modern Sephardic literature for the first time.
Unveiling the Hidden—Anticipating the Future investigates the Jewish components of Jewish divination, showing practitioners and their practices within their cultural and intellectual contexts, along with their fears, wishes, and anxieties, drawing from original sources in Hebrew, Aramaic, and Judaeo-Arabic.
Widely regarded as the crowning jewel of Heberew maqama literature (rhymed prose interspersed with verse) this book introduces a somewhat roguish protagonist, Hever the Kenite, often disguised as a teacher, beggar, adventurer, debater, or magician. Whether preaching, spinning history or fantasy, or working a crowd, Hever the Kenite is ever the consummate storyteller and wordsmith enlightening or astounding his listeners. The author displays great scope, moving from prayers to tales of battlefield carnage, from philosophic reflection to droll satire targeting the pompous, the ignorant and the mean. David Simha Segal's translation captures the richness and wit of Judah Alharizi, an important Spanish medieval poet, and Segal's explications and analyses identify numerous allusions and illuminate the text's subtleties.
Encyclopedic in scope and heroically audacious, The Novel: An Alternative History is the first attempt in over a century to tell the complete story of our most popular literary form. Contrary to conventional wisdom, the novel did not originate in 18th-century England, nor even with Don Quixote, but is coeval with civilization itself. After a pugnacious introduction, in which Moore defends innovative, demanding novelists against their conservative critics, the book relaxes into a world tour of the pre-modern novel, beginning in ancient Egypt and ending in 16th-century China, with many exotic ports-of-call: Greek romances; Roman satires; medieval Sanskrit novels narrated by parrots; Byzantine erotic thrillers; 5000-page Arabian adventure novels; Icelandic sagas; delicate Persian novels in verse; Japanese war stories; even Mayan graphic novels. Throughout, Moore celebrates the innovators in fiction, tracing a continuum between these pre-modern experimentalists and their postmodern progeny. Irreverent, iconoclastic, informative, entertaining-The Novel: An Alternative History is a landmark in literary criticism that will encourage readers to rethink the novel.
“This well-written, accessible [essay] collection demonstrates a maturation in Jewish studies and medieval philosophy” (Choice). Too often the study of philosophical texts is carried out in ways that do not pay significant attention to how the ideas contained within them are presented, articulated, and developed. This was not always the case. The contributors to this collected work consider Jewish philosophy in the medieval period, when new genres and forms of written expression were flourishing in the wake of renewed interest in ancient philosophy. Many medieval Jewish philosophers were highly accomplished poets, for example, and made conscious efforts to write in a poetic style. This volume turns attention to the connections that medieval Jewish thinkers made between the literary, the exegetical, the philosophical, and the mystical to shed light on the creativity and diversity of medieval thought. As they broaden the scope of what counts as medieval Jewish philosophy, the essays collected here consider questions about how an argument is formed, how text is put into the service of philosophy, and the social and intellectual environment in which philosophical texts were produced.