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The Book of Stone examines the evolution of the terrorist mentality and the complexities of religious extremism, as well as how easily a vulnerable mind can be exploited for dark purposes. Matthew Stone has inherited a troubling legacy: a gangster grandfather and a distant father—who is also a disgraced judge. After his father’s death, Matthew is a young man alone. He turns to his father’s beloved books for comfort, perceiving within them guidance that leads him to connect with a group of religious extremists. As Matthew immerses himself in this unfamiliar world, the FBI seeks his assistance to foil the group’s violent plot. Caught between these powerful forces, haunted by losses past and present, and desperate for redemption, Matthew charts a course of increasing peril—for himself and for everyone around him. Lyrical and incendiary, The Book of Stone is a masterfully crafted novel that reveals the ambiguities of “good” and “evil”.
In this interdisciplinary work, William L. Davis examines Joseph Smith's 1829 creation of the Book of Mormon, the foundational text of the Latter Day Saint movement. Positioning the text in the history of early American oratorical techniques, sermon culture, educational practices, and the passion for self-improvement, Davis elucidates both the fascinating cultural context for the creation of the Book of Mormon and the central role of oral culture in early nineteenth-century America. Drawing on performance studies, religious studies, literary culture, and the history of early American education, Davis analyzes Smith's process of oral composition. How did he produce a history spanning a period of 1,000 years, filled with hundreds of distinct characters and episodes, all cohesively tied together in an overarching narrative? Eyewitnesses claimed that Smith never looked at notes, manuscripts, or books—he simply spoke the words of this American religious epic into existence. Judging the truth of this process is not Davis's interest. Rather, he reveals a kaleidoscope of practices and styles that converged around Smith's creation, with an emphasis on the evangelical preaching styles popularized by the renowned George Whitefield and John Wesley.
His daughter's request for a book prompts a stonemason to reveal the secret of the stone to her.
Marion and Shiva Stone are twin brothers born of a secret union between a beautiful Indian nun and a brash British surgeon. Orphaned by their mother’s death and their father’s disappearance and bound together by a preternatural connection and a shared fascination with medicine, the twins come of age as Ethiopia hovers on the brink of revolution. Moving from Addis Ababa to New York City and back again, Cutting for Stone is an unforgettable story of love and betrayal, medicine and ordinary miracles—and two brothers whose fates are forever intertwined.
Stone Barrington is faced with the biggest challenge of his life as Stuart Woods’s #1 New York Times bestselling series continues... After an eventful trip to Bel-Air and a reunion with his sophisticated (and very wealthy) former love, Arrington Calder, confirmed bachelor Stone Barrington is looking to stay in New York and cash in on his partnership at Woodman & Weld. Not only is he a rainmaker of one of the riches white-shoe law firms in town, he’s back in his element. Manhattan, after all, is his home, and no one is better than Stone at navigating both its shadowy underworlds and its chic society. But Arrington has other plans for Stone, and his life is about to take a turn he never imagined...
“The perfect YA thriller for right now—think John Grisham meets John Green.” —Margaret Stohl, New York Times bestselling author of Beautiful Creatures “Gripping and twisty, but also filled with heart. A fun must-read.” —Melissa de la Cruz, New York Times bestselling author of Alex and Eliza “An enthralling plot of power, greed, and murder.” —Kirkus Reviews “A YA version of the TV show Scandal, and it is just as addictive.” —Publishers Weekly From debut author Peter Stone comes a heart-stopping, pulse-pounding political thriller that’s perfect for fans of Ally Carter and House of Cards. When recent high school graduate Cameron Carter lands an internship with Congressman Billy Beck in Washington, DC, he thinks it is his ticket out of small town captivity. What he lacks in connections and Beltway polish he makes up in smarts, and he soon finds a friend and mentor in fellow staffer Ariel Lancaster. That is, until she winds up dead. As rumors and accusations about her death fly around Capitol Hill, Cameron’s low profile makes him the perfect candidate for an FBI investigation that he wants no part of. Before he knows it—and with his family’s future at stake—he discovers DC’s darkest secrets as he races to expose a deadly conspiracy. If it doesn’t get him killed first.
When forbidden desire becomes something deeper, the past is exposed, and the betrayal is more than expected.Krystina I'm flawed and damaged. My capacity for love is limited, and I'm the only one who can repair the pieces of my shattered heart.But that was before meeting Alexander Stone. Now, he is everywhere I turn-in my mind, in my heart, and in my soul. I can't deny him. He's the glue holding my soul together. He's my addiction, and I'm unable to stay away. But committing to love Alexander is only the beginning. When he's blackmailed about a secret he's kept since childhood, everything we fought to overcome is threatened. It rocks the fragile foundation on which our relationship is built-trust. Alexander I have rules. Krystina breaks them. She's strong, determined, devastatingly beautiful-and stubborn as hell. Her quick wit and firecracker attitude is the complete opposite of what I want in a woman. But I still want to claim her, tame her, and make her mine. I can't get her out of my mind.However, being with someone like her is a risk. I have too many secrets. Surrendering the truth about my father's murder would be devastating-not only to the empire that I worked so hard to build, but to my very identity.Follow the journey of Alexander Stone and Krystina Cole in The Stone Series, a heart-wrenching and seductively steamy three-book series.
A roman à clef about racism, identity, and bohemian living amidst the tensions and violence of Algerian War-era France, and one of the earliest published accounts of the Paris massacre of 1961. As a teenager, Simeon Brown lost an eye in a racist attack, and this young African American journalist has lived in his native Philadelphia in a state of agonizing tension ever since. After a violent encounter with white sailors, Simeon makes up his mind to move to Paris, known as a safe haven for black artists and intellectuals, and before long he is under the spell of the City of Light, where he can do as he likes and go where he pleases without fear. Through Babe, another black American émigré, he makes new friends, and soon he has fallen in love with a Polish actress who is a concentration camp survivor. At the same time, however, Simeon begins to suspect that Paris is hardly the racial wonderland he imagined: The French government is struggling to suppress the revolution in Algeria, and Algerians are regularly stopped and searched, beaten, and arrested by the French police, while much worse is to come, it will turn out, in response to the protest march of October 1961. Through his friendship with Hossein, an Algerian radical, Simeon realizes that he can no longer remain a passive spectator to French injustice. He must decide where his true loyalties lie.
There once may have been 250,000 miles of stone walls in America's Northeast, stretching farther than the distance to the moon. They took three billion man-hours to build. And even though most are crumbling today, they contain a magnificent scientific and cultural story-about the geothermal forces that formed their stones, the tectonic movements that brought them to the surface, the glacial tide that broke them apart, the earth that held them for so long, and about the humans who built them. Stone walls layer time like Russian dolls, their smallest elements reflecting the longest spans, and Thorson urges us to study them, for each stone has its own story. Linking geological history to the early American experience, Stone by Stone presents a fascinating picture of the land the Pilgrims settled, allowing us to see and understand it with new eyes.
Stone maps the force, vivacity, and stories within our most mundane matter, stone. For too long stone has served as an unexamined metaphor for the “really real”: blunt factuality, nature’s curt rebuke. Yet, medieval writers knew that stones drop with fire from the sky, emerge through the subterranean lovemaking of the elements, tumble along riverbeds from Eden, partner with the masons who build worlds with them. Such motion suggests an ecological enmeshment and an almost creaturely mineral life. Although geological time can leave us reeling, Jeffrey Jerome Cohen argues that stone’s endurance is also an invitation to apprehend the world in other than human terms. Never truly inert, stone poses a profound challenge to modernity’s disenchantments. Its agency undermines the human desire to be separate from the environment, a bifurcation that renders nature “out there,” a mere resource for recreation, consumption, and exploitation. Written with great verve and elegance, this pioneering work is notable not only for interweaving the medieval and the modern but also as a major contribution to ecotheory. Comprising chapters organized by concept —“Geophilia,” “Time,” “Force,” and “Soul”—Cohen seamlessly brings together a wide range of topics including stone’s potential to transport humans into nonanthropocentric scales of place and time, the “petrification” of certain cultures, the messages fossils bear, the architecture of Bordeaux and Montparnasse, Yucca Mountain and nuclear waste disposal, the ability of stone to communicate across millennia in structures like Stonehenge, and debates over whether stones reproduce and have souls. Showing that what is often assumed to be the most lifeless of substances is, in its own time, restless and forever in motion, Stone fittingly concludes by taking us to Iceland⎯a land that, writes the author, “reminds us that stone like water is alive, that stone like water is transient.”