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Garrick Allen brings the Book of Revelation into the broader context of early Jewish literature. He touches on several areas of scholarly inquiry in biblical studies, including modes of literary production, the use of allusions, practices of exegesis and early engagements with the Book of Revelation.
The Book of Revelation is a disorienting work, full of beasts, heavenly journeys, holy war, the End of the Age, and the New Jerusalem. It is difficult to follow the thread that ties the visions together and to makes sense of the work's message. In Manuscripts of the Book of Revelation, Garrick Allen argues that one way to understand the strange history of Revelation and its challenging texts is to go back to its manuscripts. The texts of the Greek manuscripts of Revelation are the foundation for the words that we encounter when we read Revelation in a modern Bible. But the manuscripts also tell us what other ancient, medieval, and early modern people thought about the work they copied and read. The paratexts of Revelation--the many features of the manuscripts that help readers to interpret the text--are one important point of evidence. Incorporating such diverse features like the traditional apparatus that accompanies ancient commentaries to the random marginal notes that identify the true identity of the beast, paratexts are founts of information on how other mostly anonymous people interpreted Revelation's problem texts. Allen argues that manuscripts are not just important for textual critics or antiquarians, but that they are important for scholars and serious students because they are the essential substance of what the New Testament is. This book illustrates ways that the manuscripts illuminate surprising answers to important critical questions. We can learn to 'read' the manuscripts even if we don't know the language.
The Book of Revelation and Early Jewish Textual Culture explores the relationship between the writing of Revelation and its early audience, especially its interaction with Jewish Scripture. It touches on several areas of scholarly inquiry in biblical studies, including modes of literary production, the use of allusions, practices of exegesis, and early engagements with the Book of Revelation. Garrick Allen brings the Book of Revelation into the broader context of early Jewish literature, including the Dead Sea Scrolls and other important works. Arguing that the author of the New Testament Apocalypse was a 'scribal expert, someone who was well-versed in the content of Jewish Scripture and its interpretation', he demonstrates that John was not only a seer and prophet, but also an erudite reader of scripture.
Positions Revelation within an ancient Jewish context and demonstrates how the author used humor to resist Roman power.
Originally published in 1928, this book contains a revision of the English translation of the biblical book of Revelation, first done by John Oman in 1923. Oman makes some key changes to his earlier publication, especially with regards to the length and number sections into which he divided the book, as well as some alterations to the translation. The original Greek text is presented on each facing page of the English, and a brief analysis is provided at the end to supplement the longer analysis in the 1923 version. This book will be of value to anyone with an interest in biblical commentary and the preservation and transmission of biblical texts.
The book of Revelation is a disorienting work, full of beasts, heavenly journeys, holy war, the End of the Age, and the New Jerusalem. It is difficult to follow the thread that ties the visions together and to makes sense of the work's message. This book argues that one way to understand the strange history of Revelation and its challenging texts is to go back to its manuscripts. The texts of the Greek manuscripts of Revelation are the foundation for the words that we encounter when we read Revelation in a modern Bible. But the manuscripts also tell us what other ancient, medieval, and early modern people thought about the work they copied and read. The paratexts of Revelation-the many features of the manuscripts that help readers to navigate and interpret the text-are one important point of evidence.
Shows, with solid reasons, that the Book of Revelation has a literary form, similar to the short story.
The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.
In this book, Benjamin Wold builds on recent developments in the study of early Jewish wisdom literature and brings it to bear on the New Testament. This scholarship has been transformed by the discovery at Qumran of more than 900 manuscripts, including Hebrew wisdom compositions, many of which were published in critical editions beginning in the mid-1990s. Wold systematically explores the salient themes in the Jewish wisdom worldview found in these scrolls. He also presents detailed commentaries on translations and articulates the key debates regarding Qumran wisdom literature, highlighting the significance of wisdom within the context of Jewish textual culture. Wold's treatment of themes within the early Jewish and Christian textual cultures demonstrates that wisdom transcended literary form and genre. He shows how and why the publication of these ancient texts has engendered profound shifts in the study of early Jewish wisdom, and their relevance to current controversies regarding the interpretation of specific New Testament texts.