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Even in an era of expanding methodologies for biblical studies, psalms study seems to be stuck in the old tracks of form criticism. While often beneficial, form criticism excludes two important ways of reading the psalms: that of reading the psalms with the narratives of the Hebrew Scriptures as the historical superscriptions suggest, and that of a feminist reading by expanding an exclusive focus on the cult. This book looks to correct these problems by investigating the psalms via intertextual method, both by seeing the psalms as intertextual - made up of a multitude of other texts - and by reading the psalms intertextually with texts outside the psalms. This book also introduces the reader to the variety of intertextual theories in the literary guild and develops an intertextual hermeneutic of biblical study based on these theories that bridges the gap between literary theory and the practice of biblical interpretation.
When reading the Psalter, the sequencing of individual psalms is often overlooked or taken for granted, and it is easy to assume that the psalms’ placement results purely from happenstance. The present volume, however, assumes that strategic approaches to juxtaposition, which editors and arrangers apply elsewhere in the Hebrew Bible, were similarly adopted in the arrangement of the Psalter. Furthermore, the Intertextual Commentary illuminates the vast array of biblical texts employed by the psalmists. In addition to the commonly recognized literary tool kit available to biblical poets (parallelism, metaphor, anthropomorphism, chiasmus, etc.), the poets relied heavily on inner-biblical allusion and exegesis to construct their compositions. Primarily adopting a diachronic approach, Emanuel isolates literary sources employed by the psalmists, and further postulates how the psalmists wove specific words and phrases into the fabric of their compositions.
Good poetry is like a good painting: the more you linger over it, the more it reveals. It is a deep well that never runs dry. And that is why the Psalter, like a good painting, keeps giving. In the last four decades, Psalms scholarship has found remarkable fruitfulness in reading the Psalter as a book—that is, in reading the Psalms as a unified composition with a metanarrative across its 150 poems. Pivotal questions associated with this approach really boil down to two questions—how and why? How are individual psalms sequenced, if at all, and what is the design logic behind that macrostructure? This volume seeks to answer those questions. In essence, the Psalter unfurls the story of the Davidic covenant. While interest in the editing of the Psalter remains high in recent Psalms scholarship, this interest has not led to clear consensus. The specific and timely contribution of this volume is twofold. First, it consolidates the results of studies on groups of psalms. Second, it integrates poetic and thematic approaches that are typically separated in Psalms scholarship. Readers will find results of this study surprising and their implications sobering.
This book offers a refreshing new look at the Book of Psalms, presenting an analysis of the postmodern elements found in its poetry, and, as such, will be of special interest to scholars in the field of literature and Bible studies. The book highlights the continued relevance of the Book of Psalms as a source of sustenance and comfort, and as an enduring practical handbook for life.
Reflecting the combined insights and strengths of three superior biblical scholars, this book is the most complete and detailed one-volume commentary available on the Psalms. Nancy deClaisse-Walford, Rolf Jacobson, and Beth LaNeel Tanner offer a succinct introduction to the Psalter, a new translation of all the psalms that takes special account of the Dead Sea Scrolls, and individual entries on each psalm unit. Throughout their commentary they drew on state-of-the-art research on the canonical shape and shaping of the Psalter and give nuanced attention to the poetic nature of the psalms.
This volume explores the fundamentals of intertextual methodology and summarizes recent scholarship on studies of intertextuality in the deuterocanonical books. The essays engage in comparison and analysis of text groups and motifs between canonical, deuterocanonical and non-biblical texts. Moreover, the book pays close attention to non-literary relationships between different traditions, a new feature of research in intertextuality.
Scholars of the social sciences have devoted more and more attention of late to the concept of human happiness, mainly from sociological and psychological perspectives. This volume, which includes essays from scholars of the New Testament, the Old Testament, systematic theology, practical theology, and counseling psychology, poses a new and exciting question: what is happiness according to the Bible? Informed by developments in positive psychology, The Bible and the Pursuit of Happiness explores representations of happiness throughout the Bible and demonstrates the ways in which these representations affect both religious and secular understandings of happiness. In addition to the twelve essays, the book contains a framing introduction and epilogue, as well as an appendix of all the terms used in reference to happiness in the Bible. The resulting volume, the first of its kind, is a highly useful and remarkably comprehensive resource for the study of happiness in the Bible and beyond.
Feminist biblical interpretation has reached a level of maturity that now makes possible a commentary series on every book of the Bible. It is our hope that Wisdom Commentary, by making the best of current feminist biblical scholarship available in an accessible format ... will aid readers in their advancement toward God's vision of dignity, equality, and justice for all. - Book jacket.
Tremper Longman III and Peter E. Enns edit this collection of 148 articles by over 90 contributors on Job, Psalms, Proverbs, Ecclesiastes, Song of Songs, Lamentations, Ruth and Esther.
Every life, and every land and people, has reasons for lament and complaint. This collection of essays explores the biblical foundations and the contemporary resonances of lament literature. This new work presents a variety of responses to tragedy and a world out of joint are explored. These responses arise from Scripture, from within the liturgy of the church, and from beyond the church; in contemporary life (the racially conflicted land of Aotearoa- New Zealand, secular music concerts and cyber-space).The book thus reflects upon theological and pastoral handling of such experience, as it bridges these different worlds. It brings together in conversation specialists from different fields of academy and church to provide a resource for integrating faithand scholarship in dark places.