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Prepare your little readers for the new normal with this interactive lift-the-flap book that reveals the familiar and friendly faces behind personal protection masks. In the morning I pick out a mask to wear. Today is a perfect day to be a dragon. What sound do dragons make under their masks? Roar! This lift-the-flap book combines imaginative play and health safety, and leads you and your child through a busy day wearing masks. Follow the life of a mask from when you pick out a mask in the morning; to school where your teacher wears a mask; and to the end of the day when you wash your mask clean. Each page features colorful and exciting masks that you can lift to discover a familiar face! Who's behind that unicorn mask? Your best friend! And who's behind the mask with teddy bears on it? Your doctor, of course! This interactive book, paired with illustrator Junissa Bianda's bright, comforting art, will alleviate little ones' anxieties and fears of masks. Help kids get used to masks at their own pace, and in the safety of their own space.
Hwang Sun-won, a prolific storyteller, astonished the critics with his collection The Book of Masks, published when he was over sixty, with its intensity and psychological depth.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Many books have one story, one journey. For Book of Masks, however, not everything is as it seems. Though this is one book, there are five stories, five different journeys. Alex is a misunderstood kid, but so is Will, Brian, Hunter, and Danny. Each of them must find solutions to their issues and do so both through personal action and through the help of some mystical characters, including Father Christmas. With faith and magic, these kids will see beyond the darkness of their own pain and beyond their masks into the world around them. Whether you relate to the misunderstood, the misunderstanding, or the guiding friends of these stories; perhaps this book will help you to look beyond the masks. Not everything is black and white, good and evil. Sometimes there are shades of gray. Sometimes there is more than just a mask and more than just a story.
Excerpt from The Book of Masks We will stroll through this rich, dark orchard and sit down for a moment at the foot of the strongest, fairest, and most agreeable trees. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
To take critical questions seriously, even passionately, is one of the marks of a genuinely civilized society. It points to both personal disinterestedness and to an imaginative absorption in fundamentals. The American who watches eagerly some tilt in that great critical battle which has gone on for ages and has now reached our shores, is released from his slavery to the immediate and the parochial; he has ceased to flinch at the free exercise of thought; he has begun to examine his mind as his fathers examined only their conscience; he is a little less concerned for speed and a little more for direction; he is almost a philosopher and has risen from mere heated gregariousness to voluntary co-operation in a spiritual order. His equipment is, as a rule, still meagre, and so his partisanship is not always an instructed one. He may be overwhelmed by the formidable philosophical apparatus of one critic or merely irritated by the political whims of another. Hence nothing could well be more helpful to him than an introduction to a foreign critic who is at once a stringent thinker and a charming writer, who permitted his insight to be obscured by neither moral nor political prejudices, who is both urbane and incisive, catholic and discriminating. -- From The Introduction by: LUDWIG LEWISOHN.*****Remy de Gourmont (April 4, 1858 – September 27, 1915) was a French Symbolist poet, novelist, and influential critic. He was widely read in his era, and an important influence on Blaise Cendrars. The spelling Rémy de Gourmont is incorrect, albeit common and used by Ezra Pound in translations of his work. -- From: Wikipedia
Thirty disguises, all identified and ready to color, include a mask used by a performer in an ancient Roman tragedy, a Death Mask from Mexico, a Chinese Lion Mask for New Year's celebrations, a water spirit disguise from New Caledonia, as well as masks from Guatemala, India, Nigeria, Egypt, Peru, Borneo, and Burma (Myanmar).