Download Free The Book Of Many Little Things Volume 1 Book in PDF and EPUB Free Download. You can read online The Book Of Many Little Things Volume 1 and write the review.

Mark Swan offers his unique look into the fantastic, the mythical, and the magical with The Book of Many Little Things, a collection of longform poetry in three parts... The Book of Doors grants access to six worlds beyond ours where faeries, angels, demons, and darker things lurk. The Book of Weird Dark Creatures tells a subversive tale pulled straight from a deck of cursed Tarot cards. The Book of Devils offers a guide to the ambitious sorcerer who seeks to appeal a host of stranger entities. Don't be scared as you seek the knowledge of the unknown but take care, as madness waits for those who dive too far.
Learn to draw and paint more than 100 of your favorite everyday items! Step-by-step projects and creative inspiration make it fun and easy. The Inspired Artist series invites art hobbyists and casual art enthusiasts to have fun learning basic art concepts, relaxing into the creative process to make art in a playful, contemporary style. With Draw Every Little Thing, the first book in this new series, you can learn to draw and paint your favorite everyday items. From learning to draw and paint plants, flowers, and bicycles to the neighborhood café and the contents of the kitchen cabinet, this contemporary drawing book demonstrates just how easy it is to render the world around you with little more than a pencil, paper, and paint. Following a brief introduction to the joys of simplistic drawing and painting, this aesthetically pleasing book familiarizes you with a range of drawing tools and materials, including graphite pencil, pen and ink, colored pencil, and gouache, before offering a quick overview of basic color theory. Each subsequent chapter is then devoted to a specific theme—kitchenalia, hobbies, neighborhood haunts, and much more—and packed with simple step-by-step drawing projects. This accessible book encourages you to jump around so you can draw what immediately inspires you. Interactive prompts, creative exercises, and inspiring ideas make the process fun and engaging. Easy techniques and helpful instructions show you how to develop your own personal style, as well as add color to your drawings using gouache and colored pencil. Crafty projects round out the book, allowing you to use your newfound drawing and painting skills. Filled to the brim with whimsical artwork and loads of creative ideas, Draw Every Little Thing encourages artists of all skill levels to draw any time inspiration strikes.
New York Times bestselling author of The Witch's Daughter Paula Brackston returns to her trademark blend of magic and romance guaranteed to enchant in The Little Shop of Found Things, the first book in a new continuing series. An antique shop haunted by a ghost. A silver treasure with an injustice in its story. An adventure to the past she’ll never forget. Xanthe and her mother Flora leave London behind for a fresh start, taking over an antique shop in the historic town of Marlborough. Xanthe has always had an affinity with some of the antiques she finds. When she touches them, she can sense something of the past they come from and the stories they hold. When she has an intense connection to a beautiful silver chatelaine she has to know more. It is while she’s examining the chatelaine that she’s transported back to the seventeenth century where it has its origins. She discovers there is an injustice in its history. The spirit that inhabits her new home confronts her and charges her with saving her daughter’s life, threatening to take Flora’s if she fails. While Xanthe fights to save the girl amid the turbulent days of 1605, she meets architect Samuel Appleby. He may be the person who can help her succeed. He may also be the reason she can’t bring herself to leave. The story continues in October 2019 with book two in the Found Things series, Secrets of the Chocolate House.
With Paint Every Little Thing, you can learn to paint your favorite everyday items using watercolor, gouache, ink, pastel, and more. From food and kitchen tools to clothing, gardening supplies, home decor, cosmetics, and more, this book will show you how to see the beauty in the everyday—and how to capture it with paint as well! Start by learning about the supplies you will need with the help of the tools and materials section; then peruse the painting and mixed-media techniques, which include layering, blending, glazing, and more. You’ll also learn how to mix colors. Once you’ve learned the basics, it’s time to dive into the creative prompts and step-by-step painting projects. Covering fun, appealing subjects, these include: food (your favorite foods, ingredients, restaurant items, and more) kitchen tools (what you cook with!) clothing random things from around the house outside items (gardening tools, plants, and so on) and much more! Throughout the book, find beautiful, original artwork. The creative prompts will inspire you to create art of your own with more open-ended suggestions, while the step-by-step projects feature complete instructions for painting in professional artist Kristine Lombardi’s trademark loose, beautiful style. The Inspired Artist series invites art hobbyists and casual art enthusiasts to have fun learning basic art concepts, relaxing into the creative process to make art in a playful, contemporary style. Following closely after the successful first book in the series—Draw Every Little Thing—Paint Every Little Thing is the ideal resource for artists of all skill levels looking for a creative outlet in their everyday lives. Also available from the series: Block Print for Beginners and Watercolor Painting at Home.
From the Master of Horror comes the first gripping book in the twelve book New York Times bestselling Saga of Darren Shan. Start the tale from the beginning in the book that inspired the feature film The Vampire's Assistant and petrified devoted fans worldwide. A young boy named Darren Shan and his best friend, Steve, get tickets to the Cirque Du Freak, a wonderfully gothic freak show featuring weird, frightening half human/half animals who interact terrifyingly with the audience. In the midst of the excitement, true terror raises its head when Steve recognizes that one of the performers-- Mr. Crepsley-- is a vampire! Stever remains after the show finishes to confront the vampire-- but his motives are surprising! In the shadows of a crumbling theater, a horrified Darren eavesdrops on his friend and the vampire, and is witness to a monstrous, disturbing plea. As if by destiny, Darren is pulled to Mr. Crepsley and what follows is his horrifying descent into the dark and bloody world of vampires. This is the beginning of Darren's story.
Inspired by the television show: Stranger things.
This book examines the important social role of charitable institutions for women and children in late Renaissance Florence. Wars, social unrest, disease, and growing economic inequality on the Italian peninsula displaced hundreds of thousands of families during this period. In order to handle the social crises generated by war, competition for social position, and the abandonment of children, a series of private and public initiatives expanded existing charitable institutions and founded new ones. Philip Gavitt's research reveals the important role played by lineage ideology among Florence's elites in the use and manipulation of these charitable institutions in the often futile pursuit of economic and social stability. Considering families of all social levels, he argues that the pursuit of family wealth and prestige often worked at cross-purposes with the survival of the very families it was supposed to preserve.
The life and mind of C. S. Lewis have fascinated those who have read his works. This collection of his personal letters reveals a unique intellectual journey. The first of a three-volume collection, this volume contains letters from Lewis's boyhood, his army days in World War I, and his early academic life at Oxford. Here we encounter the creative, imaginative seeds that gave birth to some of his most famous works. At age sixteen, Lewis begins writing to Arthur Greeves, a boy his age in Belfast who later becomes one of his most treasured friends. Their correspondence would continue over the next fifty years. In his letters to Arthur, Lewis admits that he has abandoned the Christian faith. "I believe in no religion," he says. "There is absolutely no proof for any of them." Shortly after arriving at Oxford, Lewis is called away to war. Quickly wounded, he returns to Oxford, writing home to describe his thoughts and feelings about the horrors of war as well as the early joys of publication and academic success. In 1929 Lewis writes to Arthur of a friend ship that was to greatly influence his life and writing. "I was up till 2:30 on Monday talking to the Anglo-Saxon professor Tolkien who came back with me to College ... and sat discoursing of the gods and giants & Asgard for three hours ..." Gradually, as Lewis spends time with Tolkien and other friends, he admits in his letters to a change of view on religion. In 1930 he writes, "Whereas once I would have said, 'Shall I adopt Christianity', I now wait to see whether it will adopt me ..." The Collected Letters of C. S. Lewis, Volume I offers an inside perspective to Lewis's thinking during his formative years. Walter Hooper's insightful notes and biographical appendix of all the correspondents make this an irreplaceable reference for those curious about the life and work of one of the most creative minds of the modern era.
The first chapter of the highly acclaimed, Eisner nominated horror fantasy tale in deluxe, oversized hardcover format. Collects the first two volumes of Harrow County in a deluxe, hardcover, and oversized format with a new cover, sketchbook material, essays, "Tales from Harrow County" bonus stories by guest creators, and more! Emmy always knew that the woods surrounding her home crawled with ghosts and monsters. But on the eve of her eighteenth birthday, she learns that she is connected to these creatures--and to the land itself--in a way she never imagined.
More than 150 inspired—and inspiring—novelists, poets, playwrights, painters, philosophers, scientists, and mathematicians on how they subtly maneuver the many (self-inflicted) obstacles and (self-imposed) daily rituals to get done the work they love to do. Franz Kafka, frustrated with his living quarters and day job, wrote in a letter to Felice Bauer in 1912, “time is short, my strength is limited, the office is a horror, the apartment is noisy, and if a pleasant, straightforward life is not possible then one must try to wriggle through by subtle maneuvers.” Kafka is one of 161 minds who describe their daily rituals to get their work done, whether by waking early or staying up late; whether by self-medicating with doughnuts or bathing, drinking vast quantities of coffee, or taking long daily walks. Thomas Wolfe wrote standing up in the kitchen, the top of the refrigerator as his desk, dreamily fondling his “male configurations”.... Jean-Paul Sartre chewed on Corydrane tablets (a mix of amphetamine and aspirin), ingesting ten times the recommended dose each day ... Descartes liked to linger in bed, his mind wandering in sleep through woods, gardens, and enchanted palaces where he experienced “every pleasure imaginable.” Here are: Anthony Trollope, who demanded of himself that each morning he write three thousand words (250 words every fifteen minutes for three hours) before going off to his job at the postal service, which he kept for thirty-three years during the writing of more than two dozen books ... Karl Marx ... Woody Allen ... Agatha Christie ... George Balanchine, who did most of his work while ironing ... Leo Tolstoy ... Charles Dickens ... Pablo Picasso ... George Gershwin, who, said his brother Ira, worked for twelve hours a day from late morning to midnight, composing at the piano in pajamas, bathrobe, and slippers.... Here also are the daily rituals of Charles Darwin, Andy Warhol, John Updike, Twyla Tharp, Benjamin Franklin, William Faulkner, Jane Austen, Anne Rice, and Igor Stravinsky (he was never able to compose unless he was sure no one could hear him and, when blocked, stood on his head to “clear the brain”).