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Liverpool Cathedral is one of the largest and greatest church buildings in the world. Peter Kennerley has had unlimited access to the vast archives and he has woven the facts into a fascinating and lively narrative which truly brings the characters and events to life.
"Bringing together fiction from some of the city's most celebrated writers, The Book of Liverpool traces the unique contours that decades of social and economic change can impress on a city. Set against key historical moments from the Second World War to the Capital of Culture year, these stories question what 'belonging' and 'home' mean in the Liverpudlian context, from the regenerated city centre to satellite suburbs, from the sparring cathedrals to the no-go concrete housing estates. Liverpool emerges in these short stories as a city in constant flux: haunted by ghosts, buoyed up by myths, and shifting with an ebb and flow like Mercury itself."--BOOK JACKET.
‘Somerville is one of our finest gazetteers of the British countryside. He brings his formidable knowledge to bear on his personal quest to explore the cathedrals in this entrancing book’ The Spectator Christopher Somerville, author of the acclaimed The January Man, pictured cathedrals as great unmoving bastions of tradition. But as he journeys among Britian’s favourites, old and new, he discovers buildings and communities that have been in constant upheaval for a thousand years. Here are stories of the monarchs and bishops who ordered the construction of these buildings, the masons whose genius brought them into being, and the peasants who worked and died on the scaffolding. We learn of rogue saints exploited by holy sinners, the pomp and prosperity that followed these ships of stone, the towns that grew up in their shadows. Meeting believers and non-believers, architects and archaeologists, the cleaner who dusts the monuments and the mason who judges stone by its taste, we delve deep into the private lives and the uncertain future of these ever-voyaging Ships of Heaven. ‘Somerville paints word pictures of exquisite quality’ Church Times
The story of Catholicism in Britain from the Reformation to the present day, from a master of popular history – 'A first-class storyteller' The Times Throughout the three hundred years that followed the Act of Supremacy – which, by making Henry VIII head of the Church, confirmed in law the breach with Rome – English Catholics were prosecuted, persecuted and penalised for the public expression of their faith. Even after the passing of the emancipation acts Catholics were still the victims of institutionalised discrimination. The first book to tell the story of the Catholics in Britain in a single volume, The Catholics includes much previously unpublished information. It focuses on the lives, and sometimes deaths, of individual Catholics – martyrs and apostates, priests and laymen, converts and recusants. It tells the story of the men and women who faced the dangers and difficulties of being what their enemies still call ‘Papists’. It describes the laws which circumscribed their lives, the political tensions which influenced their position within an essentially Anglican nation and the changes in dogma and liturgy by which Rome increasingly alienated their Protestant neighbours – and sometime even tested the loyalty of faithful Catholics. The survival of Catholicism in Britain is the triumph of more than simple faith. It is the victory of moral and spiritual unbending certainty. Catholicism survives because it does not compromise. It is a characteristic that excites admiration in even a hardened atheist.
This book goes beyond the stock characterizations of Goodhue as a derivative architect or protomodernist. It shows Goodhue as a talented exemplar of the free eclectism of the late nineteenth century, an innovator who freshly interpreted traditional forms.
More than two hundred photographs and text trace the development of cathedral design from its Norman beginnings through the flowering of Gothic to the new Roman Catholic cathedral in Liverpool.
Written in collaboration with his widow, this is the first book to explore and reproduce the magnificent stained glass of this renowned 20th century artist. The internationally renowned artist John Piper (1903-1992) was arguably the greatest 20th century designer in stained glass and this is the first book to explore and reproduce this magnificent work. It establishes Piper's standing as a hugely influential artist beyond the medium of paint. Over 100 examples of Piper's stained glass from around the world are reproduced, allowing the reader to appreciate for the first time the range of the work and providing an illustrated historical catalog. Also reproduced are many original sketches and plans as well as photographs of the artist at work.
Among the most magnificent buildings of England are its Anglican cathedrals, great symbols of spiritual and architectural power. There are few experiences more uplifting and humbling than standing in the nave of a cathedral, and no one can fail to marvel at Durham's incomparable Romanesque masterpiece, the elegant stylistic unity of Salisbury, the world-famous stained glass of Canterbury or the striking Gothic scissor arch at Wells. Britain is the top foreign tourist destination for Americans, with 3 million visiting each year, and historic buildings are the top visitor sites. Canterbury Cathedral alone receives over 40,000 visitors each year from the United States and, together with Durham, is a World Heritage Site. In this truly breathtaking book, award-winning Magnum photographer, Peter Marlow, has captured the nave of each of England's 42 Anglican cathedrals. Taken in natural light at dawn, usually looking towards the east window, these remarkable images bring into sharp relief the full splendour of the buildings. Marlow first took up photography as a student, after visiting an exhibition of the photographs of Walker Evans at the Museum of Modern Art in New York. The impetus to begin photographing cathedrals came from a commission in 2007 from the Royal Mail for photographs of the interiors or six cathedrals, for use on a set of commemorative stamps. Once the commission was complete, Marlow was inspired to continue the project in his own time. Approaching the Dean and Chapter of each cathedral, he gained permission to enter each building in the early hours of the morning and to turn off all artificial lights. Marlow adopted a kind of ritual, waking as early as 3.00 am to drive to the location and begin working from 6.00 am. In this window of opportunity, he watched the cathedral interior emerge from the darkness and come to life. Marlow's spellbinding photographs are accompanied by his commentary on the project, including sketches, preparatory shots and technical notes; an introduction by curator Martin Barnes on the tradition of church photography, especially the work of Frederick Evans and Edwin Smith; and a concise summary of each cathedral interior by architectural historian John Goodall.