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A bunch of scientifically proven ways to blow your mind. A Canadian Toy Testing Council 3-Star Award winner! The world is weirder than you think. Want proof? Look no further than this book - which actually looks back at you. In fact, its eyes follow you across the room. And there's more weirdness inside. The Book of Impossible Objects comes with all the plastic pieces, paper parts, and special pages you need to experience 25 impossible things. Spin the wobblestone and watch it reverse direction all by itself. Wander the paper labyrinth, an ever-changing folded maze. Use the Mirror Monster Maker to give yourself three eyes. Follow a road sign that points in a different direction every time you check it. These objects all work like magic, but there are no tricks here. All this weirdness has a solid scientific basis - from the mathematically amazing Möbius strip (a band of paper with only one side), to cardstock acrobats with astoundingly great balance, to a spinning top that changes colors before your eyes. The why behind each wow is explained with crystal clarity by the award-winning team of Pat Murphy and the scientists of Klutz Labs. Which makes for a book that's not only weird - it's wonderful.
Presents optical illusions that captivate the imagination by fooling the eye with tricks of perception.
In a series of inter-related stories, husbands, wives and lovers attempt to come to grips with their 'impossible' situations, while the novel itself attempts to show in its formal inventiveness just how bewildering romantic love can be.
Impossible objects are those about which the philosopher, narrowly conceived, can hardly speak: poetry, film, music, humor. Such "objects" do not rely on philosophy for interpretation and understanding; they are already independent practices and sites of sensuous meaning production. As Elvis Costello has said, "writing about music is like dancing about architecture." We don't need literary theory in order to be riveted by the poem, nor a critic's analysis to enjoy a film. How then can philosophy speak about anything outside of itself, namely all of those things which actually matter to us in this world? In Impossible Objects, Simon Critchley - one of the most influential and insightful philosophers writing today - extends his philosophical investigation into non-philosophical territories, including discussions on tragedy, poetry, humor, and music. In a series of engaging and enlightening conversations, Critchley reflects on his early work on the ethics of deconstruction; the recurring themes of mortality and nihilism; his defense of neo-anarchism; and his recent investigation into secular faith, or "a faith of the faithless". Essential reading for artists, academics, and general readers alike, this book explores the relationship between the philosophical world and those complex and fascinating "impossible objects" which give life meaning.
When Chuck and Dakota find a magic seashell complete with a wish-granting genie inside, their first wish is for a never-ending supply of chocolate-covered bananas. But when Dakota wishes to become a REAL cow so he doesn't have to wear his cowmouflage anymore, things get messy and the residents of Bermooda mistake him as an imposter! The boys soon discover that the magic seashell is having some fun with them by creating panic and havoc across the island. Can Chuck and Dakota work together to get everything back to normal before all the cows go mad?
This is a cultural history of mathematics and art, from antiquity to the present. Mathematicians and artists have long been on a quest to understand the physical world they see before them and the abstract objects they know by thought alone. Taking readers on a tour of the practice of mathematics and the philosophical ideas that drive the discipline, Lynn Gamwell points out the important ways mathematical concepts have been expressed by artists. Sumptuous illustrations of artworks and cogent math diagrams are featured in Gamwell's comprehensive exploration. Gamwell begins by describing mathematics from antiquity to the Enlightenment, including Greek, Islamic, and Asian mathematics. Then focusing on modern culture, Gamwell traces mathematicians' search for the foundations of their science, such as David Hilbert's conception of mathematics as an arrangement of meaning-free signs, as well as artists' search for the essence of their craft, such as Aleksandr Rodchenko's monochrome paintings. She shows that self-reflection is inherent to the practice of both modern mathematics and art, and that this introspection points to a deep resonance between the two fields: Kurt Gödel posed questions about the nature of mathematics in the language of mathematics and Jasper Johns asked "What is art?" in the vocabulary of art. Throughout, Gamwell describes the personalities and cultural environments of a multitude of mathematicians and artists, from Gottlob Frege and Benoît Mandelbrot to Max Bill and Xu Bing. Mathematics and Art demonstrates how mathematical ideas are embodied in the visual arts and will enlighten all who are interested in the complex intellectual pursuits, personalities, and cultural settings that connect these vast disciplines.
Chuck Porter is a young calf living on Bermooda, a tropical island of walking, talking cows! Bermooda has no humans, until one day when Chuck discovers a boy named Dakota washed up on the beach. Dakota is friendlier than Chuck thought humans would be, and the two become fast friends! Join Chuck and Dakota on their adventures in Lost in Bermooda, Crown of the Cowibbean, The Big Cowhuna, and The Amazing IncrediBull.
(Applause Books). Funny: The Book is an entertaining look at the art of comedy, from its historical roots to the latest scientific findings, with diversions into the worlds of movies (Buster Keaton and the Marx Brothers), television ( The Office ), prose (Woody Allen, Robert Benchley), theater ( The Front Page ), jokes and stand-up comedy (Richard Pryor, Steve Martin), as well as personal reminiscences from the author's experiences on such TV programs as Mork and Mindy . With allusions to the not-always-funny Carl Jung, George Orwell, and Arthur Koestler, Funny: The Book explores the evolution, theories, principles, and practice of comedy, as well as the psychological, philosophical, and even theological underpinnings of humor, coming to the conclusion that (Spoiler Alert!) Comedy is God.
Feeling Backward weighs the costs of the contemporary move to the mainstream in lesbian and gay culture. While the widening tolerance for same-sex marriage and for gay-themed media brings clear benefits, gay assimilation entails other losses--losses that have been hard to identify or mourn, since many aspects of historical gay culture are so closely associated with the pain and shame of the closet. Feeling Backward makes an effort to value aspects of historical gay experience that now threaten to disappear, branded as embarrassing evidence of the bad old days before Stonewall. It looks at early-twentieth-century queer novels often dismissed as "too depressing" and asks how we might value and reclaim the dark feelings that they represent. Heather Love argues that instead of moving on, we need to look backward and consider how this history continues to affect us in the present. Through elegant readings of Walter Pater, Willa Cather, Radclyffe Hall, and Sylvia Townsend Warner, and through stimulating engagement with a range of critical sources, Feeling Backward argues for a form of politics attentive to social exclusion and its effects.