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From limericks to social satire, The Oxford Book of Comic Verse offers a remarkable collection of outstanding light poetry. John Gross has brought together the finest writers in the history of the English language - from Chaucer and Skelton to Shakespeare and Swift, Lord Byron to Robert Browning, Emily Dickinson to John Updike, as well as witty song lyrics from such artists as Irving Berlin and Cole Porter - offering delightful examples of their comic verse. Drawing on many different types of verse, including epigrams, street ballads, advertising jingles, clerihew, music-hall lyrics, and the doubledactyl of the calypso, this highly entertaining collection offers an exceptionally wide range of comic pleasures. The poems are by turns subtle, down-to-earth, macabre, ingenious, acerbic, ribald, and cheerful. Written to amuse, they call forth laughter and delight in equal measure. Compiled by one of our finest critics and anthologists, this reissue boasts a stylish new design and a fresh contemporary feel.
"The editors have performed a task for addicts will be grateful. There is nothing for the faithful to do but to sit down and fall to the banquet." ? The New York Times This is the largest collection of Lewis Carroll's verse ever compiled. It contains almost every poem that Carroll ever wrote. It includes every prose appearing in his books published during his life, privately printed poems, ephemera, poems from manuscripts found among his papers, and from "The Rectory Magazine," Collingwood's "Lewis Carroll Picture Book," "Life and Letters of Lewis Carroll," and rare 19th century periodicals. This is the only place of publication for much of this verse. This volume contains 150 different poems, offering perhaps the finest whimsy ever written. There are parodies, burlesques, riddles, whimsies, ballads, songs (one with Carroll's own music), extravaganzas, acrostics, and other types, including several of his serious poems. Many poems are annotated to explain contemporary allusions, and this edition retains 130 original illustrations by Tenniel, Frost, Holiday, Furniss, and Carroll himself.
Thora Hird, Roy Hudd and others read seventeen of Marriott Edgar's memorable monologues.
The Best Ever Book of Funny Poems is a brilliantly funny anthology of the most giggle-worthy children's poems from one of the nations most celebrated children's poets, Brian Moses. Perfect for gifting and for reading aloud, you'll be chortling along with Brian as he shows you the funniest poems in the world! Explore chucklesome poems about pets, funny creatures, school, family, fantasy and fairy-tales, dinosaurs and dragons, space, and just plain SILLY poems. With poets such as Brian Bilston, Sue Hardy-Dawson, Pie Corbett and Paul Cookson next to Liz Brownlee, Mike Jubb, James Carter and Rachel Rooney, this is the ultimate hysterical collection of rib-tickling poems guaranteed to make you laugh out loud.
Writing very bad poetry requires talent. It helps to have a wooden ear for words, a penchant for sinking into a mire of sentimentality, and an enviable confidence that allows one to write despite absolutely appalling incompetence. The 131 poems collected in this first-of-its-kind anthology are so glaringly awful that they embody a kind of genius. From Fred Emerson Brooks' "The Stuttering Lover" to Matthew Green's "The Spleen" to Georgia Bailey Parrington's misguided "An Elegy to a Dissected Puppy", they mangle meter, run rampant over rhyme, and bludgeon us into insensibility with their grandiosity, anticlimax, and malapropism. Guaranteed to move even the most stoic reader to tears (of laughter), Very Bad Poetry is sure to become a favorite of the poetically inclined (and disinclined).
Carolyn Wells (1862-1942) was an American author and poet. She was born in Rahway, New Jersey. After finishing school she worked as a librarian for the Rahway Library Association. Her first book, At the Sign of the Sphinx (1896), was a collection of charades. Her next publications were The Jingle Book and The Story of Betty (1899), followed by a book of verse entitled Idle Idyls (1900). After 1900, Wells wrote numerous novels and collections of poetry. She wrote a total of more than 170 books. During the first ten years of her career, she concentrated on poetry, humour, and children's books. According to her autobiography, The Rest of My Life (1937), around 1910 she heard one of Anna Katherine Green's mystery novels being read aloud and was immediately captivated by the unravelling of the puzzle. From that point onward, she devoted herself to the mystery genre. Among her most famous works are: Patty at Home (1904), Marjorie's Busy Days (1906), The Gold Bag (1911), Marjorie's Maytime (1911), Marjorie at Seacote (1912), Patty Blossom (1917), Vicky Van (1918) and Patty and Azalea (1919).
Carolyn Wells (1862-1942) was an American author and poet. She was born in Rahway, New Jersey. After finishing school she worked as a librarian for the Rahway Library Association. Her first book, At the Sign of the Sphinx (1896), was a collection of charades. Her next publications were The Jingle Book and The Story of Betty (1899), followed by a book of verse entitled Idle Idyls (1900). After 1900, Wells wrote numerous novels and collections of poetry. She wrote a total of more than 170 books. During the first ten years of her career, she concentrated on poetry, humour, and children's books. According to her autobiography, The Rest of My Life (1937), around 1910 she heard one of Anna Katherine Green's mystery novels being read aloud and was immediately captivated by the unravelling of the puzzle. From that point onward, she devoted herself to the mystery genre. Among her most famous works are: Patty at Home (1904), Marjorie's Busy Days (1906), The Gold Bag (1911), Marjorie's Maytime (1911), Marjorie at Seacote (1912), Patty Blossom (1917), Vicky Van (1918) and Patty and Azalea (1919).
Clever puns and elaborately detailed, surreal artwork illuminate a collection of comically grim verses that can’t help but tickle the funny bone. Reader, if I had more time I’d say au revoir in rhyme, Sayonara, ciao in verse — But I have to catch a hearse. Peek inside Once Upon a Tomb and find twenty-two poems, each of which tells, in hilarious verse, the story of an untimely demise — from a school principal to a bully, a food critic to a cafeteria lady, an underwear salesman to a soccer player. Complemented by Simon Bartram’s deadpan illustrations, J. Patrick Lewis’s cryptic tour of headstones and epitaphs is silly, spooky — and far from grave.
This treasury of humorous poems brings together a sparkling constellation of witty poets–from Lord Rochester to Lewis Carroll, from Edward Lear to Ogden Nash, from Dorothy Parker to W. H. Auden–and embraces a wide range of forms, including limericks, clerihews, ballads, sonnets, and nonsense verse. Comic Poemsis studded with unforgettable classics, along with lesser-known comic gems from across the ages, from ancient Rome to modern America. Here is the immortal “How Pleasant to Know Mr. Lear” beside Noël Coward’s “Mad Dogs and Englishmen”; the incomparable “Jabberwocky” next to the famous “There was a young lady of Riga.” From Cole Porter and John Updike on love and marriage to Stevie Smith and Dorothy Parker on mortality to the ever-talented Anonymous on almost anything, the lighthearted poetry collected here ranges from the most delightful nonsense to the most sophisticated wit.
Can serious poetry be funny? Chaucer and Shakespeare would say yes, and so do the authors of these 187 poems that address timeless concerns but that also include comic elements. Beginning with the Beats and the New York School and continuing with both marquee-name poets and newcomers, Seriously Funny ranges from poems that are capsized by their own tomfoolery to those that glow with quiet wit to ones in which a laugh erupts in the midst of terrible darkness. Most of the selections were made in the editors' battered compact car, otherwise known as the Seriously Funny Mobile Unit. During the two years in which Barbara Hamby and David Kirby made their choices, they'd set out with a couple of boxes of books in the back seat, and whoever wasn't driving read to the other. When they found that a poem made both of them think but laugh as well, they earmarked it. Readers will find a true generosity in these poems, an eagerness to share ideas and emotions and also to entertain. The singer Ali Farka Tour said that honey is never good when it's only in one mouth, and the editors of Seriously Funny hope its readers find much to share with others.