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Many of the great scenes from the Old Testament and many more from the New Testament are included, along with the Stations of the Cross and portraits of the saints.".
Illuminated with spectacular miniatures and borders in glittering gold and splendid colors for Catherine of Cleves, Duchess of Guelders, this stunning manuscript is arguably the most beautiful ever produced in the Northern Netherlands. The craftsmanship of the anonymous artist who created it is visible in every extraordinary detail of the many leaves. This stunning volume is published in conjunction with an exhibition of the same name at the Morgan Library in New York .The book presents more than 100 leaves of the manuscript, which contains some of the most beautiful illustrations of the Bible ever made, including important scenes from the Old and New Testaments as well as the Stations of the Cross and portraits of the saints. The text discusses the work's patron, its artist, and the accomplishments of his contemporaries. With exquisite new photography, close-up details, and an in-depth discussion of the manuscript, this is the essential volume on a masterpiece.
Author Joni M. Hand sheds light on the reasons women of the Valois courts from the mid-fourteenth to the mid-sixteenth century commissioned devotional manuscripts. Visually interpreting the non-text elements-portraits, coats of arms, and marginalia-as well as the texts, Hand explores how the manuscripts were used to express the women?s religious, political, and/or genealogical concerns. This study is arranged thematically according to the method in which the owner is represented. Recognizing the considerable influence these women had on the appearance of their books, Hand interrogates how the manuscripts became a means of self-expression beyond the realm of devotional practice. She reveals how noblewomen used their private devotional manuscripts as vehicles for self-definition, to reflect familial, political, and social concerns, and to preserve the devotional and cultural traditions of their families. Drawing on documentation of women?s book collections that has been buried within the inventories of their fathers, husbands, or sons, Hand explores how these women contributed to the cultural and spiritual character of the courts, and played an integral role in the formation and evolution of the royal libraries in Northern Europe.
During the 15th century, some of the most glorious manuscript illuminations were produced in the Dutch artistic centers of Utrecht, Haarlem and Delft. Here, scholars from Holland and America present new information on these strikingly beautiful manuscripts. 108 color plates, 20 black-and-white illustrations.
The art collections of the Rothschilds were legendary for their extravagance and refinement. This is the first history of the Rothschilds as bibliophiles and, especially, as collectors of medieval illuminated manuscripts. It describes the extraordinary collections of the Rothschilds, and the movement of these supremely important manuscripts across the private libraries of Europe. In 1940 the Rothschilds' collections in Paris were looted by the Nazis, and the tale pursues the fate of the stolen manuscripts, some of them still missing. The inquiry traces literally hundreds of illuminated manuscripts, including some of the world's most famous books, made for the Duc de Berry, Catherine of Cleves, Isabella the Catholic, and many others.
This book features 107 of the finest examples of illuminated pages from medieval and Renaissance Books of Hours. Roger Wieck's comprehensive text introduces the Book of Hours -- a "bestseller" for three hundred years -- to the general reader, discussing its iconography, the artists who illuminated this genre, and its role as a religious text in the lives of its owners. As a collection of both stirring words and inspiring images, the Book of Hours thus comprised a series of "painted prayers".
-Published to accompany the exhibition Visions of Paradise, The National Gallery, London, 4 November 2015--14 February 2016---Colophon.
For over three hunderd years, more Books of Hours were made than any other type of book, even the Bible. From c. 1225, when the first Books of Hours began to appear, to 1571, when during the Counter-Reformation Pope Pius V prohibited the use of all existing Books of Hours, nearly every European family of a certain means owned a Book of Hours. Books of Hours Reconsidered presents recent research on this medieval bestseller in twenty-one essays written by international scholars. The scholarship in this volume helps instill Books of Hours with new life and give them new meaning at a moment when interest in Books of Hours is on the rise.