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With more than 35,000 copies in print, Yellow Silk: Erotic Arts and Letters made the bestseller lists of both the San Francisco Chronicle and the Washington Post. This sequel presents more pieces from the award-winning magazine dedicated to the finest in erotic literature and art.
In the steamy tradition of Zane, Eros brings you Whipped: The Beginning, an erotic tale of seduction and bliss. Is finding the pleasure you want, the way you always wanted it, worth the risk of losing everything you have? It is for Paul and Joyce Ware, a naïve couple who find themselves in the middle of a sexual revolution they never dreamed possible. The Ware family has a long list of temptations, and as chilling secrets tumble forth from their lives, the aftermath leads toward a climax that can threaten not only their marriage but the lives of their children as well. Welcome to Whipped: The Beginning and once you begin to turn the pages, your sex life will never be the same. Gratification guaranteed!
[Eros Is More] is a beautifully masterful collection. - Aracelis Girmay
Don Miguel Ruiz, the author of the classic The Four Agreements and one of the most influential spiritual leaders in the world today, offers students of mystery a new path of knowledge through the most powerful force in the uni-verse: love.
Eros: The Myth of Ancient Greek Sexuality is a controversial book that lays bare the meanings Greeks gave to sex. Contrary to the romantic idealization of sex dominating our culture, the Greeks saw eros as a powerful force of nature, potentially dangerous and in need of control by society: Eros the Destroyer, not Cupid the Insipid, is what fired the Greek imagination. The destructiveness of eros can be seen in Greek imagery and metaphor, and in their attitudes toward women and homosexuals. Images of love as fire, disease, storms, insanity, and violence—top 40 song clichés for us—locate eros among the unpredictable and deadly forces of nature. The beautiful Aphrodite embodies the alluring danger of sex, and femmes fatales like Pandora and Helen represent the risky charms of female sexuality. And homosexuality typifies for the Greeks the frightening power of an indiscriminate appetite that threatens the stability of culture itself. In Eros: The Myth of Ancient Greek Seualily, Bruce Thornton offers a uniquely sweeping and comprehensive account of ancient sexuality free of currently fashionable theoretical jargon and pretensions. In its conclusions the book challenges the distortions of much recent scholarship on Greek sexuality. And throughout it links the wary attitudes of the Greeks to our present-day concerns about love, sex, and family. What we see, finally, are the origins of some of our own views as well as a vision of sexuality that is perhaps more honest and mature than our own dangerous illusions.
Selected by the Modern Library as one of the 100 best nonfiction books of all time A book about romantic love, Eros the Bittersweet is Anne Carson's exploration of the concept of "eros" in both classical philosophy and literature. Beginning with, "It was Sappho who first called eros 'bittersweet.' No one who has been in love disputes her," Carson examines her subject from numerous points of view, creating a lyrical meditation in the tradition of William Carlos Williams's Spring and All and William H. Gass's On Being Blue. Epigrammatic, witty, ironic, and endlessly entertaining, Eros is an utterly original book.
Two innovative spiritual teachers show how to use desire and passion—eros—as a gateway to realizing our fullest potential What do desire and passion have to do with our spiritual journey? According to A. H. Almaas and Karen Johnson, they are an essential part of it. Conventional wisdom cautions that desire and passion are opposed to the spiritual path—that engaging in desire will take you more into the world, into egoic life. And for most people, that is exactly what happens. We naturally tend to experience wanting in a self-centered way. The Power of Divine Eros challenges the view that the divine and the erotic are separate. When we open to the energy, aliveness, spontaneity, and zest of erotic love, we will find it inseparable from the realm of the holy and sacred. When this is understood, desire and passion become a gateway to wholeness and to realizing our full potential. Through guided exercises, the authors reveal how our relationships become opportunities on the spiritual journey to express ourselves authentically, to relate with openness, and to discover dynamic inner realms with another person. Through embodying the energy of eros, each of us can learn to be fully real and alive in all of our interactions.
An argument that love requires the courage to accept self-negation for the sake of discovering the Other. Byung-Chul Han is one of the most widely read philosophers in Europe today, a member of the new generation of German thinkers that includes Markus Gabriel and Armen Avanessian. In The Agony of Eros, a bestseller in Germany, Han considers the threat to love and desire in today's society. For Han, love requires the courage to accept self-negation for the sake of discovering the Other. In a world of fetishized individualism and technologically mediated social interaction, it is the Other that is eradicated, not the self. In today's increasingly narcissistic society, we have come to look for love and desire within the “inferno of the same.” Han offers a survey of the threats to Eros, drawing on a wide range of sources—Lars von Trier's film Melancholia, Wagner's Tristan und Isolde, Fifty Shades of Grey, Michel Foucault (providing a scathing critique of Foucault's valorization of power), Martin Buber, Hegel, Baudrillard, Flaubert, Barthes, Plato, and others. Han considers the “pornographication” of society, and shows how pornography profanes eros; addresses capitalism's leveling of essential differences; and discusses the politics of eros in today's “burnout society.” To be dead to love, Han argues, is to be dead to thought itself. Concise in its expression but unsparing in its insight, The Agony of Eros is an important and provocative entry in Han's ongoing analysis of contemporary society. This remarkable essay, an intellectual experience of the first order, affords one of the best ways to gain full awareness of and join in one of the most pressing struggles of the day: the defense, that is to say—as Rimbaud desired it—the “reinvention” of love. —from the foreword by Alain Badiou
"In Eros, the subtle and profound nuances of the erotic nature of relationships between men and women are explored through a collection of black-and-white photographs that are coupled with inspired, passionate words. Among the photographers whose visions comprise this volume are some of the great masters - Brassai, Imogen Cunningham, Horst, Man Ray, Minor White, Edward Weston - as well as many celebrated contemporary artists - Manuel Alvarez Bravo, Hiro, Annie Leibovitz, Robert Mapplethorpe, Duane Michals, Helmut Newton, and Albert Watson, among others. Deeply involved as they are with the relationship between seeing and feeling, their images take us on a rich visual journey ranging from the eloquent beauty of the human form to the complexity of body language motivated by desire." "This compendium of expressive photographs is accented with a variety of literary selections drawn from the work of writers such as Margaret Atwood, Siv Cedering, John Cleland, E. E. Cummings, Michael Fried, Robert Graves, Erica Jong, D. H. Lawrence, Henry Miller, Anais Nin, Carson Reed, Dylan Thomas, and Walt Whitman. Embracing the spectrum of the erotic experience - from quiet intimacy and meditation to frank lust and reckless abandon - their words highlight the power of Eros not only to thrill and delight but also to uplift and transform."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Los Angeles 1951-1953. A vicious rape, revenge gone awry, and American consumerism collide the first novel of a projected 4-book mytho-lyric. Lucy is born gifted and burdened with an "unsightly" right eye that sees far beyond the visible spectrum, lending her an uncanny view of events, things and people, including the dead. Her father is famous as an obscenely well-endowed men's underwear model; her mother is famous as a sexy teenager modeling luxury automobiles-until wicked L.A. car dealer Mr. Wolf cons her into posing for increasingly explicit pinups. In language both wildly lyrical and transgressive, Lucy recounts the story of her "not smart" parents and Big Bad Wolf who becomes the catalyst for her conception and eventual calamity.