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Written by King James I and published in 1597, the original edition of Demonology is widely regarded as one of the most interesting and controversial religious writings in history, yet because it is written in the language of its day, it has been notoriously difficult to understand. Now occult scholar Donald Tyson has modernized and annotated the original text, making this historically important work accessible to contemporary readers. Also deciphered here, for the first time, is the anonymous tract News from Scotland, an account of the North Berwick witch trials over which King James presided. Tyson examines King James' obsession with witches and their alleged attempts on his life, and offers a knowledgeable and sympathetic look at the details of magick and witchcraft in the Jacobean period. Demonology features historical woodcut illustrations and includes the original old English texts in their entirety. This reference work is the key to an essential source text on seventeenth-century witchcraft and the Scottish witch trials
Clare Rees’s Practical Demonology is a chilling YA novel set in a world overrun by plague and demons—and a group of teens doing anything they can to survive. There have always been castles in the valley, and the people have always been under threat. They’ve always needed those thick walls, the protection of that enclosing stone. Non feels like she needs it more than most, because her mother was infected by the demons that live in the woods. As the doctor’s daughter, Non had planned a career in medicine—partly to please her father, but also because it would keep her inside the protective walls of the citadel. When plague strikes the citadel, all the teenagers are evacuated to the ruined Cirtop Castle. While there, she’s given the opportunity of a lifetime: the chance to study the demons that she’s always feared. But will she be brave enough to take it? In the footsteps of Jelly, Rees’s brilliant and original debut novel, comes a new story of survival and community—and just a little bit of literal guts. “This fantasy with a side of horror offers an original take on demons, a faux medieval setting, and an anxious protagonist whose perceptive, amusing voice carries the narrative with aplomb . . . A clever and atmospheric read.”—Kirkus Reviews
Daemonologie-in full Daemonologie, In Forme of a Dialogue, Divided into three Books: By the High and Mighty Prince, James &c.-was written and published in 1597 by King James VI of Scotland (later also James I of England) as a philosophical dissertation on contemporary necromancy and the historical relationships between the various methods of divination used from ancient black magic. This included a study on demonology and the methods demons used to bother troubled men while touching on topics such as werewolves and vampires. It was a political yet theological statement to educate a misinformed populace on the history, practices and implications of sorcery and the reasons for persecuting a witch in a Christian society under the rule of canonical law. This book is believed to be one of the main sources used by William Shakespeare in the production of Macbeth. Shakespeare attributed many quotes and rituals found within the book directly to the Weird Sisters, yet also attributed the Scottish themes and settings referenced from the trials in which King James was involved.
With research sourced by the world's greatest libraries, Robbins has compiled a rational, balanced history of 300 years of horror concentrated primarily in Western Europe. Spanning from the 15th century through the 18th century, the witch-hunt frenzy marks a period of suppressed rational thought; never before have so many been so wrong. To better understand this phenomenon, Robbins examines how the meaning of "witch" has evolved and exposes the true nature of witchcraft—a topic widely discussed in popular culture, though remarkably misunderstood. First published in 1959, Robbins' encyclopedia remains the most authoritative and comprehensive body of information about witchcraft and demonology ever compiled in a single volume. Lavishly acclaimed in academic and popular reviews, this full-scale compendium of fact, history, and legend covers about every phase of this fascinating subject from its origins in the medieval times to its last eruptions in the 18th century. Accompanying the text are 250 illustrations from rare books, contemporary prints, and old manuscripts, many of which have been published here for the first time.
Many people choose to fight their personal demons... Gabriel's demons chose to fight him. Former exorcist Gabriel Wolfe enjoyed a quiet life in Hollywood as a consultant on horror movies until the night he met Oliver Fitzpatrick and his strange sister. Now his life is unraveling as he is flung into a world of demons and dark magic, culminating in the kidnapping and demonic possession of Maya Carmichael, his business partner and only friend. With no other options in sight, Gabriel reluctantly seeks help from the only person he can turn to, his old teacher and mentor, Father Paolo Sebastian. Enlisting the help of Professor Frank Harper and Father Sebastian, Gabriel goes on a hunt to find and confront an Archdemon to save Maya... and himself. His success will hinge on whether or not Gabriel can face his demonic nemesis, but so far the demon has stayed one step ahead in this deadly game. Gabriel needs to summon and fortify his withered inner strength before it is too late. If he cannot, he'll lose the soul of the only woman he ever loved.
An anthology of occult resistance: unpredictable and fascinating, at times hallucinatory, sullying politics, philosophy, cybertheory, religion, and music. The End Times are here. The Digital Middle Ages approaches, the plague reaps its deadly harvest, climate apocalypse is around the corner, and fanaticism, fascism, and madness are rampant. The idea that we might gain the upper hand over the dark abyss into which the planet is tumbling is a form of magical thinking, laboring under the delusion that we can subdue eternity with relentless bloodlust, brutish exploitation, abuse of power, and violence. Revolutionary Demonology responds to this ritual of control, typical of what esoteric tradition calls the “Dogma of the Right Hand,” by reactivating the occult forces of a Left Hand Path that strives for the entropic disintegration of all creation, so as to make peace with the darkness and nourish the Great Beast that will finally break the seals of Cosmic Love. Unpredictable and fascinating, genuinely bizarre, at times hallucinatory, sullying politics, philosophy, cybertheory, religion, and music alike with its fevered touch, this “anthology of occult resistance” collects together the communiqués of an arcane group who are already being hailed as the first morbid blossoming of “Italian Weird Theory”: a rogue contingent of theorists, witches, and sorcerers who heretically remix gothic accelerationism with satanic occultism and insurrectional necromancy.
In 1590 three hundred Scottish 'witches' were tried for plotting the murder of their King, James VI of Scotland (soon to be James I of England). James is known to have suffered from a morbid fear of violent death, and the trial heightened his anxiety over this apparently treasonous 'un-Christian' sect, and stimulated him to study the whole subject of witchcraft. 'Daemonologie' is the result of this royal research, detailing his opinions on the topic in the form of a Socratic dialogue between the sceptic Philomathes and witch-averse Epistemon, who reveals many aspects of witch-craft. The book consists of three sections, on magic, on sorcery and witchcraft, and on spirits and ghosts, and ends with a lurid account of the North Berwick witch trials, based on the evidence of Dr John Fian, the alleged head of the coven, whose 'confession' was obtained with the aid of thumbscrews, the Boot, and by the ripping out of his fingernails.
A compendium celebrating the art of hell and its minions Pandemonium: The Illustrated History of Demonology presents—for the first time—Satan’s family tree, providing a history and analysis of his fellow fallen angels from Asmodeus to Ziminiar. Throughout the book, there are short entries on individual demons, but Pandemonium is more than just a visual encyclopedia. It also focuses on the influence of figures like Beelzebub, Azazel, Lilith, and Moloch on Western religion, literature, and art. Ranging from the earliest scriptural references to demons through the contemporary era, when the devils took on a subtler form, Pandemonium functions as a compendium of Lucifer’s subjects, from Dante’s The Divine Comedy to John Milton’s Paradise Lost, and all the points in between. Containing rarely seen illustrations of very old treatises on demonology, as well as more well-known works by the great masters of Western painting, this book celebrates the art of hell like never before.