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Written by King James I and published in 1597, the original edition of Demonology is widely regarded as one of the most interesting and controversial religious writings in history, yet because it is written in the language of its day, it has been notoriously difficult to understand. Now occult scholar Donald Tyson has modernized and annotated the original text, making this historically important work accessible to contemporary readers. Also deciphered here, for the first time, is the anonymous tract News from Scotland, an account of the North Berwick witch trials over which King James presided. Tyson examines King James' obsession with witches and their alleged attempts on his life, and offers a knowledgeable and sympathetic look at the details of magick and witchcraft in the Jacobean period. Demonology features historical woodcut illustrations and includes the original old English texts in their entirety. This reference work is the key to an essential source text on seventeenth-century witchcraft and the Scottish witch trials
As Christians, how do we address the contentious and often disturbing subject of demonology? Our cultural paradigms pit us between the extremes of skepticism and sensationalism. Increasingly diverse Christian communities are in desperate need of a biblical understanding of the demonic that transcends cultural frameworks – an understanding that will challenge assumptions, rebuke errors, and unite Christians in scriptural truth. Demonology for the Global Church endeavors to provide the biblical and theological essentials for a unified Christian perspective of the demonic. Avoiding speculation and anecdotal evidence, Scott D. MacDonald roots his analysis in Scripture. He frames a biblical demonology in light of global and contextual concerns, offering an understanding that avoids the pitfalls of anti-supernaturalism and over emphasis. If the church is to effectively overcome its spiritual adversaries, Christians from around the world must stand and resist together. This is an essential resource for the global church, relevant to students of theology, institutional scholars, cross-cultural missionaries, local pastors, and all types of Christian leaders.
Daemonologie-in full Daemonologie, In Forme of a Dialogue, Divided into three Books: By the High and Mighty Prince, James &c.-was written and published in 1597 by King James VI of Scotland (later also James I of England) as a philosophical dissertation on contemporary necromancy and the historical relationships between the various methods of divination used from ancient black magic. This included a study on demonology and the methods demons used to bother troubled men while touching on topics such as werewolves and vampires. It was a political yet theological statement to educate a misinformed populace on the history, practices and implications of sorcery and the reasons for persecuting a witch in a Christian society under the rule of canonical law. This book is believed to be one of the main sources used by William Shakespeare in the production of Macbeth. Shakespeare attributed many quotes and rituals found within the book directly to the Weird Sisters, yet also attributed the Scottish themes and settings referenced from the trials in which King James was involved.
With research sourced by the world's greatest libraries, Robbins has compiled a rational, balanced history of 300 years of horror concentrated primarily in Western Europe. Spanning from the 15th century through the 18th century, the witch-hunt frenzy marks a period of suppressed rational thought; never before have so many been so wrong. To better understand this phenomenon, Robbins examines how the meaning of "witch" has evolved and exposes the true nature of witchcraft—a topic widely discussed in popular culture, though remarkably misunderstood. First published in 1959, Robbins' encyclopedia remains the most authoritative and comprehensive body of information about witchcraft and demonology ever compiled in a single volume. Lavishly acclaimed in academic and popular reviews, this full-scale compendium of fact, history, and legend covers about every phase of this fascinating subject from its origins in the medieval times to its last eruptions in the 18th century. Accompanying the text are 250 illustrations from rare books, contemporary prints, and old manuscripts, many of which have been published here for the first time.
An anthology of occult resistance: unpredictable and fascinating, at times hallucinatory, sullying politics, philosophy, cybertheory, religion, and music. The End Times are here. The Digital Middle Ages approaches, the plague reaps its deadly harvest, climate apocalypse is around the corner, and fanaticism, fascism, and madness are rampant. The idea that we might gain the upper hand over the dark abyss into which the planet is tumbling is a form of magical thinking, laboring under the delusion that we can subdue eternity with relentless bloodlust, brutish exploitation, abuse of power, and violence. Revolutionary Demonology responds to this ritual of control, typical of what esoteric tradition calls the “Dogma of the Right Hand,” by reactivating the occult forces of a Left Hand Path that strives for the entropic disintegration of all creation, so as to make peace with the darkness and nourish the Great Beast that will finally break the seals of Cosmic Love. Unpredictable and fascinating, genuinely bizarre, at times hallucinatory, sullying politics, philosophy, cybertheory, religion, and music alike with its fevered touch, this “anthology of occult resistance” collects together the communiqués of an arcane group who are already being hailed as the first morbid blossoming of “Italian Weird Theory”: a rogue contingent of theorists, witches, and sorcerers who heretically remix gothic accelerationism with satanic occultism and insurrectional necromancy.
Explores this dark aspect of folklore and religion and the role that demons play in the modern world. Includes numerous entries documenting beliefs about demons and demonology from ancient history to the present.
Rick Moody's novels have earned him a reputation as a "breathtaking" writer (The New York Times) and "a writer of immense gifts" (The San Francisco Examiner). His remarkable short stories have led both the New Yorker and Harpers to single him out as one of the most original and admired voices in a generation. These stories are abundant proof of Rick Moody's grace as a stylist and a shaper of interior lives. He writes with equal force about the blithe energies of youth ("Boys") and the rueful onset of middle age ("Hawaiian Night"), about Midwestern optimists ("Double Zero") and West coast strategists ("Baggage Carousel"), about visionary exhilaration ("Forecast from the Retail Desk") and delusional catharsis ("Surplus Value Books: Catalog Number 13.") The astounding title story, which has already been reprinted in four different anthologies, is a masterpiece of remembrance and thwarted love. Full of deep feeling and stunningly beautiful language, the stories in Demonology offer the deepest pleasures that fiction can afford.
"The supreme merit of Biblical Demonology is that it holds closely to the Word of God. . . . It will remain for many years to come the standard treatment of biblical demonology." —Dr. Wilbur M. Smith
A compendium celebrating the art of hell and its minions Pandemonium: The Illustrated History of Demonology presents—for the first time—Satan’s family tree, providing a history and analysis of his fellow fallen angels from Asmodeus to Ziminiar. Throughout the book, there are short entries on individual demons, but Pandemonium is more than just a visual encyclopedia. It also focuses on the influence of figures like Beelzebub, Azazel, Lilith, and Moloch on Western religion, literature, and art. Ranging from the earliest scriptural references to demons through the contemporary era, when the devils took on a subtler form, Pandemonium functions as a compendium of Lucifer’s subjects, from Dante’s The Divine Comedy to John Milton’s Paradise Lost, and all the points in between. Containing rarely seen illustrations of very old treatises on demonology, as well as more well-known works by the great masters of Western painting, this book celebrates the art of hell like never before.