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The Book of Blam, Aleksandar Tišma’s “extended kaddish . . . [his] masterpiece” (Kirkus Reviews), is a modern-day retelling of the book of Job. The war is over. Miroslav Blam walks along the former Jew Street, and he remembers. He remembers Aaron Grün, the hunchbacked watchmaker; and Eduard Fiker, a lamp merchant; and Jakob Mentele, a stove fitter; and Arthur Spitzer, a grocer, who played amateur soccer and had non-Jewish friends; and Sándor Vértes, a lawyer who was a Communist. All dead. As are his younger sister and his best friend, a Serb, both of whom joined the resistance movement; and his mother and father in the infamous Novi Sad raid in January 1942—when the Hungarian Arrow Cross executed 1,400 Jews and Serbs on the banks of the Danube and tossed them into the river. Blam lives. The war he survived will never be over for him.
A devastating novel about the attrocities of WWII, and the unspeakable things people did to survive, by one of Yugoslavia's great literary voices. Lamian is a survivor, but a survivor of a very special kind. He was a Kapo, a prisoner who served as a camp guard in order to save himself. But has Lamian saved himself? The war over, he resumes life in the Bosnian town of Banja Luka, works in a land-surveying office, rents a room, eats as many hot potatoes as he likes, not even bothering to salt them—the quantity is what matters. If only he could stop looking over his shoulder and flinching on the street in the fear that some stranger will step forward, smack his face, and say in a loud voice, “Here’s one!” If only he could stop worrying about Helena Lifka, who turned out to be a Yugoslav, and Jewish too; one of the women he made come naked into the toolshed where he hid the gold, and sit on his lap in exchange for bread and butter and a little warm milk. She could turn up any day, an old woman now, and point an accusing finger. In this masterful novel, Aleksandar Tišma shows step by step how fear can turn an ordinary human being into a monster.
The Use of Man starts with an unexpected discovery. World War II is ending. Sredoje Lazukić has been fighting all through it. Now, as one of the victorious Partisans, he has come home to Novi Sad. He visits the house he grew up in. Strangers nervously show him around. He looks up the mother of Milinko, his best friend. Milinko’s girlfriend, Vera, was the daughter of a Jew, a bookish businessman. Her house stands empty and open. Venturing in, Sredoje is surprised to find the diary of the German tutor that Milinko, Vera, and he all shared, Fräulein, who died on the operating table just before the war. Here, however, in a cheap notebook in Vera’s old room, is a record of Fräulein’s lonely days, with the sentimental caption Poésie. . . . The diary survived. Sredoje survived. Vera and Milinko have survived too. But what survives? A few years back Sredoje, Vera, and Milinko were teenagers, struggling to make sense of life. Life, they now know, can be more bitter than death. A work of stark poetry and illimitable sadness, The Use of Man is one of the great books of the 20th century.
Huneven's third book is a spellbinding novel of guilt and love, family and shame, sobriety and the lack of it, and the moral ambiguities that ensnare us all.
"A unique and 'Christmassy' take on the classic switching places trope... a cute, fun, and festive Christmas read that I highly recommend adding to your December TBR list." — The Nerd Daily Jenny Han meets The Holiday in this holiday rom-com where two very different girls swap lives for a Christmas adventure! Elle is a social medial star with the #DreamLife...or so it seems. Determined to shake up her content and gain new followers, she's on a mission: can she find a British fan to swap with for Christmas? Holly loves everything about Christmas. But after a mortifying mistletoe disaster with her ex, her perfect plans unravel like a bad Christmas sweater. Can Holly save the holidays when she switches places with favorite social media influencer? Elle gets more than she bargained for when she meets the cute boy from across the street. And Holly wasn't expecting Elle to have a handsome twin brother. This holiday is full of surprises.
Who Is to Blame By Alhaji Mohamed Abu Sesay In his quiet moments, Author Alhaji Mohamed Abu Sesay reads a lot of novels. He reads religious books to enlighten himself to God’s word. Outside of reading, he jokes a lot with his children and meets friends on weekends. He is married with six children. Despite his ability to work in the civil service, his passion has always been teaching.
The first book in the New York Times bestselling epic fantasy trilogy by award-winning author Laini Taylor Around the world, black handprints are appearing on doorways, scorched there by winged strangers who have crept through a slit in the sky. In a dark and dusty shop, a devil's supply of human teeth grown dangerously low. And in the tangled lanes of Prague, a young art student is about to be caught up in a brutal otherworldly war. Meet Karou. She fills her sketchbooks with monsters that may or may not be real; she's prone to disappearing on mysterious "errands"; she speaks many languages--not all of them human; and her bright blue hair actually grows out of her head that color. Who is she? That is the question that haunts her, and she's about to find out. When one of the strangers--beautiful, haunted Akiva--fixes his fire-colored eyes on her in an alley in Marrakesh, the result is blood and starlight, secrets unveiled, and a star-crossed love whose roots drink deep of a violent past. But will Karou live to regret learning the truth about herself?
Are political ideologies influenced by guilt, and if so, how? Guilt, Blame, and Politics argues that this influence has been far greater than occasional discussions of liberal guilt would indicate. For example, it has affected socialism and Marxism far more than liberalism. This is demonstrated by the fact that rich kids and intellectuals have always been drastically overrepresented in these proletarian-focused movements, to such an extent that socialism and Marxism cannot claim to have had working class origins. The most important outcome of the guilt of the affluent and the educated has been the craving for big government. Only a supreme authority figure offers relief from political guilt, by taking on the responsibility of allocating resources-making it appear that people's work roles and comforts were granted by official permission instead of coming from privilege.
Don't Blame Us traces the reorientation of modern liberalism and the Democratic Party away from their roots in labor union halls of northern cities to white-collar professionals in postindustrial high-tech suburbs, and casts new light on the importance of suburban liberalism in modern American political culture. Focusing on the suburbs along the high-tech corridor of Route 128 around Boston, Lily Geismer challenges conventional scholarly assessments of Massachusetts exceptionalism, the decline of liberalism, and suburban politics in the wake of the rise of the New Right and the Reagan Revolution in the 1970s and 1980s. Although only a small portion of the population, knowledge professionals in Massachusetts and elsewhere have come to wield tremendous political leverage and power. By probing the possibilities and limitations of these suburban liberals, this rich and nuanced account shows that—far from being an exception to national trends—the suburbs of Massachusetts offer a model for understanding national political realignment and suburban politics in the second half of the twentieth century.