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By National Book Award finalist Jim Shepard, a deeply affecting novel that will join the shortlist of classics about the Holocaust and the children whose lives were caught up in it. For readers of Anne Frank's The Diary of a Young Girl, Kenneally's Schindler's List; Szpilman's The Pianist; Anne Michaels' Fugitive Pieces; Markus Zusack's The Book Thief; the works of Pimo Levi and Elie Weisel and Michael Chabon. When we meet Aron, he is a beguiling and perceptive and not always happy young boy coming into awareness of himself and his family's struggles. When soon they are driven from the countryside into Warsaw, their lives are changed forever. Aron and a group of boys and girls risk their lives scuttling around the ghetto, smuggling and trading things through the "quarantine walls" to keep their people alive, while they are hunted by blackmailers and Jewish and Polish and German police, as gradually things catastrophically worsen, people begin to disappear, and survival is threatened on all sides. Eventually, Aron comes to know Janusz Korczak, a Jewish-Polish doctor famous for his advocacy of children's rights, whose orphanage was relocated to the ghetto once the Nazis swept in. In the end, he and the children he takes care of, Aron among them, are brought to the station to be put on a train to Treblinka. The Book of Aron is a breathtaking novel of extraordinary craft, humanity, and masterful storytelling. Fearless, and devoid of sentimentality, it looks squarely into the face of unspeakable suffering, evil and lawlessness, revealing the persistence and strength of the human spirit despite all odds and the redemptive power of love. It is nothing less than a masterpiece.
In this richly nuanced assessment of the various dimensions of mutuality in psychoanalysis, Aron shows that the relational approach to psychoanalysis is a powerful guide to issues of technique and therapeutic strategy. From his reappraisal of the concepts of interaction and enactment, to his examination of the issue of analyst self-disclosure, to his concluding remarks on the relational import of the analyst's ethics and values, Aron squarely accepts the clinical responsibilities attendant to a postmodern critique of psychoanalytic foundations.
Religious fundamentalists and biblical literalists present any number of arguments that attempt to disprove evolution. Those with a sympathetic ear often fail to critically examine these creationist claims, leading to an ill-informed public and, perhaps more troubling, ill-advised public policy. As Aron Ra makes clear, however, every single argument deployed by creationists in their attacks on evolution is founded on fundamental scientific, religious, and historical falsehoods–all of them. Among their most popular claims is that evolution is a religion, that there are no transitional species, that there are no beneficial mutations, and that supposedly sacred scripture is the infallible word of God. Yet, as the evidence and data plainly show, each of these claims is demonstrably and unequivocally false. There is simply no truth to creationism whatsoever, and the entire enterprise rests on a foundation of falsehoods. This book explains and exposes the worst of these lies, and should be read by all who honestly care about following the evidence no matter where it might lead in pursuit of the truth.
SOME STAINS DON'T COME OUTRaised in a household that was so filthy it was stomach spilling, Vera has become a neat-freak. Her obsession with cleanliness sprouts the concept that her skills can be put to use in a unique way. In an effort to generate some income for her and her disabled husband Daniel just prior to the birth of their first child, she takes aim at the booming door to door sales business of the late 80s. All is going well until she arrives at the steps of a house she wished she never had. The steps of an evil that brings back the ghastly memories she so desperately tried to wash away.Nothing will prepare you for the nastiness, disorder and uncleansable horror brought forth by... The Slob.
Following his widely acclaimed Project X and Love and Hydrogen—“Here is the effect of these two books,” wrote the Chicago Tribune: “A reader finishes them buzzing with awe”—Jim Shepard now gives us his first entirely new collection in more than a decade. Like You’d Understand, Anyway reaches from Chernobyl to Bridgeport, with a host of narrators only Shepard could bring to pitch-perfect life. Among them: a middle-aged Aeschylus taking his place at Marathon, still vying for parental approval. A maddeningly indefatigable Victorian explorer hauling his expedition, whaleboat and all, through the Great Australian Desert in midsummer. The first woman in space and her cosmonaut lover, caught in the star-crossed orbits of their joint mission. Two Texas high school football players at the top of their food chain, soliciting their fathers’ attention by leveling everything before them on the field. And the rational and compassionate chief executioner of Paris, whose occupation, during the height of the Terror, eats away at all he holds dear. Brimming with irony, compassion, and withering humor, these eleven stories are at once eerily pertinent and dazzlingly exotic, and they showcase the work of a protean, prodigiously gifted writer at the height of his form. Reading Jim Shepard, according to Michael Chabon, “is like encountering our national literature in microcosm.”
How did psychoanalysis come to define itself as being different from psychotherapy? How have racism, homophobia, misogyny and anti-Semitism converged in the creation of psychotherapy and psychoanalysis? Is psychoanalysis psychotherapy? Is psychoanalysis a "Jewish science"? Inspired by the progressive and humanistic origins of psychoanalysis, Lewis Aron and Karen Starr pursue Freud's call for psychoanalysis to be a "psychotherapy for the people." They present a cultural history focusing on how psychoanalysis has always defined itself in relation to an "other." At first, that other was hypnosis and suggestion; later it was psychotherapy. The authors trace a series of binary oppositions, each defined hierarchically, which have plagued the history of psychoanalysis. Tracing reverberations of racism, anti-Semitism, misogyny, and homophobia, they show that psychoanalysis, associated with phallic masculinity, penetration, heterosexuality, autonomy, and culture, was defined in opposition to suggestion and psychotherapy, which were seen as promoting dependence, feminine passivity, and relationality. Aron and Starr deconstruct these dichotomies, leading the way for a return to Freud's progressive vision, in which psychoanalysis, defined broadly and flexibly, is revitalized for a new era. A Psychotherapy for the People will be of interest to psychotherapists, psychoanalysts, clinical psychologists, psychiatrists--and their patients--and to those studying feminism, cultural studies and Judaism.
'The disease he has is addiction,' Nina Renata Aron writes of her boyfriend. 'The disease I have is loving him.' Their affair is dramatic, urgent - an intoxicating antidote to the lonely days of early motherhood. But soon, K starts using again. Even as his addiction deepens, she stays, thinking she can save him. It's a familiar pattern, developed in an adolescence marred by family trauma - how can she break it? If she leaves, has she failed? In this unflinching memoir, Aron shows the devastating effect of addiction on loved ones. She also untangles the messy ties between her own history of enabling, society's expectations of womanhood and our ideas of love. She cracks open the feminised phenomenon of co-dependency, tracing its development from the formation of Al-Anon to recent research in the psychology of addiction, and asks uncomfortable questions about when help becomes harm, and when we choose to leave.
A day-by-day account of Aron Ralston's unforgettable survival story. On Saturday, 26 April 2003, Aron Ralston, a 27-year-old outdoorsman and adventurer, set off for a day's hike in the Utah canyons. Eight miles from his truck, he found himself in the middle of a deep and remote canyon. Then the unthinkable happened: a boulder shifted and snared his right arm against the canyon wall. He was trapped, facing dehydration, starvation, hallucinations and hypothermia as night-time temperatures plummeted. Five and a half days later, Aron Ralston finally came to the agonising conclusion that his only hope was to amputate his own arm and get himself to safety. Miraculously, he survived. 127 Hours is more than just an adventure story. It is a brave, honest and above all inspiring account of one man's valiant effort to survive, and is destined to take its place among adventure classics such as Touching the Void.
Artist Kalman Aron has eclipsed evil and delved into visual truth and beauty. A Holocaust survivor, his experiences in concentration camps had a lifetime effect on his painting and his capability to convey the heart of his subjects. After the war, Aron's skills were acknowledged with a full scholarship to the Academy of Fine Arts in Vienna and he received a master's in fine arts degree. At the end of 1949, he immigrated to America and settled in Los Angeles, a prolific and accomplished artist. Aron's media are varied and manifold - oils, pastels, acrylics, pen and ink, and watercolours - and his approach moves through a new arena of artistic expression with time. From his drawings of children, portraits, Los Angeles landscapes, and abstract drawings, among numerous other subjects, Aron has discovered healing through his art. His example is a symbol of hope and restoration. This beautifully illustrated book is a visual testament to that hope. AUTHOR: Susan Beilby Magee, graduate of Pomona College and Wharton and formerly a White House Fellow, is a certified hypnotherapist with 25 years experience in the healing arts. ILLUSTRATIONS: 200 colour & 50 b/w illustrations