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This a fascinating account of the history of the Boni- Maroons (Aluku-Maroons) of Surinam and French-Guiana from about 1730 until 1860. Based on archival data, oral history and the literature, the author paints an overall picture of this interesting Maroon-history of guerilla warfare, slave resistance and rebellion.
Historians and anthropologists focus on the cultural dimensions of slavery in various geographical and historical settings. They deal with conceptual and theoretical problems in current slavery studies, as well as issues including Native American slaveholding; the integration of former slaves into West African societies; slave life on Caribbean sugar plantations; slave cultures in Suriname; female slave-owners on the Gold Coast; and Maroon communities. Annotation copyright by Book News, Inc., Portland, OR
Maroon Cosmopolitics: Personhood, Creativity and Incorporation offers diverse perspectives on the presence of the Guianese Maroon at the twentieth-first century, and on the contemporary lives of the descendants of those who fled from slavery in the Americas.
Proposing a new methodological approach to documenting languages spoken in multilingual societies, this book retraces the investigation of one unique linguistic space, the Creole varieties referred to as Takitaki in multilingual French Guiana. It illustrates how interactional sociolinguistic, anthropological linguistic, discourse analytical and quantitative sociolinguistic approaches can be integrated with structural approaches to language in order to resolve rarely discussed questions systematically (what are the outlines of the community, who is a rightful speaker, what speech should be documented) that frequently crop up in projects of language documentation in multilingual contexts. The authors argue that comprehensively documenting complex linguistic phenomena requires taking into account the views of all local social actors (native and non-native speakers, institutions, linguists, non-speakers, etc.), applying a range of complementary data collection and analysis methods and putting issues of ideology, variation, language contact and interaction centre stage. This book will be welcomed by researchers in sociolinguistics, linguistic anthropology, fieldwork studies, language documentation and language variation and change.
"Jared Ross Hardesty's new critical edition, The Suriname Writings of John Gabriel Stedman, makes an important and necessary intervention into the study of eighteenth-century Caribbean travel writing and natural history by foregrounding the previously unpublished diary entries Stedman authored in Suriname, rather than focusing solely on his writings printed in the metropoles of Europe. Hardesty's edition is especially useful because it includes both a transcription of Stedman's Suriname diary and a detailed appendix tracking key discrepancies between the diary and Stedman's heavily revised printed natural history. This focus on genre and the editorial process in the production of Anglophone transatlantic writing is an excellent resource for students and scholars of the eighteenth-century Caribbean and the Atlantic World. I can see this being a helpful resource in an early American or eighteenth-century history or literature course, as it would enable students to easily compare differing editions of Stedman's Suriname writings. What Hardesty's edition of The Suriname Writings of John Gabriel Stedman offers is a more accessible study of how eighteenth-century writing on maroonage, slavery, science, and abolition was heavily mediated in the print and production process, as this compiled edition offers critical insight into the gendered and racial politics of life in the colonial Caribbean as well as how printers in the metropole attempted to alter the writing of colonizing authors like Stedman." —Elizabeth Polcha, Drexel University
Maroon Cosmopolitics: Personhood, Creativity and Incorporation sheds further light on the contemporary modes of Maroon circulation and presence in Suriname and in the French Guiana. The contributors assembled in the volume look to describe Maroon ways of inhabiting, transforming and circulating through different localities in the Guianas, as well as their modes of creating and incorporating knowledge and artefacts into their social relations and spaces. By bringing together authors with diverse perspectives on the situation of the Guianese Maroon at the twenty-first century, the volume contributes to the anthropological literature on Maroon societies, providing ethnographic, and historical depth and legitimacy to the contemporary lives of the descendants of those who fled from slavery in the Americas.
Ghana-for all its notable strides toward more egalitarian political and social systems in the past 60 years-remains a nation plagued with inequalities stemming from its long history of slavery and slave trading. The work assembled in this collection explores the history of slavery in Ghana and its legacy for both Ghana and the descendants of people sold as slaves from the “Gold Coast” in the era of the transatlantic slave trade. The volume is structured to reflect four overlapping areas of investigation: the changing nature of slavery in Ghana, including the ways in which enslaved people have been integrated into or excluded from kinship systems, social institutions, politics, and the workforce over time; the long-standing connections forged between Ghana and the Americas and Europe through the transatlantic trading system and the forced migration of enslaved people; the development of indigenous and transnational anti-slavery ideologies; and the legacy of slavery and its ongoing reverberations in Ghanaian and diasporic society. Bringing together key scholars from Ghana, Europe and the USA who introduce new sources, frames and methodologies including heritage, gender, critical race, and culture studies, and drawing on archival documents and oral histories, Slavery and Its Legacy in Ghana and the Diaspora will be of great interest to scholars and students of comparative slavery, abolition and West African history.
The struggle to abolish slavery is one of the grandest quests - and central themes - of modern history. These movements for freedom have taken many forms, from individual escapes, violent rebellions, and official proclamations to mass organizations, decisive social actions, and major wars. Every emancipation movement - whether in Europe, Africa, or the Americas - has profoundly transformed the country and society in which it existed. This unique A-Z encyclopedia examines every effort to end slavery in the United States and the transatlantic world. It focuses on massive, broad-based movements, as well as specific incidents, events, and developments, and pulls together in one place information previously available only in a wide variety of sources. While it centers on the United States, the set also includes authoritative accounts of emancipation and abolition in Europe, Africa, the Caribbean, and Latin America. "The Encyclopedia of Emancipation and Abolition" provides definitive coverage of one of the most significant experiences in human history. It features primary source documents, maps, illustrations, cross-references, a comprehensive chronology and bibliography, and specialized indexes in each volume, and covers a wide range of individuals and the major themes and ideas that motivated them to confront and abolish slavery.
Waar plantages en slaven zijn, vluchten slaven van plantages. Al vrij snel na de stichting van de plantagekolonie Suriname (1651) ontsnapten Afrikaanse slaven om een menswaardig bestaan op te bouwen in het immense regenwoud. Zij vestigden zich in het labyrint van kreken en rivieren en voerden vandaar een felle guerrilla tegen de blanke planters. Een van deze groepen Marrons, zoals de gevluchte slaven in de literatuur bekend staan, is de Okanisi. Een zwarte vrijstaat in Suriname vertelt de geschiedenis van de Okanisi in de achttiende eeuw. Het is een geschiedenis van hekserij en orakels, van knechting en ontsnapping, van opsporing en oorlog. Na jaren van strijd kwam de koloniale overheid tot de conclusie dat zij de Marrons niet onderwerpen kon en bood hun in 1760 een vrede aan die door de Okanisi werd geaccepteerd. Het sluiten van de vrede tussen overheid en Okanisi was de erkenning van de eerste ‘zwarte vrijstaat’ in Suriname. De geschiedenis van de Okanisi is geschreven op basis van uniek materiaal. Dat materiaal bestaat uit verslagen van de koloniale oorlog tegen de Marrons en uit mondelinge overleveringen van de Okanisi. Een zwarte vrijstaat toont overtuigend aan dat in het verleden het heden ligt.
Contributions by Herman Dijo, J. Ketwaru, Guilly Koster, Lou Lichtveld, Pondo O’Bryan, and Marcel Weltak When Marcel Weltak’s Surinamese Music in the Netherlands and Suriname was published in Dutch in 1990, it was the first book to provide an overview of the music styles originating from the land that had recently gained its independence from the Netherlands. Up until the 1990s, little had been published that observed the music of the country. Weltak’s book was the first to examine both the instruments and the way in which they are played as well as the melodic and rhythmic components of music produced by the country’s ethnically diverse populations, including people of Amerindian, African, Indian, Indonesian/Javanese, and Chinese descent. Since the book’s first appearance, a new generation of musicians of Surinamese descent has carried on making music, and some of their elders referred to in the original edition have passed away. The catalog of recordings that have become available has also expanded, particularly in the areas of hip-hop, rap, jazz, R&B, and new fusions such as kaskawi. This edition, in English for the first time, includes a new opening chapter by Marcel Weltak giving a historical sketch of Suriname’s relationship to the Netherlands. It includes updates on the popular music of second- and third-generation musicians of Surinamese descent in the Netherlands, and Weltak's own subsequent and vital research into the Amerindian and maroon music of the interior. The new introduction is followed by the integral text of the original edition. New appendices have been added to this edition that include a bibliography and updated discography; a listing of films, videos, and DVDs on or about Surinamese music or musicians; and concise, alphabetically arranged notes on musical instruments and styles as well as brief biographies of those authors who contributed texts.