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Excerpt from The Bombardment of Reims Among other sources of information special mention should be made of Le Martyre de Reims, published anonymously in parts. It began with the admirable purpose of presenting a detailed summary of life and events in Reims during the bombardment, giving the names of persons killed or wounded, and the locality of buildings injured. The censor speedily fell afoul of this useful sum mary: names of persons and buildings were stricken out, as well as other details, and finally the diary came to a temporary end with Part 41. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"The Bombardment of Reims" by Barr Ferree is a history book. The attendant destruction of Reims' cathedral is an event that has particularly excited the indignation of the civilized world. The sacrifice has seemed so wanton and so unnecessary that the souls of those who have not known the great church by personal observation have cried out in indignation against the outrage, while to those who have known it, its long-continued passion has aroused the feeling of an intense personal loss. No other episode of the Great War has accomplished such complete destruction of such a great work of art.
As the site of royal coronations, Reims cathedral was a monument to French national history and identity. But after German troops bombed the cathedral during World War I, it took on new meaning. The French reimagined it as a martyr of civilization, as the rupture between the warring states. Despite a history of mutual respect, the bombing of the cathedral caused all social, scientific, artistic, and cultural ties between Germany and France to be severed for decades. The resulting battle of words and images stressed the differences between German Kultur and French civilisation. Artists and intelligentsia caricatured this entrenched cultural dichotomy, influencing portrayals of the two nations in the international press. This book explores the structure’s breadth of meaning in symbolic, art historical, and historical arenas, including competing claims over the origins of Gothic art and architecture as national style and issues of monument preservation and restoration. It highlights how vulnerable art is during war, and how the destruction of nation-al monuments can set the tone for international conflict—once again a timely and pressing issue. Thomas W. Gaehtgens articulates how these nations began to mend their relationship in the decades after World War II, starting with the courageous vision of Charles de Gaulle and Konrad Adenauer, and how the cathedral of Reims was eventually transformed into a site of reconciliation and European unification.
"Examines the stained-glass windows in the Gothic cathedral of Reims within the context of the evolution of the French monarchy and medieval art"--Provided by publisher.
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