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Before the Bomb, there were simply 'bombs', lower case. But it was the twentieth century, one hundred years of almost incredible scientific progress, that saw the birth of the Bomb, the human race's most powerful and most destructive discovery. In this magisterial and enthralling account, Gerard DeGroot gives us the life story of the Bomb, from its birth in the turn-of-the-century physics labs of Europe to a childhood in the New Mexico desert of the 1940s, from adolescence and early adulthood in Nagasaki and Bikini, Australia and Siberia to unsettling maturity in test sites and missile silos all over the globe. By turns horrific, awe-inspiring and blackly comic, The Bomb is never less than compelling.
**Winner of the Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award** The definitive history of nuclear weapons—from the turn-of-the-century discovery of nuclear energy to J. Robert Oppenheimer and the Manhattan Project—this epic work details the science, the people, and the sociopolitical realities that led to the development of the atomic bomb. This sweeping account begins in the 19th century, with the discovery of nuclear fission, and continues to World War Two and the Americans’ race to beat Hitler’s Nazis. That competition launched the Manhattan Project and the nearly overnight construction of a vast military-industrial complex that culminated in the fateful dropping of the first bombs on Hiroshima and Nagasaki. Reading like a character-driven suspense novel, the book introduces the players in this saga of physics, politics, and human psychology—from FDR and Einstein to the visionary scientists who pioneered quantum theory and the application of thermonuclear fission, including Planck, Szilard, Bohr, Oppenheimer, Fermi, Teller, Meitner, von Neumann, and Lawrence. From nuclear power’s earliest foreshadowing in the work of H.G. Wells to the bright glare of Trinity at Alamogordo and the arms race of the Cold War, this dread invention forever changed the course of human history, and The Making of The Atomic Bomb provides a panoramic backdrop for that story. Richard Rhodes’s ability to craft compelling biographical portraits is matched only by his rigorous scholarship. Told in rich human, political, and scientific detail that any reader can follow, The Making of the Atomic Bomb is a thought-provoking and masterful work.
Step into the glamorous world of the Savoy Hotel's legendary American Bar with The Savoy Cocktail Book, a classic collection of cocktail recipes that has stood the test of time. Originally published in 1930, this iconic book by Harry Craddock features an extensive array of beloved drinks, from timeless classics to forgotten gems. With its rich history and enduring influence, The Savoy Cocktail Book remains an essential guide for cocktail enthusiasts, professional bartenders, and anyone looking to elevate their mixology skills. This book contains hundreds of recipes for ... Cocktails Prepared Cocktails for Bottling Non-Alcoholic Cocktails Cocktails Suitable for a Prohibition Country Sours Toddies Flips Egg Noggs Collins Slings Shrubs Sangarees Highballs Fizzes Coolers Rickeys Daisies Fixes Juleps Smashes Cobblers Frappé Punch Prepared Punch for Bottling Cups The Lucky Hour of Great Wines The Wines of Bordeaux Champagne Burgundy Hocks (Rhine Wines), Steiweins & Moselles Port Sherry
As the US enters WWII, a series of murders at the University of Chicago threatens a top-secret military research project in this historical noir. Against the ominous backdrop of America's entry into World War II, the navy still reels from the devastation wreaked at Pearl Harbor and the crushing defeat of US ground troops in the Philippines. On the home front, scientists working for Enrico Fermi at the University of Chicago labor feverishly on a secret weapon that promises to reverse the fortunes of battle. However, sinister forces are at work on the outwardly serene Gothic campus, resulting in violent deaths. While work grinds on in the shadowy catacombs beneath an abandoned football stadium--work that will forever alter our world--Chicago Tribune police reporter Steve "Snap" Malek delves into the intrigue. Battling for an exclusive story and, ultimately, for his very life, Malek finds himself in the midst of history-in-the-making.
In the pantheon of air power spokesmen, Giulio Douhet holds center stage. His writings, more often cited than perhaps actually read, appear as excerpts and aphorisms in the writings of numerous other air power spokesmen, advocates-and critics. Though a highly controversial figure, the very controversy that surrounds him offers to us a testimonial of the value and depth of his work, and the need for airmen today to become familiar with his thought. The progressive development of air power to the point where, today, it is more correct to refer to aerospace power has not outdated the notions of Douhet in the slightest In fact, in many ways, the kinds of technological capabilities that we enjoy as a global air power provider attest to the breadth of his vision. Douhet, together with Hugh “Boom” Trenchard of Great Britain and William “Billy” Mitchell of the United States, is justly recognized as one of the three great spokesmen of the early air power era. This reprint is offered in the spirit of continuing the dialogue that Douhet himself so perceptively began with the first edition of this book, published in 1921. Readers may well find much that they disagree with in this book, but also much that is of enduring value. The vital necessity of Douhet’s central vision-that command of the air is all important in modern warfare-has been proven throughout the history of wars in this century, from the fighting over the Somme to the air war over Kuwait and Iraq.
Perhaps no scientific development has shaped the course of modern history as much as the harnessing of nuclear energy. Yet the twentieth century might have turned out differently had greater influence over this technology been exercised by Great Britain, whose scientists were at the forefront of research into nuclear weapons at the beginning of World War II. As award-winning biographer and science writer Graham Farmelo describes in Churchill's Bomb, the British set out to investigate the possibility of building nuclear weapons before their American colleagues. But when scientists in Britain first discovered a way to build an atomic bomb, Prime Minister Winston Churchill did not make the most of his country's lead and was slow to realize the Bomb's strategic implications. This was odd -- he prided himself on recognizing the military potential of new science and, in the 1920s and 1930s, had repeatedly pointed out that nuclear weapons would likely be developed soon. In developing the Bomb, however, he marginalized some of his country's most brilliant scientists, choosing to rely mainly on the counsel of his friend Frederick Lindemann, an Oxford physicist with often wayward judgment. Churchill also failed to capitalize on Franklin Roosevelt's generous offer to work jointly on the Bomb, and ultimately ceded Britain's initiative to the Americans, whose successful development and deployment of the Bomb placed the United States in a position of supreme power at the dawn of the nuclear age. After the war, President Truman and his administration refused to acknowledge a secret cooperation agreement forged by Churchill and Roosevelt and froze Britain out of nuclear development, leaving Britain to make its own way. Dismayed, Churchill worked to restore the relationship. Churchill came to be terrified by the possibility of thermonuclear war, and emerged as a pioneer of detente in the early stages of the Cold War. Contrasting Churchill's often inattentive leadership with Franklin Roosevelt's decisiveness, Churchill's Bomb reveals the secret history of the weapon that transformed modern geopolitics.
The mechanistic age of the twentieth century has required a mechanized medium for expression: the production of filmdependent from the start on machines such as cameras, projectors, lights, and now more heavily reliant on computers, sensitive films, miniaturization, and sophisticated sound recording devices - has flowered in this century not only as a means of popular entertainment, but as a critically acclaimed art form. These essays highlight true cinematic adaptations as completely different products from films based loosely on the gimmick or plot or character of a certain fiction.
There are two ways of looking at the war: one as a journalist, the other as a theologian. The journalist tells you what happens; the theologian not only why it happens, but also what matters. If we look at this war through the eyes of a journalist or a commentator, it will he only a succession of events without any remote causes in the past, or any great purpose in the future. But if we look at the war through the eyes of God, then the war is not meaningless, though we may not presently understand its details. It may very well be a purposeful purging of the world’s evil that the world may have a rebirth of freedom under His Holy Law, for: Every human path leads on to God, He holds a myriad finer threads than gold, And strong as holy wishes, drawing us With delicate tension upward to Himself. Our approach is from the divine point of view, first of all, because it is the only explanation which fits the facts; secondly because the American people who have been confused by catchwords and slogans are seeking an inspiration for a total surrender of their great potentialities for sacrifice, both for God and country. The great mass of the American people are frankly dissatisfied with the ephemeral and superficial commentaries on what is happening. Being endowed with intelligence, they want to know why it is happening. We all know what we are fighting against; we want to know what we are fighting for. We all know that we are in a war; we want to know what we must do to make a lasting peace. We know whom we hate; but we want to know what we ought to love. We know we are fighting against a barbarism that is intrinsically wicked; we want to know what we have to do to make the resurrection of that wickedness impossible.
Hiroshima is the story of six people—a clerk, a widowed seamstress, a physician, a Methodist minister, a young surgeon, and a German Catholic priest—who lived through the greatest single manmade disaster in history. In vivid and indelible prose, Pulitzer Prize–winner John Hersey traces the stories of these half-dozen individuals from 8:15 a.m. on August 6, 1945, when Hiroshima was destroyed by the first atomic bomb ever dropped on a city, through the hours and days that followed. Almost four decades after the original publication of this celebrated book, Hersey went back to Hiroshima in search of the people whose stories he had told, and his account of what he discovered is now the eloquent and moving final chapter of Hiroshima.
Originally published in 1983, D.H. Lawrence is an annotated bibliographic collection of works by and about D.H. Lawrence. Consisting of three parts, the primary bibliography contains separate bibliographies of Lawrence’s major publications, of collection editions of his works, of his letters, and of concordances to his writings. The secondary bibliography contains bibliographies of biographical and critical publications concerning Lawrence, generally or his individual works. Appendixes and Indexes include an extensive checklist of major foreign-language publications concerning Lawrence and a useful topical and thematic subject index for the guide.