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The United Nations Educational and Cultural Organization (UNESCO) entrusted author James Robinson with tracking down the place where the Nag Hammadi Codices had been discovered. Priests whom the author interviewed in the region told Robinson that the codices had once been in the possession of a priest in the town of Dishna, a bit further upstream than Nag Hammadi itself. Robinson found that this priest had not had the Nag Hammadi Codices but rather the Bodmer Papyri. For Dishna is where the monastery headquarters of the first monastic order was located. The Bodmer Papyri discovery consisted of all that was left of the library of the Pachomian monastic order: Coptic letters of Pachomius and very early Greek copies of Luke and John, perhaps donated when Athanasius was in hiding at the monastery. These treasures were preserved in a jar hidden in the mountain where monks were buried. This book traces the story of the Bodmer Papyri from beginning to end.
In 1832, twenty-two-year-old Swiss artist Karl Bodmer was employed to create a "faithful and vivid image" of America and its people. This book contains 431 illustrations (most in color), which reflect the updating of Bodmer's documenting process, and essays and appendices elucidating all aspects of the project.
A provocative book from a highly original scholar, challenging much of what we know about early Christian manuscripts In this bold and groundbreaking book, Brent Nongbri provides an up-to-date introduction to the major collections of early Christian manuscripts and demonstrates that much of what we thought we knew about these books and fragments is mistaken. While biblical scholars have expended much effort in their study of the texts contained within our earliest Christian manuscripts, there has been a surprising lack of interest in thinking about these books as material objects with individual, unique histories. We have too often ignored the ways that the antiquities market obscures our knowledge of the origins of these manuscripts. Through painstaking archival research and detailed studies of our most important collections of early Christian manuscripts, Nongbri vividly shows how the earliest Christian books are more than just carriers of texts or samples of handwriting. They are three-dimensional archaeological artifacts with fascinating stories to tell, if we’re willing to listen.
In May of 1832, Swiss artist Karl Bodmer (1809-93) set out with Maximilian Prince of Wied, a German aristocrat and scientist, on a 28-month journey along the Ohio and Missouri rivers. For Bodmer, the expedition resulted in more than 400 watercolors and sketches of Native American people, landscapes, animals, and plants. Engravings of many of the images were subsequently used to illustrate Travels in the Interior of North America, Prince Maximilian's well-known historical account. Karl Bodmer is an homage to the great painter who captured for the rest of the world so many important natural details of early America. Presented here are all 81 engravings used to illustrate Maximilian's book, and 9 of Bodmer's original watercolors and sketches, as well as photographs of artifacts collected during the legendary passage. Bodmer's detailed work is among the most important documents of Native American culture from that region. Almost all of these images are held today in public collections in the United States, including large collections at the Newberry Library in Chicago, the Baltimore Museum of Art and the Joslyn Art Museum in Omaha. Karl Bodmer is a richly illustrated volume that brings to life a monumental event in both art history and the history of early America.
The United Nations Educational and Cultural Organization (UNESCO) entrusted author James Robinson with tracking down the place where the Nag Hammadi Codices had been discovered. Priests whom the author interviewed in the region told Robinson that the codices had once been in the possession of a priest in the town of Dishna, a bit further upstream than Nag Hammadi itself. Robinson found that this priest had not had the Nag Hammadi Codices but rather the Bodmer Papyri. For Dishna is where the monastery headquarters of the first monastic order was located. The Bodmer Papyri discovery consisted of all that was left of the library of the Pachomian monastic order: Coptic letters of Pachomius and very early Greek copies of Luke and John, perhaps donated when Athanasius was in hiding at the monastery. These treasures were preserved in a jar hidden in the mountain where monks were buried. This book traces the story of the Bodmer Papyri from beginning to end.
The Protevangelium of James is arguably the earliest surviving source that exhibits profound interest in Mary, the mother of Jesus. Although frequently cited for later Christian reflections about Mary, gender, and virginity and its influence on popular Christian art, music, and literature, it is not well known outside academic circles and is rarely studied for its own sake. Lily C. Vuong offers a sustained analysis of the text's narrative and literary features in order to explore the portrayal and characterization of Mary through a focus on the theme of purity. By tracing the various ways purity is described and presented in the text, the author contributes to discussions on early Jewish and Christian ideas about purity, representations of women in the ancient world, the early history of Mariology, and the place of non-canonical writings in the history of biblical interpretation.
Less than thirty years after Lewis and Clark completed their epic journey, Prince Maximilian of Wied—a German naturalist—and his entourage set off on their own daring expedition across North America. Accompanying the prince on this 1832–34 voyage was Swiss artist Karl Bodmer, whose drawings and watercolors—designed to illustrate Maximilian’s journals—now rank among the great treasures of nineteenth-century American art. This lavishly illustrated book juxtaposes Bodmer’s landscape images with modern-day photographs of the same views, allowing readers to see what has changed, and what seems unchanged, since the time Maximilian and Bodmer made their storied trip up the Missouri River. To discover how the areas Bodmer depicted have changed over time, photographer Robert M. Lindholm and anthropologist W. Raymond Wood made several trips over a period of years, from 1985 to 2002, to locate and record the same sites—all the way from Boston Harbor, where Maximilian and Bodmer began their journey, to Fort McKenzie, in modern-day western Montana. Pairing sixty-seven Bodmer works side by side with Lindholm’s photographs of the same sites, this volume uses the comparison of old and new images to reveal alterations through time—and the encroachment of a built environment—across diverse landscapes. Karl Bodmer’s America Revisited is at once a tribute to the artistic achievements of a premier landscape artist and a photographer who followed in his footsteps, and a valuable record of America’s ever-changing environment.
In an era before photography, three painters--Charles Bird King, George Catlin, and Karl Bodmer--traveled far and wide to record the culture of Native Americans. For the first time in one volume, "Native Americans: A Portrait" presents a major selection of original paintings, drawings, and lithographs by these three artists. More than 1,000 full-color reproductions offer eyewitness accounts of battles, hunts, ceremonies, and daily life.
Looks at the nineteenth-century Swiss artist's watercolors and drawings of the American West, Indians, and Western wildlife