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Collection of articles on recent excavations and studies of one of the best known Maya archaeological sites
Precolumbian art -- Viceregal art -- Nineteenth century art -- Twentieth century art.
The authors present evidence that specific place names do exist in Maya inscriptions, and show that identifying these names sheds considerable light on both past and present questions about the Maya.
These articles mark a significant stage in the study of Maya architecture and the society that built it. They represent advances in our understandings of the past, point toward avenues for further studies, and note the distance yet to travel in fully appreciating and understanding this ancient American culture and its material remains.
In recent decades, advances in deciphering Maya hieroglyphic writing have given scholars new tools for understanding key aspects of ancient Maya society. This book—the first comprehensive examination of the Maya royal court—exemplifies the importance of these new sources. Authored by anthropologist Sarah E. Jackson and richly illustrated with drawings, photographs, and maps, Politics of the Maya Court uses hieroglyphic and iconographic evidence to explore the composition and social significance of royal courts in the Late Classic period (a.d. 600–900), with a special emphasis on the role of courtly elites. As Jackson explains, the Maya region of southern Mexico and Central America was not a unified empire but a loosely aggregated culture area composed of independent kingdoms. Royal courts had a presence in large, central communities from Chiapas to Yucatan and the highlands of Guatemala and western Honduras. Each major polity was ruled by a k’uhul ajaw, or holy lord, who embodied intertwined aspects of religious and political authority. The hieroglyphic texts that adorned walls, furniture, and portable items in these centers of power provide specific information about the positions, roles, and meanings of the courts. Jackson uses these documents as keys to understanding Classic Maya political hierarchy and, specifically, the institution of the royal court. Within this context, she investigates the lives of the nobility and the participation of elites in court politics. By identifying particular individuals and their life stories, Jackson humanizes Maya society, showing how events resulted from the actions and choices of specific people. Jackson’s innovative portrayal of court membership provides a foundation for scholarship on the nature, functions, and responsibilities of Maya royal courts.
“A prodigious work of unmatched interdisciplinary scholarship” on Maya astronomy and religion (Journal of Interdisciplinary History). Observations of the sun, moon, planets, and stars played a central role in ancient Maya lifeways, as they do today among contemporary Maya who maintain the traditional ways. This pathfinding book reconstructs ancient Maya astronomy and cosmology through the astronomical information encoded in Pre-Columbian Maya art and confirmed by the current practices of living Maya peoples. Susan Milbrath opens the book with a discussion of modern Maya beliefs about astronomy, along with essential information on naked-eye observation. She devotes subsequent chapters to Pre-Columbian astronomical imagery, which she traces back through time, starting from the Colonial and Postclassic eras. She delves into many aspects of the Maya astronomical images, including the major astronomical gods and their associated glyphs, astronomical almanacs in the Maya codices and changes in the imagery of the heavens over time. This investigation yields new data and a new synthesis of information about the specific astronomical events and cycles recorded in Maya art and architecture. Indeed, it constitutes the first major study of the relationship between art and astronomy in ancient Maya culture. “Milbrath has given us a comprehensive reference work that facilitates access to a very broad and varied body of literature spanning several disciplines.” ―Isis “Destined to become a standard reference work on Maya archeoastronomy . . . Utterly comprehensive.” —Andrea Stone, Professor of Art History, University of Wisconsin, Milwaukee
Papers focus on the history of the Puuc region, Yucatán, incorporating archaeological, architectural, epigraphic, and iconographic studies.