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Point Pleasant is a fascinating look at the New Jersey shore communities of Point Pleasant and Point Pleasant Beach during the heyday of the picture postcard. Rare and historical postcards illustrate the region's early grand hotels and majestic summer cottages that helped make Point Pleasant one of New Jersey's top seaside resorts. Explore neighborhoods and downtown shops, the Manasquan River, and, of course, the beach and boardwalk that made Point Pleasant Beach famous.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Standing on a high dune overlooking the sandy beach and Atlantic Ocean, The Bluffs of Bay Head, New Jersey was one of the last great, old Jersey Shore resort hotels. For more than a century, this Victorian landmark was the summer destination for the affluent from Philadelphia, New York, and New Jersey as well as the year-round meeting place for the ?locals.? Francine LaVance Robertshaw began summering in Bay Head as a child in the mid-1950s, eventually moving there in 1967. She worked at The Bluffs from 1979 through 1986, first as a desk clerk and then as assistant to Kathleen Johnson Spies, manager and daughter of owners Alfred E. (Sonny) and Martha Johnson. This is Francine Robertshaw's inside story of The Bluffs. Through her research, interviews, experiences, photographs, and documents, you will meet the owners as well as many of the employees, hotel guests, and bar patrons who made The Bluffs unique and charming over the decades. You?ll meet the ?regulars? and the ?eccentrics? a
This volume in the Living with the Shore series provides practical and specific information on the status of the nation's coast and useful guidelines that enable residents, visitors, and investors to live with and enjoy the shore without costly and futile struggles against the forces of nature.
In this delightful collection of personal accounts, historical anecdotes, and gorgeous photographs, Seebohm and Cook cast a fresh eye on the array of quaint cottages, quirky bungalows, and splendid mansions that generations have chosen as their summer homes.
Letters I Never Mailed: Clues to a Life, by Alec Wilder, in a new, annotated edition with introduction and supplementary material by David Demsey, foreword by jazz pianist Marian McPartland, and photographs by Louis Ouzer. Letters I Never Mailed: Clues to a Life, by Alec Wilder, in a new, annotated edition with introduction and supplementary material by David Demsey, foreword by jazz pianist Marian McPartland, and photographs by Louis Ouzer. Alec Wilder is a rare example of a composer who established a reputation both as a prolific composer of concertos, sonatas, and operas, and as a popular songwriter [including the hit "I'll Be Around"]. He was fearsomely articulate and had a wide and varied circle of friends ranging from Graham Greene to Frank Sinatra and Stan Getz. Letters I Never Mailed, hailed at its first publication [in 1975, by Little, Brown], tells the story of Wilder's musical and personal life through unsent "letters" addressed to various friends. In it, he shares his insights -- and sometimes salty opinions -- on composing, musical life, and the tension between art and commercialism. Thisnew, scholarly edition leaves Wilder's original text intact but decodes the mysteries of the original through an annotated index that identifies the letters' addressees, a biographical essay by David Demsey, and photographs by renowned photographer and lifelong friend of Wilder, Louis Ouzer. David Demsey is Professor of Music and coordinator of jazz studies at William Paterson University and an active jazz and classical saxophonist. He is co-author of Alec Wilder: A Bio-Bibliography [Greenwood Press] and has contributed to The Oxford Companion to Jazz.