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(Piano Instruction). The authentic guide to traditional and modern blues keyboard playing, with rhythm and soloing concepts for piano and organ. Build your blues vocabulary with ideas for ensemble playing; intros, turnarounds, licks and endings; piano and organ accompaniment; phrasing and soloing; and much more. Written by Marty Sammon, keyboardist in Buddy Guy's band. This book includes access to audio demonstration tracks featuring Marty and his band playing the examples in the book.
The Blues Scale by Andrew D. Gordon is he feels, one of his most important books because of the nature of the blues scale and how it is used to improvise in many styles of contemporary music. The book consists of 20 grooves: Pop 2 Grooves Rock 3 Grooves Blues 2 Grooves Jazz 1 Groove Funk 3 Grooves R&B 1 Groove Latin 1 Groove Gospel 2 Grooves New Age 1 Groove Reggae 1 Groove Calypso 1 Groove Acid-Jazz 1 Groove Country 1 Groove Both the Blues scale and relative minor Blues scale are explained in detail and how they are used either separately or together in the patterns for each style, (the relative minor Blues scale is generally not used in minor keys.) Each of the 20 grooves in this book contains over 150 patterns in total, using notes solely from the blues scale. Each of the 20 grooves utilizes a chord progression that is commonly used for that style of music. The patterns generally start off fairly simply and become more complex as the groove progresses. The audio files contain recordings of all the blues patterns that are notated in the book recorded along with a rhythm section of piano, organ, guitar, bass and drums and on certain grooves percussion. Also included are extended 2-3 minute play-a-long mp3 files of all 20 grooves enabling you to practice playing the blues patterns or creating your own for an extended period of time. MIDI files are also available. The image to the right shows both the C and A (relative minor of C) Blues scales.Throughout the book there are patterns of these two scales both individually and together creating a huge library of improvisational melodic lines to choose from. The above R&B groove consists of 8 patterns, the first 3 patterns use the G Blues scale, the next 3 patterns use the relative minor of G which is the E Blues scale and the last two patterns consists of a combination of both the G and E Blues scale which is demonstrated throughout the book in the various styles. The image below shows both the C and A (relative minor of C) Blues scales.Throughout the book there are patterns of these two scales both individually and together creating a huge library of improvisational melodic lines to choose from.
Anyone with basic keyboard skills (equivalent to Alfred's Basic Piano, Lesson Book 2) can dig right in and begin learning jazz right away. Spanning from the major scale and basic triad theory all the way through 7th chords, pentatonic scales and modulating chord progressions, this book features a full etude or tune demonstrating every new concept introduced. Beginning Jazz Keyboard breaks the age-old tradition of dry, intimidating and confusing jazz books, and provides an actual step-by-step and enjoyable method for learning to play in this style. The DVD demonstrates examples and offers opportunity to play along.
Scales provide the basis for jazz improvisation and fill-ins. The scales presented in this book produce idiomatic sounds associated with many jazz styles. The jazz scales may be simply defined as those which do not fall into the traditional category. This book explores the jazz scales and examines their potential. While this is not a jazz improvisation method, the study of the material will certainly provide the player with additional resources in this area ... Each chapter includes charts with scales written in all keys with suggested fingerings and a list of chords which complement each scale. Music examples apply the scales to jazz chord progressions and compositions.
(Faber Piano Adventures ). A comprehensive approach for the beginning blues player, featuring instruction in improvisation and theory, appealing pieces with improvisation options, and blues ear training.
(Educational Piano). The definitive source for blues riffs and licks! Features performance notes for and accompanying audio examples of fills and embellishments, turnarounds, tags and licks in the style of Ray Charles, Dr. John, Professor Longhair, and Johnny Johnson.
Learn to play the 12-bar blues using authentic techniques to get the real blues sound.
(Schott). Volume 1 introduces the intermediate pianist to the basic chord-types used in jazz, from major and minor triads to seventh and ninth chords. Other topics include: Chord/scale relationships, modes, broken chord and scale patterns, pentatonic and blues scales, walking bass lines, Latin rhythms and bass lines, the diatonic cycle, secondary dominants, II-V-I sequences, horizontal and vertical improvisation, tritone substitution, two-handed voicings, rootless voicings, technical exercises and fingering, accompaniment styles, ear-training, discography (suggested listening). 28 pieces by the author appear alongside special arrangements of well-known jazz standards, including: Autumn Leaves * Fly Me to the Moon * In a Sentimental Mood * Mannenberg * On Green Dolphin St (Part 1) * Ornithology * Song for My Father * Straight No Chaser * Take the A Train. Also included are transcribed solos by Thelonious Monk and Horace Silver, an invaluable source of authentic jazz techniques. Also includes audio files for download, containing erformances of all pieces, played by Tim alone or with his trio of Dominic Howles (bass) and Matt Home (drums). Play-along tracks are also included, in which the piano is panned to one speaker, providing rhythm section accompaniment if desired by turning the amplifier's balance control. Copious examples of improvisation are accompanied by numerous assignments, with guidance to hand on every page. Audio is accessed online.
CD contains demonstrations of music examples.