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Since 1979, the literary journal Blueline has served as a venue for literature that reflects the distinctive spirit of the Adirondack region. These poems and prose pieces, drawn from twenty-five years of Blueline's pages, represent the abundance and variety of creative responses to the singular geography and history of the Adirondacks. Read together, however, they do something more: they reveal a distinct way of looking at the world, attuned both to nature in all its various detail and to profound questions about nature and humanity. Under the editors' discriminating eyes, the contributions coalesce into a natural and elegant extension of the region's landscape and people. From Joseph Bruchac's "Writing by Moonlight" and Neal Burdick's "Waiting for a Train at the Plattsburgh Amtrak Station" to Alice Wolf Gilborn's "On Adirondack Porches," The Blueline Anthology offers rare glimpses into the soul of a region, brief and shifting views that, like those glimpsed by a hiker looking out from the trees at the blue mountains, capture the eye and the mind.
Since 1979, the literary journal Blueline has served as a venue for literature that reflects the distinctive spirit of the Adirondack region. These poems and prose pieces, drawn from twenty-five years of Blueline's pages, represent the abundance and variety of creative responses to the singular geography and history of the Adirondacks. Read together, however, they do something more: they reveal a distinct way of looking at the world, attuned both to nature in all its various detail and to profound questions about nature and humanity. Under the editors' discriminating eyes, the contributions coalesce into a natural and elegant extension of the region's landscape and people. From Joseph Bruchac's "Writing by Moonlight" and Neal Burdick's "Waiting for a Train at the Plattsburgh Amtrak Station" to Alice Wolf Gilborn's "On Adirondack Porches," The Blueline Anthology offers rare glimpses into the soul of a region, brief and shifting views that, like those glimpsed by a hiker looking out from the trees at the blue mountains, capture the eye and the mind.
This is a collection of 53 portraits of inhabitants of the Adirondack landscape, one of the largest and last wilderness areas in the United States to be discovered. The pictures are accompanied by the subjects' own words, capturing the essence of life in this region.
New York's North Country can be hard to define: the region has solid boundaries on three sides but not on the south, where it mingles with the Adirondack Mountains. The spare and isolated landscape experiences long and harsh winters tempered with bucolic scenery. Small-town life and farming--both traditional and innovative--have found a haven and even thrive. The region plays host to determined, community-oriented people who have traded the financial lure of big cities for the satisfaction of barn raisings, outdoor hockey, quiet hikes and old-fashioned diners. In this collection, residents of the region probe their own lives and experiences with the land in a corner of America that is both demanding and rewarding. Discover their exciting, uplifting and poignant tales.
The two-volume Broadview Anthology of British Literature: Concise Edition provides an attractive alternative to the full six-volume anthology. Though much more compact, the Concise Edition nevertheless provides substantial choice, offering both a strong selection of canonical authors and a sampling of lesser-known works. With an unparalleled selection of illustrations and of contextual materials, accessible and engaging introductions, and full explanatory annotations, these volumes provide concise yet extraordinarily wide-ranging coverage for British Literature survey courses. New to this volume are Samuel Beckett’s Endgame and Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde; new authors include Dorothy Wordsworth, John Clare, Tomson Highway, Derek Walcott, and Chimamanda Ngozi Adichie. The third edition now also offers substantially expanded representation of Irish, Scottish, and Welsh literatures, as well as contextual materials on Gothic literature, Modernism, and World War II. Material that no longer appears in the bound book may in most cases be found on the companion website; many larger works are also available in separate volumes that may at the instructor’s request be bundled together with the anthology at no extra cost to the student. Features New to the Third Edition — New longer texts including Dickens’s performance reading of “David Copperfield,” Gaskell’s The Manchester Marriage, Stevenson’s Strange Case of Dr Jekyll and Mr Hyde, and Beckett’s Endgame — New short selections from longer works including Eliot’s Middlemarch, Shelley’s Frankenstein, Barrett Browning’s Aurora Leigh, and Tennyson’s In Memoriam A.H.H. — New bound-book author entries for Dorothy Wordsworth, John Clare, Emily Brontë, Thomas de Quincey, Walter Pater, Isaac Rosenberg, Tomson Highway, Derek Walcott, Jeanette Winterson, and Chimamanda Ngozi Adichie — New selections representing “Literary Currents in Ireland, Scotland, and Wales in the Long Nineteenth Century” — New “Contexts” section on “Gothic Literature” including materials by Horace Walpole, Ann Radcliffe, and Jane Austen — “Literature, Politics, and Cultural Identity” section includes numerous new authors and pieces, including work by Sorely MacLean, James Kelman, Gillian Clarke, Kamau Brathwaite, Kim Moore, and Warsan Shire
This Modified eBook version of The Broadview Anthology of British Literature: Concise Volume B, 3rd edition omits in-copyright readings that are found in the print book. This ebook is available for purchase in the UK and select international markets. The two-volume Broadview Anthology of British Literature: Concise Edition provides an attractive alternative to the full six-volume anthology. Though much more compact, the Concise Edition nevertheless provides substantial choice, offering both a strong selection of canonical authors and a sampling of lesser-known works. With an unparalleled selection of illustrations and of contextual materials, accessible and engaging introductions, and full explanatory annotations, these volumes provide concise yet extraordinarily wide-ranging coverage for British Literature survey courses. New to this volume are Samuel Beckett’s Endgame and Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde; new authors include Dorothy Wordsworth, John Clare, Tomson Highway, Derek Walcott, and Chimamanda Ngozi Adichie. The third edition now also offers substantially expanded representation of Irish, Scottish, and Welsh literatures, as well as contextual materials on Gothic literature, Modernism, and World War II. Material that no longer appears in the bound book may in most cases be found on the companion website; many larger works are also available in separate volumes that may at the instructor’s request be bundled together with the anthology at no extra cost to the student.
The Adirondacks have been written about since they were first spied by Europeans more than five hundred years ago. Yet for most of the intervening centuries, few of those writers lived in the region of which they wrote--they were not part of the landscape. That has changed in recent years as writers have moved to the Adirondacks and formed a literary community. Perhaps inspired by these writers, longtime residents have discovered that they, too, could be part of such a community. From scratching out a living in the harsh landscape to the wonders of a moonlit cross-country ski, these writers celebrate life in the Adirondacks. In this remarkable collection of essays, the experiences of Adirondack natives are interwoven with the land in a part of America that is both demanding and rewarding.
Lucy's Eggs: Short Stories and a Novella is a collection of four stories and a novella, all set in Homer, a town in upstate New York that is both particular and universal in its representation of small-town life. Rick Henry’s vivid characters, at once intimately familiar and wholly unique, are combined with masterful narration to deliver a series of stories the reader will not soon forget. Set in the late 1800s and early 1900s, the title story chronicles the life of Lucy Delano as she bears witness to the dramatic changes that her small town confronts. Fiercely independent and deeply connected to the land, Lucy endures the loss of her parents, desertion by her husband, and alienation by the "townsfolk." Through Lucy’s blend of strength and vulnerability, Henry powerfully explores issues of individuality, loneliness, and grief. In The Telephone Girl, a young man struggles to act on his emotions for Mimi, the telephone girl of the title. His paralysis, naïveté, and repression are deftly treated with humor and poignancy. Cardinal Wars details the competition between two neighbors to attract birds, specifically, colorful cardinals, to their backyards. For both women the birds represent the desire for companionship and survival, a bright, warm blast of color during the long, bleak winter. Filled with energy and life, each story depicts vivid images of rural life and the deep but subtle range of human emotion. Henry’s lyrical, often elegiac, prose is evocative of Thornton Wilder and William Kennedy. This book will appeal to the general reader but especially to those with an interest in regional literature.
Walt Whitman said he regularly found letters from God dropt in the street, and, in like manner, Matthew Spireng finds poems every day in everything he comes across. He is the bard of the quotidian. One of America’s most prolific and widely read poets, his poems—with their honesty, their good humor, their unruffled craft, their interior tension —bring, one by one, page by page, to each reader a new dawning of perception. —R.H.W. Dillard, author of Not Ideas (Factory Hollow Press, 2014); winner O.B. Hardison, Jr., Poetry prize and Hanes Award for Poetry In his fine new book, Good Work, Matthew J. Spireng writes of putting up wet hay, “Inside bales the heat builds/… [J]ust one is enough/for spontaneous combustion to/bring down the barn/in flames.” Of chopping down an oak tree he writes, “There’s no way to tell before cutting it/just how old it is. But you know it’s huge/and it’s old.” Spireng’s good eye and restless curiosity consistently make the physical reveal its figurative dimension. Contemporary literature needs a term for poems based on careful and imaginative observation powered by a spirit of exploration; I offer Spirengian. —Suzanne Cleary, author of Crude Angel (BkMk Press, 2018); winner, John Ciardi Prize for Poetry, for Beauty Mark (BkMk Press, 2013) For many years, in many poems, Matthew Spireng has watched the world and himself with close and patient attention. In poems arising from farming, or logging, or writing and reading, there are strong portrayals of failure and success, danger and safety, or doubt and certainty. One source of the richness in this book is that you have to wait for each poem to tell you, in a given case, which side of the question might be better. It depends on the feeling, which Spireng gets profoundly right time after time. —Henry Taylor, author of This Tilted World Is Where I Live: New and Selected Poems, 1962-2020 (LSU Press, 2020); winner, Pulitzer Prize in Poetry for The Flying Change (LSU Press, 1985)
What the world needs now – featuring poems from inaugural poet Amanda Gorman, Ross Gay, Tracy K. Smith and more. More and more people are turning to poetry as an antidote to divisiveness, negativity, anxiety, and the frenetic pace of life. How to Love the World: Poems of Gratitude and Hope offers readers uplifting, deeply felt, and relatable poems by well-known poets from all walks of life and all parts of the US, including inaugural poet Amanda Gorman, Joy Harjo, Naomi Shihab Nye, Ross Gay, Tracy K. Smith, and others. The work of these poets captures the beauty, pleasure, and connection readers hunger for. How to Love the World, which contains new works by Ted Kooser, Mark Nepo, and Jane Hirshfield, invites readers to use poetry as part of their daily gratitude practice to uncover the simple gifts of abundance and joy to be found everywhere. With pauses for stillness and invitations for writing and reflection throughout, as well as reading group questions and topics for discussion in the back, this book can be used to facilitate discussion in a classroom or in any group setting.