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Models of Society and Complex Systems introduces readers to a variety of different mathematical tools used for modelling human behaviour and interactions, and the complex social dynamics that drive institutions, conflict, and coordination. What laws govern human affairs? How can we make sense of the complexity of societies and how do individual actions, characteristics, and beliefs interact? Social systems follow regularities which allow us to answer these questions using different mathematical approaches. This book emphasises both theory and application. It systematically introduces mathematical approaches, such as evolutionary and spatial game theory, social network analysis, agent-based modelling, and chaos theory. It provides readers with the necessary theoretical background of each toolset as well as the underlying intuition, while each chapter includes exercises and applications to real-world phenomena. By looking behind the surface of various social occurrences, the reader uncovers the reasons why social systems exhibit both cultural universals and at the same time a diversity of practices and norms to a degree that even surpasses biological variety, or why some riots turn into revolutions while others do not even make it into the news. This book is written for any scholar in the social sciences interested in studying and understanding human behaviour, social dynamics, and the complex systems of society. It does not expect readers to have a particular background apart from some elementary knowledge and affinity for mathematics.
The Underground Railroad story is one of the most dramatic chapters in America's history. It's a story about how countless slaves made their way out of bondage, risking death for freedom. This book features fifteen traditional quilt blocks believed to have had secret meanings to escaping slaves.
Do you ever think about solid ground? The author of this book does, a lot. Providing solid ground for consciousness is the umbilican function, he says. On January 1, 2020, the long-awaited Golden Age began. So did intense opposition to it from the shadows. It was like a thousand iron heels trying to stamp out spring blossoms. The dark forces exerted their manipulations in the outer world. The angelic contingent counterpointed in the subtle realm. The Earth wobbled. This is an insider’s report from three men who worked alongside the “good guys” to adjust the planet’s Light grid to better support the flowering of human consciousness that had been intended for this date and to resist, even undermine, the infernal opposition. These “good guy” benefactors included angels, archangels, the Great White Brotherhood, even some of the friendly Dead. Ronald, our narrator, with Joe and Mike, his dependable pals, call themselves geomantic engineers. They work on the Light grid, the subtle energy infrastructure of the Earth that supports the material world. They’re like electric utility pole linemen, up there in their extendable buckets, but their main tools are clairvoyance and knowledge of the mechanics of the planet’s many Light temples and systems. Ronald provides a vivid field account of an astonishing array of geomantic interventions and “adjustments” made in the last several years to shore up that potentially fabulous Golden Age, despite the dark forces’ protracted attempts to derail and smash it. The struggle reveals an Earth like you’ve never seen before. Our planet was designed to keep consciousness aligned with the spiritual world, galaxy, and beyond. People were supposed to feel firmly anchored in their bodies and planet. The Earth was meant to be the “gate of the gods,” the original pure meaning of Babylon. In recent centuries, that smooth reciprocal relationship has been upset. Light forces are trying to uplift awareness, dark forces to suppress it. Jump into Ronald’s riveting account to see how it all plays out.
Materials from the tomb of Tuthmosis III's three foreign wives are the starting point for studies exploring glassmaking in Egypt about 1800-1400 B.C.
This book introduces the reader to the art of sculpture across five millennia up to the present, and from the Near East to the west. In each of the eleven chapters, a number of selected works are discussed to exemplify the circumstances and conditions for making pieces of sculpture – objects peculiar to place, time and context. Within each cultural framework, characteristics are observable that suggest various reasons for the use of colour in sculpture. These encompass local preferences, customs or cultural requirements; and others point to an impulse to enhance the expression of the phenomenal. Whether colour is really necessary or even essential to sculpted works of art is a question especially pertinent since the Renaissance. Surface finishes of sculptural representations may allude to the sensory world of colour without even having pigment applied to them. What makes polychromy so special is that it functions as an overlay of another dimension that sometimes carries further encoded meaning. In nature, the colour is integral to the given object. What the present survey suggests is that the relationship between colour and sculpture is a matter of intentional expression, even where the colour is intrinsic – as in the sculptor’s materials.
The classic apocalyptic novel that stunned the world.
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