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Simon Winchester, author of A Crack in the Edge of the World and The Professor and the Madman: "The essence of this inexpressibly beautiful story will remain with me, I believe, for the rest of my life. This exquisitely crafted account of the loves and lives of Arthur and Masa, Violet and Kiyoshi - such very ordinary names, yet names that conceal extraordinary passions and confusions - is a tone poem to duty and honour, courage and enduring passion, set against the fantastically rich recent histories of Japan and Ireland, England and France. It is a long time since I have read so moving and haunting a book" This is the true story of an extraordinary love affair. When Captain Arthur Hart-Synnot, a disciplined, conservative officer, met Masa Suzuki, a bright, beautiful Japanese girl, when the British army posted him to Tokyo, he fell for her and within weeks they were living together. Arthur told her she was the 'supreme woman in the world' and they pledged they would love each other for the rest of their lives. But he could not tell the army about her, and they faced almost insuperable barriers of race and class. When he was recalled to London the question was whether Masa had, all the time, just been what expatriates referred to as 'a temporary wife', an exploited Madam Butterfly. Though separated for years at a time, and by huge distances, they remained devoted to each other. Based on a cache of over 800 letters found in Tokyo, the story is set against the wider history and the wars of the first half of the twentieth century. This is a record of enduring love and great loss, where events beyond Arthur and Masa's control dictate the final tragic outcome.
Michiko Minagawa's father is exiled and she and her family must move to a desolate internment camp in the middle of British Columbia, where she must deal with the prejudices of her schoolmates.
Ulysses, a middle-aged widower, is forced into early retirement from his moving job. At a loss for what to do next, the course of his life is changed by a chance encounter with a fellow lonely soul at, of all places, his son's OB/GYN office. Mediterranea, who recently lost her mother, runs a cheese shop that she took over when her beloved Corsican father died years earlier. A romance blossoms between these two people who are supposedly in the "autumn" of their lives and they soon find themselves embarking on a most unexpected odyssey.
Cherry Blossom Epiphany - the poetry and philosophy of a flowering tree - a selection, translation and lengthy explication of 3000 haiku, waka, senryû and kyôka about a major theme from I.P.O.O.H. (In Praise Of Olde Haiku)by robin d. gill 1. Haiku -Translation from Japanese to English 2. Japanese poetry - 8c-20c - waka, haiku and senryû 3. Natural History - flowering cherries 4. Japan - Culture - Edo Era 5. Nonfiction - Literature 6. Translation - applied 7. You tell me! If the solemn yet happy New Year's is the most important celebration of Japanese (Yamato) ethnic culture, and the quiet aesthetic practice of Moon-viewing in the fall the most elegant expression of Pan-Asian Buddhism=religion, the subject of this book, Blossom-viewing - which generally means sitting down together in vast crowds to drink, dance, sing and otherwise enjoy the flowering cherry in full-bloom - is less a rite than a riot (a word originally meaning an 'uproar'). The major carnival of the year, it is unusual for being held on a date that is not determined by astronomy, astrology or the accidents of history as most such events are in literate cultures. It takes place whenever the cherry trees are good and ready. Enjoyed in the flesh, the blossom-viewing, or hanami, is also of the mind, so much so, in fact, that poetry is often credited with the spread of the practice over the centuries from the Imperial courts to the maids of Edo. Nobles enjoyed link-verse contests presided over by famous poet-judges. Hermits hung poems feting this flower of flowers (to say the generic "flower" = hana in Japanese connotes "cherry!") on strips of paper from the branches of lone trees where only the wind would read them. In the Occident, too, flowers embody beauty and serve as reminders of mortality, but there is no flower that, like the cherry blossom, stands for all flowers. Even the rose, by any name, cannot compare with the sakura in depth and breadth of poetic trope or viewing practice. In Cherry Blossom Epiphany, Robin D. Gill hopes to help readers experience, metaphysically, some of this alternative world. Haiku is a hyper-short (17-syllabet or 7-beat) Japanese poem directly or indirectly touching upon seasonal phenomena, natural or cultural. Literally millions of these ku have been written, some, perhaps, many times, about the flowering cherry (sakura), and the human activity associated with it, blossom-viewing (hanami). As the most popular theme in traditional haiku (haikai), cherry-blossom ku tend to be overlooked by modern critics more interested in creativity expressed with fresh subjects; but this embarrassment of riches has much to offer the poet who is pushed to come up with something, anything, different from the rest and allows the editor to select from what is, for all practical purposes, an infinite number of ku. Literary critics, take note: Like Rise, Ye Sea Slugs! (2003) and Fly-ku! (2004), this book not only explores new ways to anthologize poetry but demonstrates the practice of multiple readings (an average of two per ku) as part of a composite translation turned into an object of art by innovative clustering. Book-collectors might further note that while Cherry Blossom Epiphany may not be hardback, it takes advantage of the many symbols included with Japanese font to introduce design ornamentation (the circle within the circle, the reverse (Buddhist) swastika, etc.) hitherto not found in English language print. It is a one-of-a-kind work of design by the author.
As the autumn season sets in, Fletcher is very worried his beautiful tree has begun to loose all of its leaves. Whatever Fletcher attempts to do to save them, it's simply no use. When the final leaf falls, Fletcher feels hopeless... until he returns the next day to a glorious sight. A tender, uplifting tale about acceptance and hope for the future.'Captivating' Publishers Weekly'Preschoolers will love being in on the joke, even as they marvel at the bright petals that herald the astonishing beauty of spring' ALA Booklist
Mayumie and her grandmother take a trip into Tokyo to see a surprise even more fun than the zoo and more beautiful than the shrine: cherry blossoms flowering in the heart of the city.
Immerse yourself in this utterly addictive forbidden love story that has captivated thousands of readers around the world. “We are not meant to be together. I should’ve known better. And yet…” Petra, a seventeen-year-old Dutch-American and the only heir of finance tycoon Roy Van Gatt, has always had her life rigorously planned and supervised by her strict father. From her internship at his hedge fund firm on Wall Street to her degree in Economics at Columbia University, Petra is all set for a bright future in finance. But everything falls apart when she develops a dangerous relationship with her father’s business partner and utmost confidant, Alexander Van Dieren. A Dutch nobleman, known as an unrepentant heartbreaker, twenty-three years her senior, and who is, above all else, her beloved godfather. A twisted obsession for some, unconditional love for others, but one thing is sure: it’s a relationship that might cost them everything... This book is for mature audiences. ★★★★★ "A Must Read for Romantic Thriller Enthusiasts. Blossom in Winter is a beautifully wrought and expertly woven story of forbidden love, desire, dark pasts, and the lengths one will go to protect everything that matters most to them." -- Payton H, Amazon ★★★★★ "This dark romance is just what you need to keep you warm on the cold winter nights that are coming our way, it even has a simmering slow burn going on." -- Cassandra W., Amazon UK ★★★★★ "This book has been an absolute pleasure to read. There's puppy love, genuine romance, dark and twisted erotica and moments that will leave you shocked." -- Victoria Spaulding, Goodreads ★★★★★ "I don't even have words, got to be one of the most intense books I've read in a while." -- Obsidian, Goodreads ★★★★★ "This was the most amazing book I've read in a while, it was so gripping, I really couldn't stop reading it even at 2 am when I had a Uni class the next day!" -- Sabrina, Goodreads ★★★★★ "No lies, this is the best book I've ever read! I've felt so many emotions while reading it! Can't wait for the second book!!!" -- Mariska, Goodreads ★★★★★ "This book was exceptional, it captivated me instantly." -- Christina, Goodreads ★★★★★ "A captivating page-turner of a book that you literally will not put down." - Jojo, Goodreads ★★★★★ "This was by far the most refreshing, exciting, thrilling, adventurous, and sexy book I've read." -- Amy Shaw, Goodreads ★★★★★ "Pure intensity from the very first word to the very last!" -- Dionne McCarten, Goodreads ★★★★★ "This is by far one of the best books I've read in a long time!" -- Jade, Goodreads
Why did almost one thousand highly educated "student soldiers" volunteer to serve in Japan's tokkotai (kamikaze) operations near the end of World War II, even though Japan was losing the war? In this fascinating study of the role of symbolism and aesthetics in totalitarian ideology, Emiko Ohnuki-Tierney shows how the state manipulated the time-honored Japanese symbol of the cherry blossom to convince people that it was their honor to "die like beautiful falling cherry petals" for the emperor. Drawing on diaries never before published in English, Ohnuki-Tierney describes these young men's agonies and even defiance against the imperial ideology. Passionately devoted to cosmopolitan intellectual traditions, the pilots saw the cherry blossom not in militaristic terms, but as a symbol of the painful beauty and unresolved ambiguities of their tragically brief lives. Using Japan as an example, the author breaks new ground in the understanding of symbolic communication, nationalism, and totalitarian ideologies and their execution.