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'The book THE BLOOD SORROW is written about the story of the author in the period of pandemic. The author has mentioned how the world had to suffer and how she and her family suffered and survived in this situation of pandemic. It was ofcourse not easy for anybody to survive but whoever has fought are warriors. And therefore author mentions a lot of things about herself. If this book have left an imprint on your mind, you are requested to learn something from the book and act towards the betterment of self. We all have suffered but nature and karma could not be stopped. But fighting through the hard time and coming out stronger is what warriors do. This book is hence dedicated to all those warriors who have suffered still survived till end.
On behalf of the WEA Mission Commission, William Carey Library is pleased to launch a landmark anthology and resource. This is a new publication in the Globalization of Mission series, Sorrow & Blood: Christian Mission in Contexts of Suffering, Persecution, and Martyrdom. The editorial team of William Taylor (USA), Tonica van der Meer (Brazil), and Reg Reimer (Canada) worked over four years to compile this unique resource anthology. This book is the product of the Mission Commission's global missiology task force and a worldwide team of committed colleagues and writers. Some 62 writers from 23 nations have collaborated to generate this unique global resource and anthology. Ajith Fernando of Sri Lanka and Christopher Wright of the UK each wrote prefaces to the book This latest WEA volume has the potential of profoundly shaping our approach to mission in today’s challenging and increasingly dangerous world.
During the Vietnam War Bao Ninh served with the Glorious 27th Youth Brigade. Of the five hundred men who went to war with the brigade in 1969, he is one of only ten who survived. The Sorrow of War is his autobiographical novel. Kien works in a unit that recovers soldiers' corpses. Revisiting the sites of battles raises emotional ghosts for him and the memory of war scenes are juxtaposed with dreams and remembrances of his childhood sweetheart. The Sorrow of War burns the tragedy of war in our minds.
Valerie Wilson Wesley’s private investigator, Tamara Hayle, whom the Houston Chronicle calls “smart, sexy, tough but tender,” has earned enthusiastic acclaim from reviewers and readers alike. Now Newark, New Jersey’s savviest detective confronts the one case she never saw coming–and discovers how ties that bind can easily become a noose. Tamara Hayle can’t believe that her life is this good. New York’s most powerful businessman wants her to work for him, her new lover seems caring and supportive, and her son, Jamal, is thriving. But as Tamara sardonically observes, “When things stir that easy, there’s always something lumpy at the bottom of the pot.” Enter Lilah Love, an old acquaintance who begs Tamara to find her missing child. Tamara, however, is wary of Lilah, who attracts mayhem and murder like an alley cat attracts fleas. Next up is Basil Dupre, Tamara’s outlaw ex-lover, who always brings passion–and chaos–when he strolls into Tamara’s life. Suddenly Tamara’s safe world isn’t so secure, especially when Jamal witnesses a brutal murder and becomes the prime suspect. As the body count rises, Tamara and Jamal will follow a long-forgotten secret into a terrifying confrontation with love gone bad, trust turned lethal, and a past hungry to claim more lives.
Blood Weather, Alice Friman’s sharply etched new collection of poetry, reminds readers that times of reckoning are marked by blood: the knife, the sword, the cutting word. Blood runs through our history, stories, religion, and art, and we cannot help but play our part by adding to the storm of “fang and claw” and its inherent sorrow. Friman traces this unending path through biblical tales, the war of the sexes, the continuum of art, and her own family and personal life. Her poems reflect on figures ranging from Lady Macbeth—whom Friman sees in the blood-red tree outside her bedroom window—to Cain and Abel in the biblical account of the first murder, through Judge Judy’s frustrations when faced with the death of a marriage, to the poet herself as a child learning to read “the ancient writing of the butcher block / streaked with cuts and sacrifice” and the butcher’s hands, “blunt-fingered and stained.” By turns stark and resilient, the poems in Blood Weather draw on tragic themes and painful memories to evoke the tumult of human nature.
The battle between vicious spirits and strong-willed queens that started in the award-winning The Queen of Blood and continued in the powerful The Reluctant Queen comes to a stunning conclusion in The Queen of Sorrow, the final volume of Sarah Beth Durst’s Queens of Renthia trilogy. Queen Daleina has yearned to bring peace and prosperity to her beloved forest home—a hope that seemed doomed when neighboring forces invaded Aratay. Now, with the powerful Queen Naelin ruling by her side, Daleina believes that her dream of ushering in a new era can be realized, even in a land plagued by malevolent nature spirits who thirst for the end of human life. And then Naelin’s children are kidnapped by spirits. Nothing is more important to her than her family, and Naelin would rather watch the world burn than see her children harmed. Blaming the defeated Queen Merecot of Semo for the kidnapping, Naelin is ready to start a war—and has the power to do it. But Merecot has grander plans than a bloody battle with her southern neighbors. Taking the children is merely one step in a plot to change the future of all Renthia, either by ending the threat of spirits once and for all . . . or plunging the world into chaos.
These are miniature paintings of sorrow and fear from artist Mark Ryden's 2003 'Blood' solo exhibition at Earl McGrath Gallery. Blending themes of pop culture with techniques reminiscent of the old masters, Mark Ryden has created a singular style that blurs the traditional boundaries between high and low art. Ryden's vocabulary ranges from cryptic to cute, treading a fine line between nostalgic cliche and disturbing archetype. Seduced by his infinitely detailed and meticulously glazed surfaces, the viewer is confronted with childlike innocence and mystery.
Working on Ovid’s extraordinary but often much-neglected exile poetry with an old second-hand Latin dictionary one stormy spring morning, Josephine Balmer noticed a school-boy’s faded name inked on its fly-leaf and a date, January 1st 1900. The Word for Sorrow explores the story of this dictionary and its owner, who, as a subsequent Google search uncovered, later fought with the British yeomanry in the ill-fated Gallipoli campaign of World War I, near Ovid’s own Black Sea exile. Alongside versions and interpretations of Ovid’s Tristia – the text the dictionary translates – soldiers’ original diaries and letters from Gallipoli provide another rich vein of source material for the original poems of the volume, which also follows Balmer’s own journey as she excavates these entwined narratives, underscoring how the emotional charge of the past still resonates down through the centuries. Like Chasing Catullus, Balmer’s acclaimed first collection, The Word for Sorrow explores an interplay between translation and original, text and translator, past and present, giving new resonance to ancient grief. An engaging detective story in verse, the work traces the invisible lines that connect us to often surprising points in history, finding common ground in unexpected places, forging often unexpected links between past and present. From Ovid’s Rome to the blood-soaked trenches of Gallipoli, its powerful and engaging poems give voice to the universal suffering of exile, war and grief, celebrating the enduring common humanity that binds us across countries and over centuries, whether we live at the beginning of the first, the twentieth or the twenty-first century.
The daring and controversial novel that took the world by storm--a story of politics, selfhood, survival, and war. Heart-wrenching, fragmented, raw, former North Vietnamese solder Bao Ninh's The Sorrow of War provides a strikingly honest look at how the Vietnam War forever changed his life, his country, and the people who live there. Kien, a lone survivor from the Glorious 27th Youth brigade of the Vietcong, revisits the haunting sites of battles and relives a parade of horrors, as he grapples with his ghosts, his alcoholism and attempts to arrange his life in writing. Originally published against government wishes in Vietnam because of its nonheroic, non-ideological tone, Ninh's now classic work has won worldwide acclaim and become an international bestseller.
An intimate narrative history of World War I told through the stories of twenty men and women from around the globe--a powerful, illuminating, heart-rending picture of what the war was really like. In this masterful book, renowned historian Peter Englund describes this epoch-defining event by weaving together accounts of the average man or woman who experienced it. Drawing on the diaries, journals, and letters of twenty individuals from Belgium, Denmark, France, Great Britain, Germany, Austria, Hungary, Italy, Australia, New Zealand, Russia, Venezuela, and the United States, Englund’s collection of these varied perspectives describes not a course of events but "a world of feeling." Composed in short chapters that move between the home front and the front lines, The Beauty and Sorrow brings to life these twenty particular people and lets them speak for all who were shaped in some way by the War, but whose voices have remained unheard.