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An emperor's wraith from the grave that would see the fall of a dynasty and the rise of the samurai. Riku has unknowingly inherited a powerful ability from his mother: the ability to share his body with a demon and survive. Now, a dark enemy wants to use that power to his own ends. Whether Riku likes it or not. When disaster strikes the shrine, Riku is forced down a path that the monks who raised him fought to prevent. Will he be able to uncover the secrets to his family's past and finally understand his true destiny? The Blood Samurai looks at the Genpei War through the legend of it resulting from Sutoku's revenge. If you enjoy your samurai history with a dose of yokai & mythology grab your copy today!
A desire for revenge so strong that it would topple the Japanese imperial dynasty and usher in the rule of the Samurai. 1181 Japan The country has begun a descent into a civil war that is tearing the country apart. Despite Taira victories, the Minamoto clan cling desperately to survival and continue to oppose the true power behind the child emperor, Kiyomori no Taira. Their lust and greed for power does not unnoticed by the yokai world as the land begins to spin into war. Book 2 of the Blood Samurai Trilogy continues where Winds Of Retribution left off, with the demon Sutoku bonded with his young samurai host but thwarted by Riku
Historical Dictionary of Japanese Traditional Theatre is the only dictionary that offers detailed comprehensive coverage of the most important terms, people, and plays in the four principal traditional Japanese theatrical forms—nō, kyōgen, bunraku, and kabuki—supplemented with individual historical essays on each form. This updated edition adds well over 200 plot summaries representing each theatrical form in addition to: a chronology; introductory essay; appendixes; an extensive bibliography; over 1500 cross-referenced entries on important terms; brief biographies of the leading artists and writers; and plot summaries of significant plays. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Japanese theatre.
Bookworm Akira has read about the conniving ways of Yokai, but when he trips over one along a forest path, he decides to help the creature back to its murky water home. A challenge ensues involving Akira’s beloved grandmother, a pizza-producing hammer, and a crunchy cucumber. Haunting illustrations of the Yokai accompany 17 original stories.
Of Japan’s two great religious traditions, Shinto is far less known and understood in the West. Although there are a number of books that explain the religion and its philosophy, this work is the first in English to focus on sites where Shinto has been practiced since the dawn of Japanese history. In an extensive introductory section, authors Joseph Cali and John Dougill delve into the fascinating aspects of Shinto, clarifying its relationship with Buddhism as well as its customs, symbolism, and pilgrimage routes. This is followed by a fully illustrated guide to 57 major Shinto shrines throughout Japan, many of which have been designated World Heritage Sites or National Treasures. In each comprehensive entry, the authors highlight important spiritual and physical features of the individual shrines (architecture, design, and art), associated festivals, and enshrined gods. They note the prayers offered and, for travelers, the best times to visit. With over 125 color photographs and 50 detailed illustrations of archetypical Shinto objects and shrines, this volume will enthrall not only those interested in religion but also armchair travelers and visitors to Japan alike. Whether you are planning to visit the actual sites or take a virtual journey, this guide is the perfect companion. Visit Joseph Cali’s Shinto Shrines of Japan: The Blog Guide: http://shintoshrinesofjapanblogguide.blogspot.jp/. Visit John Dougill’s Green Shinto, “dedicated to the promotion of an open, international and environmental Shinto”: http://www.greenshinto.com/wp/.
This is the first in-depth study in English to examine the warrior and shamanic characteristics and significance of tengu in the martial art culture (bugei) of Muromachi Japan (1336-1573).
Pierre Loti in Madame Chrysanthème, Gilbert and Sullivan in The Mikado, and Sir Edwin Arnold in Seas and Lands, gave us the impression that Japan was a real fairyland in the Far East. We were delighted with the prettiness and quaintness of that country, and still more with the prettiness and quaintness of the Japanese people. We laughed at their topsy-turvy ways, regarded the Japanese woman, in her rich-coloured kimono, as altogether charming and fascinating, and had a vague notion that the principal features of Nippon were the tea-houses, cherry-blossom, and geisha. Twenty years ago we did not take Japan very seriously. We still listen to the melodious music of The Mikado, but now we no longer regard Japan as a sort of glorified willow-pattern plate. The Land of the Rising Sun has become the Land of the Risen Sun, for we have learnt that her quaintness and prettiness, her fairy-like manners and customs, were but the outer signs of a great and progressive nation. To-day we recognise Japan as a power in the East, and her victory over the Russian has made her army and navy famous throughout the world. The Japanese have always been an imitative nation, quick to absorb and utilise the religion, art, and social life of China, and, having set their own national seal upon what they have borrowed from the Celestial Kingdom, to look elsewhere for material that should strengthen and advance their position. This imitative quality is one of Japan's most marked characteristics. She has ever been loath to impart information to others, but ready at all times to gain access to any form of knowledge likely to make for her advancement. In the fourteenth century Kenkō wrote in his Tsure-dzure-gusa: "Nothing opens one's eyes so much as travel, no matter where," and the twentieth-century Japanese has put this excellent advice into practice. He has travelled far and wide, and has made good use of his varied observations. Japan's power of imitation amounts to genius. East and West have contributed to her greatness, and it is a matter of surprise to many of us that a country so long isolated and for so many years bound by feudalism should, within a comparatively short space of time, master our Western system of warfare, as well as many of our ethical and social ideas, and become a great world-power. But Japan's success has not been due entirely to clever imitation, neither has her place among the foremost nations been accomplished with such meteor-like rapidity as some would have us suppose.
The Sengoku: Character Sheets book contains 41 illustrated and revised, two-sided character sheets, plus 11 additional blank (un-illustrated) character sheets. Features 41 illustrations of popular character profession templates -- samurai, bushi, priests, mystics, shinobi and more!
This expertly crafted ethnography examines the ways in which native and new citizens of Kodaira, a Tokyo suburb, have both remade the past and imagined the future of their city in a quest for an "authentic" Japanese community.