Download Free The Blood N Thunder Guide To Pulp Fiction Book in PDF and EPUB Free Download. You can read online The Blood N Thunder Guide To Pulp Fiction and write the review.

During the 20th century's first half, millions of Americans flocked to newsstands every month in search of thrills provided by all-fiction magazines printed on cheap pulp paper. These periodicals introduced and popularized such famous characters as Tarzan, Zorro, Sam Spade, Buck Rogers, Doc Savage, Hopalong Cassidy, and Conan the Barbarian, to name just a few. The producers of pulp fiction churned out their vigorous and occasionally outre stories at a feverish pace, generally for a mere penny per word. Some eventually graduated from the pulps to become world-famous, best-selling authors-among them Edgar Rice Burroughs, Max Brand, Erle Stanley Gardner, Ray Bradbury, Louis L'Amour, Dashiell Hammett, and Raymond Chandler. Often derided in their own time, the "rough paper" magazines had an incalculable effect on American pop culture. They gave birth to modern science fiction and the hardboiled detective story, but also to plot devices, character types, and storytelling innovations that live on in today's most popular novels, movies, and TV shows. Illustrated with more than 600 magazine covers and original paintings, THE BLOOD 'N' THUNDER GUIDE TO PULP FICTION presents a complete and lively history of this unique literary form, covering genres individually and identifying key titles, authors, and stories. It also offers advice on collecting the vintage magazines and directs readers to recently published reprints of classic pulp."
Judge these books by their covers! Get immersed in the definitive visual history of pulp fiction paperbacks from 1940 to 1970. The Art of Pulp Fiction: An Illustrated History of Vintage Paperbacks chronicles the history of pocket-sized paperbound books designed for mass-market consumption, specifically concentrating on the period from 1940 to 1970. These three decades saw paperbacks eclipse cheap pulp magazines and expensive clothbound books as the most popular delivery vehicle for escapist fiction. To catch the eyes of potential buyers they were adorned with covers that were invariably vibrant, frequently garish, and occasionally lurid. Today the early paperbacks--like the earlier pulps, inexpensively produced and considered disposable by casual readers--are treasured collector's items. Award-winning editor Ed Hulse (The Art of the Pulps and The Blood 'n' Thunder Guide to Pulp Fiction) comprehensively covers the pulp-fiction paperback's heyday. Hulse writes the individual chapter introductions and the captions, while a team of genre specialists and art aficionados contribute the special features included in each chapter. These focus on particularly important authors, artists, publishers, and sub-genres. Illustrated with more than 500 memorable covers and original cover paintings. Hulse's extensive captions, meanwhile, offer a running commentary on this significant genre, and also contain many obscure but entertaining factoids. Images used in The Art of Pulp Fiction have been sourced from the largest American paperback collections in private hands, and have been curated with rarity in mind, as well as graphic appeal. Consequently, many covers are reproduced here for the first time since the books were first issued. With an overall Introduction by Richard A. Lupoff, novelist, essayist, pop-culture historian, and author of The Great American Paperback (2001).
During the Great Depression, pulp fiction writers created a new, distinctly American detective story, one that stressed the development of fascinating, often bizarre characters rather than the twists and turns of clever plots. This new crime fiction adapted brilliantly to the screen, birthing a cinematic genre that French cinema intellectuals following World War II christened "film noir." Set on dark streets late at night, in cheap hotels and bars, and populated by the dangerous people who frequented these locales, these films introduced a new antihero, a tough, brooding, rebellious loner, embodied by Humphrey Bogart as Sam Spade in The Maltese Falcon and Philip Marlowe in The Big Sleep. This volume provides a detailed exploration of film noir, tracing its evolution, the influence of such legendary writers as Dashiell Hammett and Raymond Chandler, and the films that propelled this dark genre to popularity in the mid-20th century.
In this thorough history, the author demonstrates, via the popular literature (primarily pulp magazines and comic books) of the 1920s to about 1960, that the stories therein drew their definitions of heroism and villainy from an overarching, nativist fear of outsiders that had existed before World War I but intensified afterwards. These depictions were transferred to America's "new" enemies, both following U.S. entry into the Second World War and during the early stages of the Cold War. Anti-foreign narratives showed a growing emphasis on ideological, as opposed to racial or ethnic, differences--and early signs of the coming "multiculturalism"--indicating that pure racism was not the sole reason for nativist rhetoric in popular literature. The process of change in America's nativist sentiments, so virulent after the First World War, are revealed by the popular, inexpensive escapism of the time, pulp magazines and comic books.
The largest issue of this award-winning journal to date, Summer 2011 features an extensively researched article on Frank A. Munsey, the father of the pulp magazine. Other articles cover the early years of the Shadow radio show, the 1940 cliffhanger serial DRUMS OF FU MANCHU, a rare 1940 comic book with thinly disguised adaptations of hero-pulp novels, and the last years of legendary pulp and comic collector Bill Blackbeard. There's also a 1939 column by Erle Stanley Gardner lamenting the state of pulp publishing, and a Robert Leslie Bellem yarn reprinted from SPICY ADVENTURE STORIES. As always, the articles are profusely illustrated.
Experts in the ten major Pulp genres, from action Pulps to spicy Pulps and more, chart for the first time the complete history of Pulp magazines—the stories and their writers, the graphics and their artists, and, of course, the publishers, their market, and readers. Each chapter in the book, which is illustrated with more than 400 examples of the best Pulp graphics (many from the editors’ collections—among the world’s largest) is organized in a clear and accessible way, starting with an introductory overview of the genre, followed by a selection of the best covers and interior graphics, organized chronologically through the chapter. All images are fully captioned (many are in essence "nutshell" histories in themselves). Two special features in each chapter focus on topics of particular interest (such as extended profiles of Daisy Bacon, Pulp author and editor of Love Story, the hugely successful romance Pulp, and of Harry Steeger, co-founder of Popular Publications in 1930 and originator of the "Shudder Pulp" genre). With an overall introduction on "The Birth of the Pulps" by Doug Ellis, and with two additional chapters focusing on the great Pulp writers and the great Pulp artists, The Art of the Pulps covers every aspect of this fascinating genre; it is the first definitive visual history of the Pulps. "The Art of the Pulps is a must for any pulp fans, anywhere." - LOCUS Magazine Winner of the 2018 LOCUS Award for Best Art Book
In Johnston McCulley's thrilling tale, The Scarlet Scourge, readers are introduced to a masked vigilante striking fear into the hearts of wrongdoers. Set in the turbulent Old West, this mysterious hero battles corruption and injustice with unparalleled skill and cunning. With a sharp blade and a keen mind, the Scarlet Scourge defends the innocent, leaving a mark of crimson retribution. As danger looms and enemies close in, the true identity of this daring avenger remains shrouded in secrecy, captivating readers and leaving them eagerly turning the pages in anticipation.
I AM a medical man specializing in neurology and diseases of the brain. My peculiar field is abnormal psychology, and in it I am recognized as an expert. I am closely connected with two of the foremost hospitals in New York, and have received many honors in this country and abroad. I set this down, risking identification, not through egotism but because I desire to show that I was competent to observe, and competent to bring practiced scientific judgment upon, the singular events I am about to relate...
The Shadow, The Spider, The Avenger, Doc Savage, The Black Bat, The Phantom Detective - these swashbuckling heroes of mid-20th-century pulp fiction all had one thing in common: They fought crime from outside the law, unhindered by red tape and unmindful of such legal niceties as due process. They fought with fists and guns, for the most part hiding their true identities beneath outlandish costume and grotesque disguises. This collection of essays by distinguished pulp-fiction aficionados chronicles the era of single-character magazines from offbeat angles and with keen insight. The pieces herein analyze key stories and characters while offering rare, behind-the-scenes glimpses of authors and editors at work, crafting and polishing the pulp-paper fever dreams that enthralled millions of young readers during the Great Depression, World War II, and beyond. Ed Hulse, editor of BLOOD 'N' THUNDER, the award-winning journal of adventure, mystery and melodrama, has assembled these affectionate essays with loving care and a discerning eye for the high-water marks in this phase of American popular culture. This third volume in the series BLOOD 'N' THUNDER PRESENTS, like its predecessors, is profusely illustrated with pulp-magazine covers and original artwork.
Who is The Shadow? How did he come to be? Master of Mystery: The Rise of The Shadow delves into the murky origins of perhaps the most significant media creation of all time. Between 1930 and 1954, The Shadow was a dominant figure in American popular culture. A multi-media sensation, he emerged from the creative cauldron of the earliest days of radio drama, and soon migrated to magazines, comic books, film and eventually paperback books. Only Superman and Batman, who were created a few years later, rivaled The Shadow in global public recognition. A century later, this enigmatic personality and his famous mantra, "Who knows what evil lurks in the hearts of men? The Shadow knows!" remains recognizable to new generations born long after his remarkable reign. Popular culture historian and novelist Will Murray explores radio's first superstar and talks to the writers and artists who took a nebulous radio personality and brought him to blazing life in the pages of more than 300 classic pulp novels. Packed with revelations, Master of Mystery reveals how The Shadow inspired the creation of Batman in 1939! Including rare interviews with Walter B. Gibson, Theodore Tinsley, John L. Nanovic, Graves Gladney and Edd Cartier.