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During the 20th century's first half, millions of Americans flocked to newsstands every month in search of thrills provided by all-fiction magazines printed on cheap pulp paper. These periodicals introduced and popularized such famous characters as Tarzan, Zorro, Sam Spade, Buck Rogers, Doc Savage, Hopalong Cassidy, and Conan the Barbarian, to name just a few. The producers of pulp fiction churned out their vigorous and occasionally outre stories at a feverish pace, generally for a mere penny per word. Some eventually graduated from the pulps to become world-famous, best-selling authors-among them Edgar Rice Burroughs, Max Brand, Erle Stanley Gardner, Ray Bradbury, Louis L'Amour, Dashiell Hammett, and Raymond Chandler. Often derided in their own time, the "rough paper" magazines had an incalculable effect on American pop culture. They gave birth to modern science fiction and the hardboiled detective story, but also to plot devices, character types, and storytelling innovations that live on in today's most popular novels, movies, and TV shows. Illustrated with more than 600 magazine covers and original paintings, THE BLOOD 'N' THUNDER GUIDE TO PULP FICTION presents a complete and lively history of this unique literary form, covering genres individually and identifying key titles, authors, and stories. It also offers advice on collecting the vintage magazines and directs readers to recently published reprints of classic pulp."
Judge these books by their covers! Get immersed in the definitive visual history of pulp fiction paperbacks from 1940 to 1970. The Art of Pulp Fiction: An Illustrated History of Vintage Paperbacks chronicles the history of pocket-sized paperbound books designed for mass-market consumption, specifically concentrating on the period from 1940 to 1970. These three decades saw paperbacks eclipse cheap pulp magazines and expensive clothbound books as the most popular delivery vehicle for escapist fiction. To catch the eyes of potential buyers they were adorned with covers that were invariably vibrant, frequently garish, and occasionally lurid. Today the early paperbacks--like the earlier pulps, inexpensively produced and considered disposable by casual readers--are treasured collector's items. Award-winning editor Ed Hulse (The Art of the Pulps and The Blood 'n' Thunder Guide to Pulp Fiction) comprehensively covers the pulp-fiction paperback's heyday. Hulse writes the individual chapter introductions and the captions, while a team of genre specialists and art aficionados contribute the special features included in each chapter. These focus on particularly important authors, artists, publishers, and sub-genres. Illustrated with more than 500 memorable covers and original cover paintings. Hulse's extensive captions, meanwhile, offer a running commentary on this significant genre, and also contain many obscure but entertaining factoids. Images used in The Art of Pulp Fiction have been sourced from the largest American paperback collections in private hands, and have been curated with rarity in mind, as well as graphic appeal. Consequently, many covers are reproduced here for the first time since the books were first issued. With an overall Introduction by Richard A. Lupoff, novelist, essayist, pop-culture historian, and author of The Great American Paperback (2001).
The largest issue of this award-winning journal to date, Summer 2011 features an extensively researched article on Frank A. Munsey, the father of the pulp magazine. Other articles cover the early years of the Shadow radio show, the 1940 cliffhanger serial DRUMS OF FU MANCHU, a rare 1940 comic book with thinly disguised adaptations of hero-pulp novels, and the last years of legendary pulp and comic collector Bill Blackbeard. There's also a 1939 column by Erle Stanley Gardner lamenting the state of pulp publishing, and a Robert Leslie Bellem yarn reprinted from SPICY ADVENTURE STORIES. As always, the articles are profusely illustrated.
Experts in the ten major Pulp genres, from action Pulps to spicy Pulps and more, chart for the first time the complete history of Pulp magazines—the stories and their writers, the graphics and their artists, and, of course, the publishers, their market, and readers. Each chapter in the book, which is illustrated with more than 400 examples of the best Pulp graphics (many from the editors’ collections—among the world’s largest) is organized in a clear and accessible way, starting with an introductory overview of the genre, followed by a selection of the best covers and interior graphics, organized chronologically through the chapter. All images are fully captioned (many are in essence "nutshell" histories in themselves). Two special features in each chapter focus on topics of particular interest (such as extended profiles of Daisy Bacon, Pulp author and editor of Love Story, the hugely successful romance Pulp, and of Harry Steeger, co-founder of Popular Publications in 1930 and originator of the "Shudder Pulp" genre). With an overall introduction on "The Birth of the Pulps" by Doug Ellis, and with two additional chapters focusing on the great Pulp writers and the great Pulp artists, The Art of the Pulps covers every aspect of this fascinating genre; it is the first definitive visual history of the Pulps. "The Art of the Pulps is a must for any pulp fans, anywhere." - LOCUS Magazine Winner of the 2018 LOCUS Award for Best Art Book
I AM a medical man specializing in neurology and diseases of the brain. My peculiar field is abnormal psychology, and in it I am recognized as an expert. I am closely connected with two of the foremost hospitals in New York, and have received many honors in this country and abroad. I set this down, risking identification, not through egotism but because I desire to show that I was competent to observe, and competent to bring practiced scientific judgment upon, the singular events I am about to relate...
In this thorough history, the author demonstrates, via the popular literature (primarily pulp magazines and comic books) of the 1920s to about 1960, that the stories therein drew their definitions of heroism and villainy from an overarching, nativist fear of outsiders that had existed before World War I but intensified afterwards. These depictions were transferred to America's "new" enemies, both following U.S. entry into the Second World War and during the early stages of the Cold War. Anti-foreign narratives showed a growing emphasis on ideological, as opposed to racial or ethnic, differences--and early signs of the coming "multiculturalism"--indicating that pure racism was not the sole reason for nativist rhetoric in popular literature. The process of change in America's nativist sentiments, so virulent after the First World War, are revealed by the popular, inexpensive escapism of the time, pulp magazines and comic books.
NATIONAL BESTSELLER • From the author of Ghost Soldiers comes an eye-opening history of the American conquest of the West—"a story full of authority and color, truth and prophecy" (The New York Times Book Review). In the summer of 1846, the Army of the West marched through Santa Fe, en route to invade and occupy the Western territories claimed by Mexico. Fueled by the new ideology of “Manifest Destiny,” this land grab would lead to a decades-long battle between the United States and the Navajos, the fiercely resistant rulers of a huge swath of mountainous desert wilderness. At the center of this sweeping tale is Kit Carson, the trapper, scout, and soldier whose adventures made him a legend. Sides shows us how this illiterate mountain man understood and respected the Western tribes better than any other American, yet willingly followed orders that would ultimately devastate the Navajo nation. Rich in detail and spanning more than three decades, this is an essential addition to our understanding of how the West was really won.
The minute she had opened the trunk, she knew there wasn't anything like hope in it. Just awful musty things, but each one with a kind of terrible dark halo around it. She picked up that piece of old lace. She saw that stain -- pale, brownish in color. She knew it was blood. Somebody's blood. There was violence in that trunk, and dark secrets, and she did not want to know them. Curious about the old homestead where she now lives, Jerry finds an ancient trunk in the basement that contains, among other things, an old piece of bloodstained lace, some letters, and a battered doll. The objects in the trunk have stories to tell -- stories about the Spanish Inquisition spanning nearly five hundred years and stories of secrets locked deep in the bloodlines of Jerry's ancestors. Kathryn Lasky's powerhouse novel is a dramatic historical saga that brings the reader face-to-face with some of the worst atrocities ever committed against humankind in the name of God. But above all, it is an unforgettable coming-of-age story about a girl who, in connecting with her own past and faith, is at last able to face her own demons and liberate not only herself but also future generations of her family from the long chain of suffering and silence.
The Shadow, The Spider, The Avenger, Doc Savage, The Black Bat, The Phantom Detective - these swashbuckling heroes of mid-20th-century pulp fiction all had one thing in common: They fought crime from outside the law, unhindered by red tape and unmindful of such legal niceties as due process. They fought with fists and guns, for the most part hiding their true identities beneath outlandish costume and grotesque disguises. This collection of essays by distinguished pulp-fiction aficionados chronicles the era of single-character magazines from offbeat angles and with keen insight. The pieces herein analyze key stories and characters while offering rare, behind-the-scenes glimpses of authors and editors at work, crafting and polishing the pulp-paper fever dreams that enthralled millions of young readers during the Great Depression, World War II, and beyond. Ed Hulse, editor of BLOOD 'N' THUNDER, the award-winning journal of adventure, mystery and melodrama, has assembled these affectionate essays with loving care and a discerning eye for the high-water marks in this phase of American popular culture. This third volume in the series BLOOD 'N' THUNDER PRESENTS, like its predecessors, is profusely illustrated with pulp-magazine covers and original artwork.