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Reprint of the original, first published in 1874. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
The Blickling Homilies date from the end of the tenth century and form one of the earliest extant collections of English vernacular homiletic writings. The homiletic texts survive in a composite codex consisting of Municipal Entries for the Council of Lincoln (14th - 17th century), a Calendar (mid 15th century), Gospel Oaths (early 14th century), and the eighteen homiletic texts that are based on the yearly liturgical cycle. The Blickling Homilies are an important literary milestone in the early evolution of the English prose. The manuscript, in the collection of William H. Scheide housed in Princeton University Library (MS. 71, s.x/xi), was published in facsimile by Rudolph Willard in 1960 as Volume 10 of Early English Manuscripts in Facsimile, Copenhagen. It is the only Anglo-Saxon MS still in private ownership, and together with The Blickling Psalter are the only two Anglo-Saxon MSS in the Americas. The only previous edition of The Blickling Homilies is by Richard Morris, published in three volumes in 1874, 1876, & 1880 (reprinted as one volume in 1967). This new edition makes a number of corrections where Morris's manuscript reading is in error. The English translations are modernized and made more accurate. The original text and facing-page translation have been formatted into paragraphs, which are hoped to further and aid comprehension. Finally, the text and translation are accompanied by a general introduction, textual notes on each homiletic text, tables and charts, and a select bibliography.
An investigation into texts specifically addressed to women sheds new light on female literary cultures.
This book is an exploration of the post-New Testament figure of Simon Magus spanning the patristic era, Middle Ages, and the early modern period as found in art, vernacular literatures, heresiologies, theological texts, hagiographies and homilies.
The study of medieval literature has experienced a revolution in the last two decades, which has reinvigorated many parts of the discipline and changed the shape of the subject in relation to the scholarship of the previous generation. 'New' texts (laws and penitentials, women's writing, drama records), innovative fields and objects of study (the history of the book, the study of space and the body, medieval masculinities), and original ways of studying them (the Sociology of the Text, performance studies) have emerged. This has brought fresh vigour and impetus to medieval studies, and impacted significantly on cognate periods and areas. The Oxford Handbook of Medieval Literature in English brings together the insights of these new fields and approaches with those of more familiar texts and methods of study, to provide a comprehensive overview of the state of medieval literature today. It also returns to first principles in posing fundamental questions about the nature, scope, and significance of the discipline, and the directions that it might take in the next decade. The Handbook contains 44 newly commissioned essays from both world-leading scholars and exciting new scholarly voices. Topics covered range from the canonical genres of Saints' lives, sermons, romance, lyric poetry, and heroic poetry; major themes including monstrosity and marginality, patronage and literary politics, manuscript studies and vernacularity are investigated; and there are close readings of key texts, such as Beowulf, Wulf and Eadwacer, and Ancrene Wisse and key authors from Ælfric to Geoffrey Chaucer, Langland, and the Gawain Poet.