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The story of a torture survivor from Colombia who has dedicated his life to healing the pains of others. Shockingly honest, heartbreaking, and vibrantly told, The Blessing Next to the Wound is a passionate and evocative memoir that, amid enormous suffering and loss, is a full-throated affirmation of life.
Bruni offers an authoritative and innovative look at the cultural and anthropological premises underlying contemporary market economies and their promises. He points out the need for balancing the increasing tendency toward isolation with the human need for relationships. Bruni proposes gratuitousness -- free and open reciprocity, quite different from altruism -- as a means of maximizing the benefits of the market without losing the joy that comes from putting relationships with others first.
A versatile missive written from the intersections of gender, disability, trauma, and survival. “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw.
Aaron Fr'h digs into the book of Genesis to reveal a powerful avenue of healing often forgotten in the church today: the spoken blessing.
"Bursting with wise observations." -- J. Courtney Sullivan, author of The Engagements and Maine "Gleams like a jewel." -- The Philadelphia Inquirer "Stunning. . . Unique and unforgettable." -- Glamour Hailed as one of the best books of 2014 by The Philadelphia Inquirer, Elise Juska's The Blessings is a moving novel about a tight-knit Irish Catholic clan over the course of twenty years. The Blessings rally around one another in times of celebration and those of sorrow, coming together for departures and arrivals, while its members harbor private struggles and moments of personal joy. College student Abby ponders homesickness in her first semester away from her Philadelphia home, while her cousin Stephen commits a petty act of violence that takes a surprising turn, and their aunt Lauren faces a crisis in her storybook marriage she could never have foreseen. Through the lens of one unforgettable family, this beautifully moving novel explores how our families define us and how we shape them in return.
The beloved bestseller that offers a practical, inspiring new roadmap for raising self-reliant, ethical, and compassionate children. In the trenches of a typical day, every parent encounters a child afflicted with ingratitude and entitlement. In a world where material abundance abounds, parents want so badly to raise self-disciplined, appreciative, and resourceful children who are not spoiled by the plentitude around them. But how to accomplish this feat? The answer has eluded the best-intentioned mothers and fathers who overprotect, overindulge, and overschedule their children's lives. Dr. Mogel helps parents learn how to turn their children's worst traits into their greatest attributes. Starting with stories of everyday parenting problems and examining them through the lens of the Torah, the Talmud, and important Jewish teachings, The Blessing of a Skinned Knee shows parents how to teach children to honor their parents and to respect others, escape the danger of overvaluing children's need for self-expression so that their kids don't become "little attorneys," accept that their children are both ordinary and unique, and treasure the power and holiness of the present moment. It is Mogel's singular achievement that she makes these teachings relevant for any era and any household of any faith. A unique parenting book, designed for use both in the home and in parenting classes, with an on-line teaching guide to help facilitate its use, The Blessing of a Skinned Knee is both inspiring and effective in the day-to-day challenge of raising self-reliant children.
The new edition of a prize-winning memoir-in-poems, a meditation on life as a queer Indigenous man—available for the first time in the United States “i am one of those hopeless romantics who wants every blowjob to be transformative.” Billy-Ray Belcourt’s debut poetry collection, This Wound Is a World, is “a prayer against breaking,” writes trans Anishinaabe and Métis poet Gwen Benaway. “By way of an expansive poetic grace, Belcourt merges a soft beauty with the hardness of colonization to shape a love song that dances Indigenous bodies back into being. This book is what we’ve been waiting for.” Part manifesto, part memoir, This Wound Is a World is an invitation to “cut a hole in the sky / to world inside.” Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay.” Presented here with several additional poems, this prize-winning collection pursues fresh directions for queer and decolonial theory as it opens uncharted paths for Indigenous poetry in North America. It is theory that sings, poetry that marshals experience in the service of a larger critique of the coloniality of the present and the tyranny of sexual and racial norms.
An acclaimed poet’s “gripping” memoir of an accidental tragedy, a childhood haunted by guilt, and a quest to find healing through art (Publishers Weekly). When Gregory Orr was twelve years old, he shot and killed his brother in a hunting accident. From the immediate aftermath—a period of shock, sadness, and isolation—it quickly became clear that support and guidance would not be coming from his distant mother. Nor would it come from his father, a philandering country doctor addicted to amphetamines. Left to his own devices, the boy suffered. Guilt weighed on him throughout a childhood split between the rural Hudson Valley and jungles of Haiti. As a young man, his feelings and a growing sense of idealism prompted him to activism in the civil rights movement, where he marched and was imprisoned, and then scarred again by a terrifying abduction. Eventually, Orr’s experiences led him to understand that art, particularly poetry, could work as a powerful source of healing and meaning to combat the trauma he carried. Throughout The Blessing, Orr articulates his journey in language as lyrical as it is authentic, gifting us all with a singular tale of survival, and of the transformation of suffering into art. “Even a chaotic and hapless family, it seems, can confer a blessing—the strength to live in the world as it is, and the wisdom to love people as they are. The book is not so much about surviving pain so much as developing a writer’s instinct for transforming it.” —Kathleen Norris, New York Times–bestselling author of The Cloister Walk
Winner of the 2016 Whiting Award One of Publishers Weekly's "Most Anticipated Books of Spring 2016" One of Lit Hub's "10 must-read poetry collections for April" “Reading Vuong is like watching a fish move: he manages the varied currents of English with muscled intuition. His poems are by turns graceful and wonderstruck. His lines are both long and short, his pose narrative and lyric, his diction formal and insouciant. From the outside, Vuong has fashioned a poetry of inclusion.”—The New Yorker "Night Sky with Exit Wounds establishes Vuong as a fierce new talent to be reckoned with...This book is a masterpiece that captures, with elegance, the raw sorrows and joys of human existence."—Buzzfeed's "Most Exciting New Books of 2016" "This original, sprightly wordsmith of tumbling pulsing phrases pushes poetry to a new level...A stunning introduction to a young poet who writes with both assurance and vulnerability. Visceral, tender and lyrical, fleet and agile, these poems unflinchingly face the legacies of violence and cultural displacement but they also assume a position of wonder before the world.”—2016 Whiting Award citation "Night Sky with Exit Wounds is the kind of book that soon becomes worn with love. You will want to crease every page to come back to it, to underline every other line because each word resonates with power."—LitHub "Vuong’s powerful voice explores passion, violence, history, identity—all with a tremendous humanity."—Slate “In his impressive debut collection, Vuong, a 2014 Ruth Lilly fellow, writes beauty into—and culls from—individual, familial, and historical traumas. Vuong exists as both observer and observed throughout the book as he explores deeply personal themes such as poverty, depression, queer sexuality, domestic abuse, and the various forms of violence inflicted on his family during the Vietnam War. Poems float and strike in equal measure as the poet strives to transform pain into clarity. Managing this balance becomes the crux of the collection, as when he writes, ‘Your father is only your father/ until one of you forgets. Like how the spine/ won’t remember its wings/ no matter how many times our knees/ kiss the pavement.’”—Publishers Weekly "What a treasure [Ocean Vuong] is to us. What a perfume he's crushed and rendered of his heart and soul. What a gift this book is."—Li-Young Lee Torso of Air Suppose you do change your life. & the body is more than a portion of night—sealed with bruises. Suppose you woke & found your shadow replaced by a black wolf. The boy, beautiful & gone. So you take the knife to the wall instead. You carve & carve until a coin of light appears & you get to look in, at last, on happiness. The eye staring back from the other side— waiting. Born in Saigon, Vietnam, Ocean Vuong attended Brooklyn College. He is the author of two chapbooks as well as a full-length collection, Night Sky with Exit Wounds. A 2014 Ruth Lilly Fellow and winner of the 2016 Whiting Award, Ocean Vuong lives in New York City, New York.