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This book argues that the destruction of Jerusalem is a key explanatory trope for early modern texts.
Featuring a number of pioneering essays by the internationally known Russian cultural historians Boris Uspenskij and Victor Zhivov, this collection includes a number of essays appearing in English for the fi rst time. Focusing on several of the most interesting and problematic aspects of Russia's cultural development, these essaysexamine the survival and the reconceptualization of the past in later cultural systems and some of the key transformations of Russian cultural consciousness. The essays in this collection contain some important examples of Russian cultural semiotics and remain indispensable contributions to the history of Russian civilization.
Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.
This edition of the Life of Henry More by Richard Ward is the outcome of twin initiatives: from Rupert Hall and from delegates at the conference on the Cambridge Platonists held at Nantes in 1993. The project took shape at a meeting of the editorial team at Christ's College in 1994. The editors wish to express their thanks to the Master and Fellows of Christ's College for permission to print the unpublished manuscript section of Ward's Life and for their generosity in supporting the project. We also thank the British Academy for the Major Research Award towards the cost of producing the printed copy. We thank John L. Dawson, Manager of the Literary and Linguistic Computing Centre of the University of Cambridge and his staff, Beatrix Bown and Rosemary Rodd, for their technical assistance with the physical preparation of the text. Thanks also to Douglas de Lacey for his help with Greek and Latin orthography, and to James Binns for his help in identifying some quotations. We are particularly grateful to Beatrix Bown for her unfailingly patient work in transcribing and correcting the printed and manuscript texts. S. H. 06j/t . J;pt:. l. ~0i37. J£ti7tU 7. 2 /mz,·rtlln J Ll1t'tz,//Utn LO, ~ "IEl-I"/(/ll 2 O. Engraved portrait of Henry More, by D. Loggan: Frontispiece to The Life of Henry More, by Richard Ward, London, 1710. vii TABLE OF CONTENTS Preface V List of Illustrations: VIll Introduction: I. Richard Ward IX II.