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In The Road Trip Dialogues, the prequel, Rev and Dylan are charged with blasphemy for adding “‘Blessed are they that taketh and dasheth thy little ones against the stone.’ Psalms 137:9” to a Right-to-Life billboard just outside Algonquin Park. As a result of a well-publicized court trial, the American Atheist Consortium offers an all-expenses-paid speaking tour of American Bible Colleges. Guess what happens. The Blasphemy Tour -- where philosophy meets stand-up. “If I were Siskel and Ebert I would give this book Two Thumbs Way Up. Yes, it is blasphemy toward organized religion, but it gives you tons of Bible verses to back up its premises. And besides, it’s pure entertainment. There’s a prequel which I recommend you read first: The Road Trip Dialogues. I only hope there will be a third book.” L. K. Killian "Jass Richards has done it again. As I tell anyone who wants to listen, Jass is a comedy genius, she writes the funniest books and always writes the most believable unbelievable characters and scenes ... It’s both funny and made me think at the same time. ... Overall, I highly recommend anything by Jass, especially this one book, which is full of comedy gold and food for thought.” " May Arend, Brazilian Book Worm “Irreverent. Definitely irreverent.” Anon
You ever have a neighbour whose behaviour is so mind-bogglingly inconsiderate and so suicide-inducingly annoying that you just want to ask him, in a polite Canadian way, to please stop? TurboJetslams isn't like that. Jass Richards' new novel, TurboJetslams: Proof #29 of the Non-Existence of God, tells the tale of one person's pathetic and hilarious attempts to single-handedly stop the destruction of a little piece of beautiful Canadian wilderness by the increasing numbers of idiots who couldn't care less. "Extraordinarily well written with wit, wisdom, and laugh-out-loud ironic recognition, "TurboJetslams: Proof #29 of the Non-Existence of God" is a highly entertaining and a riveting read that will linger on in the mind and memory long after the little book itself has been finished and set back upon the shelf (or shoved into the hands of friends with an insistence that they drop everything else and read it!). Highly recommended for community library collections." Midwest Book Review “This book is mesmerizing, from the mild beginning, through the spiral down into pollution hell and out to the ending. The excellent writing provided me with entertainment, foreboding and a strange combination of disbelief from ideals and belief from experience.” 5/5 BridgitDavis, LibraryThing “Hilarious! Some people will not like this book. Perhaps most. I loved it since I don’t like any type of motorized recreational vehicle. And I like my nature quiet, aside from nature noises. I love the way Vic sabotages her neighbours who just don’t ‘get it.'” 5/5 James M. Fisher, Goodreads “... What Richards has done is brilliant.” Jennifer Jilks, mymuskoka.blogspot.ca
How is it that the girl with straight As ends up scrubbing floors for minimum wage, living in a room above Vera’s Hairstyling, in a god-forsaken town called Powassan? She didn't marry the wrong guy. She didn't have kids. She wasn't an immigrant, uprooted and transplanted. So what happened? Where are all the straight-A girls from high school? Why, how, have they ‘disappeared’? Marriage and kids is an inadequate answer because married-with-kids straight-A boys (of which, let’s acknowledge, there are fewer) are visible. Everywhere. Even the straight-B boys are out there. So what happens? This is what happens provides several answers as it traces this disappearance with a microscopic examination of one woman’s life. There are three voices juxtaposed throughout the novel: the fresh, impassioned protagonist speaking through her journal entries from the age of fifteen; the sarcastic, now-fifty protagonist commenting about the events of her life, occasionally speaking to her younger self; and the dispassionate narrator. The novel’s audience is primarily women-it will resonate most with older women, but it is younger women who most need to read it. Because this is what happens. "An incisive reflection on how social forces constrain women’s lives." Booklife/Publishers' Weekly "I find the writing style very appealing ... An interesting mix of a memoir and a philosophical work, together with some amazing poetry. ... This is what happens ranks in my top five of books ever read." Mesca Elin, Psychochromatic Redemption "Really enjoyed the novel. I like the use of a journal as the format to tell the story. ... The author gives the reader lots of food for thought. An intense novel." Pam FitzGerald “The self-analysis is astounding.” Claudine Leonhardt “A seriously powerful novel.” C. Osborne “This book is so amazing. I was so enthralled that I just kept reading ....” JB
What if there was an app that could cloak you in a cross-gendered hologram? And it had a voice modulation module? Women could present as men and get better-paying jobs. Men could present as women and get groped in the subway. Cool. "The characters are ... intelligent, witty, and adventurous. I enjoyed their dialogue and insights. ... This is a book I really recommend to any book club and to people who are interested in gender differences and gender discrimination." Mesca Elin, Psychochromatic Redemption “This book is brilliant. ... The premise is really intriguing ... The scene at the airport just had me laughing out loud." Katya, Goodreads
A themed collection of bits from Jass Richards' non-existent stand-up career Includes Too Stupid to Visit, We Should Put a Crocodile in There, Born that Way, Let the Cows Loose, Jass Richards does Europe, and Other Funny Bits __________ "Your material is fabulous! It reminds me so much of George Carlin. ..." Gemini Rising “Jass is a comedy genius. ... reminiscent of Monty Python ... ” May Arend, Brazilian Bookworm "... wretchedly funny." C. Mike Rice, Realworldatheism
When an independent activist and her office-temp-with-a-doctorate buddy embark on a quest for a chocolate bar (a bar that serves not alcohol, but chocolate – in all its deliciously decadent forms), they pick up a hitchhiking extraterrestrial who’s stopped on Earth to ask for directions. (I know, right?) They do their damnedest to help 'X' find the information she needs to get back home, all the while confronting everyday sexism (rather like bashing your head against a jellyfish) and committing assorted outrageous acts and everyday rebellions ...
First there was the pandemic, and people rushed to the north to spread the virus like rats leaving a plague ship. Then there were the rentals, because other people, eager to capitalize on the pandemic, rushed to develop every last bit of shoreline and turn it into five-star accommodations for the rats. Then, well, all hell broke loose. * CottageEscape.zyx: Satan Takes Over, sequel to TurboJetslams: Proof #29 of the Non-Existence of God, is a short and funny novel about 'cottage country' with a deep and serious message. A perfect (pre-)summer read that will make you laugh and think at the same time. “A hilarious take, based in reality. You know Jass has lived this life. It is way too familiar. I laugh ... as much as I cry ...” Jennifer Jilks, mymuskoka.blogspot.com
63 top creatives speak out on art, inspiration, life, and random things that happened. "We watched as 60 yards away this man fought for his life. And I felt like a coward." "The pole they have behind the spot in the parallel parking test? Yeah, I hit that." "I pretty much punched her in the face with the palm of my hand." "Then, with his usual perfect timing, Belushi crashed through the French doors, looking for the cognac." "It was at that moment that a duck shit directly into my mouth." Find out who said it, inside.
Sixteen new stories and fifteen classics by the National Book Award–winning, New York Times–bestselling author of War Dances. Sherman Alexie’s stature as a writer of stories, poetry, and novels has soared over the course of his twenty-book, twenty-year career. His wide-ranging, acclaimed fiction throughout the last two decades—from The Lone Ranger and Tonto Fistfight in Heaven to his most recent PEN/Faulkner Award–winning War Dances—have established him as a star in contemporary American literature. A bold and irreverent observer of life among Native Americans in the Pacific Northwest, the daring, versatile, funny, and outrageous Alexie showcases his many talents in Blasphemy, where he unites fifteen beloved classics with sixteen new stories in one sweeping anthology for devoted fans and first-time readers. Included here are some of his most esteemed tales, including “What You Pawn I Will Redeem,” in which a homeless Indian man quests to win back a family heirloom; “This Is What It Means to Say Phoenix, Arizona,” a road-trip morality tale; “The Toughest Indian in the World,” about a night shared between a writer and a hitchhiker; and his most recent, “War Dances,” about a man grappling with sudden hearing loss in the wake of his father’s death. Alexie’s new stories are fresh and quintessential, about donkey basketball leagues, lethal wind turbines, a twenty-four-hour Asian manicure salon, good and bad marriages, and all species of warriors in America today. An indispensable Alexie collection, Blasphemy reminds us, on every thrilling page, why Alexie is one of our greatest contemporary writers and a true master of the short story. Praise for Blasphemy “Alexie once again reasserts himself as one the most compelling contemporary practitioners of the short story. In Blasphemy, the author demonstrates his talent on nearly every page. . . . [Alexie] illuminates the lives of his characters in unique, surprising, and, ultimately, hopeful ways.” —Boston Globe “Alexie writes with arresting perception in praise of marriage, in mockery of hypocrisy, and with concern for endangered truths and imperiled nature. He is mischievously and mordantly funny, scathingly forthright, deeply and universally compassionate, and wholly magnetizing. This is a must-have collection.” —Donna Seaman, Booklist (starred review) “[A] sterling collection of short stories by Alexie, a master of the form. . . . The newer pieces are full of surprises. . . . These pieces show Alexie at his best: as an interpreter and observer, always funny if sometimes angry, and someone, as a cop says of one of his characters, who doesn’t “fit the profile of the neighborhood.”“—Kirkus Reviews (starred review)