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From Glasgow on the brink of the Great War to the cut-throat world of London publishing - the spellbinding saga of three remarkable generations. Cathy: a Glasgow factory-girl who experiences love, its loss and a kind of victory in the space of two turbulent wartime years . . . Hannah: the daughter whose marriage enjoys the fruits of undreamt prosperity. But her love must learn to endure the turmoil of a very personal hurt . . . Robyn: the product of her generation. Modern, extrovert and vivacious, her heart is broken by the only man she'll ever love. Yet she finally comes to control her destiny - and that of the lover she never really lost... This is the unforgettable story of three women united in their love for books, for life, and for their men. A story which began with the little bookshop that Cathy fell in love with thirty years before. The Blackbird . . . Praise for Emma Blair: 'An engaging novel and the characters are endearing - a good holiday read' Historical Novels Review 'All the tragedy and passion you could hope for . . . Brilliant' The Bookseller 'Romantic fiction pure and simple and the best sort - direct, warm and hugely readable. Women's fiction at an excellent level' Publishing News 'Emma Blair explores the complex and difficult nature of human emotions in this passionately written novel' Edinburgh Evening News 'Entertaining romantic fiction' Historical Novels Review '[Emma Blair] is well worth recommending' The Bookseller
THE USA TODAY BESTSELLER Heather Webber's Midnight at the Blackbird Cafe is a captivating blend of magical realism, heartwarming romance, and small-town Southern charm. Nestled in the mountain shadows of Alabama lies the little town of Wicklow. It is here that Anna Kate has returned to bury her beloved Granny Zee, owner of the Blackbird Café. It was supposed to be a quick trip to close the café and settle her grandmother’s estate, but despite her best intentions to avoid forming ties or even getting to know her father’s side of the family, Anna Kate finds herself inexplicably drawn to the quirky Southern town her mother ran away from so many years ago, and the mysterious blackbird pie everybody can’t stop talking about. As the truth about her past slowly becomes clear, Anna Kate will need to decide if this lone blackbird will finally be able to take her broken wings and fly. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The first book in the Miriam Black series: “A sassy, hard-boiled thriller with a paranormal slant” (The Guardian) about a young woman who can see the darkest corners of the future. Miriam Black knows how you’re going to die. This makes her daily life a living hell, especially when you can’t do anything about it, or stop trying to. She’s foreseen hundreds of car crashes, heart attacks, strokes, and suicides. She merely needs to touch you—skin to skin contact—and she knows how and when your final moments will occur. Miriam has given up trying to save people; that only makes their deaths happen. But when she hitches a ride with Louis Darling and shakes his hand, she sees in thirty days that Louis will be murdered while he calls her name— Louis will die because he met her, and Miriam will be the next victim. No matter what she does she can’t save Louis. But if she wants to stay alive, she’ll have to try. “Think Six Feet Under co-written by Stephen King and Chuck Palahniuk” (SFX), and you have Blackbirds: a visceral, exciting novel about life on the edge.
At the request of a kind duke's loving daughter, La Colomba, a pure white bird, braves the bitter winter of the northern Italian mountains to sing for the gravely ill man.
They call themselves the Blackbirds. Kwanzaa, Indigo, Destiny and Erica, four best friends who would go to the ends of the earth for one another. Yet even their deep bond can't heal all, as the women struggle with their own personal demons, drama and steamy desire. As the women try to overcome their impulses, they find not only themselves tested, but the one thing they always considered unbreakable: their friendship.
With vibrant cut-paper collages, a Coretta Scott King Award-winner presents an adaptation of a folktale from Zimbabwe that celebrates the importance of appreciating one's own inner beauty. Full color.
In this original, historical ghost story set in 1918, the year of the deadly Spanish influenza, 16-year-old Mary Shelley Black watches as desperate mourners flock to sances and spirit photographers for comfort. Mary's never believed in ghosts, until her first loveNa boy who died in battleNreturns.
Mary Ellen Sanger had made her life in Mexico for 17 years when she suddenly found herself in prison in Oaxaca, Mexico, arrested on invented charges. She spent 33 days in Ixcotel State Prison in the fall of 2003. These stories of the women she met there, illuminate her biggest surprise and her only consolation in prison: the solidarity that formed among the women she lived, ate, swept and passed long days with while inside. Nine lyrical tales show the depth of emotions that insist on their own space, even in these harshest of circumstances. The largest and brawniest woman in the prison, doing time for armed robbery, kills a rat with her foot, then turns to the author for help with a very special letter. Another young woman, only nineteen years old, has already been in for three years, guilty of kidnapping her own child. And Ana, a political prisoner, teaches the author about creative ways to turn the tide, one including frog-eating snakes. Mary Ellen weaves her own tale through the stories. Accused of a crime that doesn't exist by a powerful man in Mexico, she depends on the fierce solidarity of friends on the outside, and a brilliant lawyer who trusts in the rule of law... even in Mexico. The women incarcerated in Ixcotel State Prison said that the blackbirds chattered in the lone pomegranate tree in the courtyard whenever a woman was about to be released. They are chattering now. ________________________________ Excerpt from introduction by Elena Poniatowska: Mary Ellen's hands blister, but she never shows her wounds. Nor does she show her resulting callouses. She assembles in the courtyard and joins the circle of women who at first reject her for her blond hair and her blue eyes. She shares pistachios with them, and when she innocently tells them that she likes to write poetry but the words won't come here in the pen, Concha sends her a lifeline: "Don't worry, blondie, someday you'll write the good stuff again." ... "Blackbirds in the Pomegranate Tree" is a life lesson. If they were to throw me in jail, I would carry it with me to read each night, as some read the Bible or the Gospels. In its pages I would find strength and faith in humankind, and I would know that to believe in "the others" is a path to salvation. I suppose and believe that I am not wrong in saying that for Mary Ellen, Mexico is a woman who one day, will find herself.
A searing new work of nonfiction from award-winning author Brandy Colbert about the history and legacy of one of the most deadly and destructive acts of racial violence in American history: the Tulsa Race Massacre. Winner, Boston Globe-Horn Book Award. In the early morning of June 1, 1921, a white mob marched across the train tracks in Tulsa, Oklahoma, and into its predominantly Black Greenwood District—a thriving, affluent neighborhood known as America's Black Wall Street. They brought with them firearms, gasoline, and explosives. In a few short hours, they'd razed thirty-five square blocks to the ground, leaving hundreds dead. The Tulsa Race Massacre is one of the most devastating acts of racial violence in US history. But how did it come to pass? What exactly happened? And why are the events unknown to so many of us today? These are the questions that award-winning author Brandy Colbert seeks to answer in this unflinching nonfiction account of the Tulsa Race Massacre. In examining the tension that was brought to a boil by many factors—white resentment of Black economic and political advancement, the resurgence of white supremacist groups, the tone and perspective of the media, and more—a portrait is drawn of an event singular in its devastation, but not in its kind. It is part of a legacy of white violence that can be traced from our country's earliest days through Reconstruction, the Civil Rights movement in the mid–twentieth century, and the fight for justice and accountability Black Americans still face today. The Tulsa Race Massacre has long failed to fit into the story Americans like to tell themselves about the history of their country. This book, ambitious and intimate in turn, explores the ways in which the story of the Tulsa Race Massacre is the story of America—and by showing us who we are, points to a way forward. YALSA Honor Award for Excellence in Nonfiction