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Are you ready for a new collection of energetic, catchy fiddle tunes? The Blackberry Blossom Fiddle Book for Cello is here! This book has tunes and harmonies you will hum through the rest of the day and can give you a new reason to get excited about playing the cello! Perfect for in-person and remote private (or group) lessons, string ensembles of any combination, or impromptu chamber music parties, this book (along with the violin, viola, bass, and optional piano books) gives you eleven "mix-and-match" fiddle arrangements to play, along with short preparatory warm-up exercises. Each tune has four options so musicians at different levels can play together: an Advanced Melody, a Stress-Free Melody, a Basic Harmony, and a Teacher Harmony. You can warm up with the exercises, try the Stress-Free Melody, and then work towards the Advanced Melody. The Blackberry Blossom Fiddle Book for Cello can be played in a group or group class with the violin, viola, bass, and piano books; all of the tunes can be learned and played together as duets, trios, or in groups of any size. This cello fiddle book is entirely in first position, in the keys of D and G and will get your toes tapping and your fingers fiddling!
Presents 140 of the most frequently played tunes in old time fiddle contests as well as the most popular bluegrass, square dance and country tunes heard throughout the United States. the performance length arrangements of contest tunes include standard as well as challenging variations on hoe-downs, rags, polkas, show pieces, and waltzes complete with suggested accompaniment chords. This encyclopedia of fiddle tunes and variations spotlights American popular fiddle music as played by the great fiddlers of our time.
A solo, for Viola with Piano Accompaniment, composed by Karl Stamitz.
Play along with a lively Irish session, a spirited Ukrainian hopak, a tantalizing Arabic belly dance, a famous Italian tarantella, a joyous Klezmer hora, and over 50 other international favorites! This definitive book/CD sampler features vibrant folk music from North America, the British Isles, Western and Eastern Europe, and the Middle East. the text combines clear explanations of authentic ornaments, bowings, and rhythms with fun tunes which are comfortable and easy to learn. the music includes chord symbols and some twin fiddling harmonies. the book also includes a helpful Quick Reference Key and Glossary of musical symbols and terms, as well as performance notes for each of the 58 songs. the included compact disc provides accompaniment for all of the tunes. By the author of bestseller Gypsy Violin, this outstanding intermediate-level collection is a must for handling assorted ethnic requests, or exploring ethnic styles.
Meticulously collected from recordings, square and contra dances, fiddle contests, jam sessions and individual fiddlers- this book is meant to provide a snapshot of what American fiddlers were playing and listening to in the latter part of the 20th Century. As the vinyl record format disappears from the marketplace, a great deal of recorded fiddle music will no longer be available. In this book, Stacy Phillips shares the fruits of some timely collecting for all fiddlers to enjoy. Bowings, fingerings, and guitar chords are provided for each melody line.
This book will give the bluegrass fiddler an idea of the wide range of licks that are part of the repertoire. The licks included range from hardcore traditional to jazzy, urban progressive. Laid bare are those sizzling, audience-grabbing riffs that all fiddlers find irresistible. You will find this wealth of material arranged in sections that cover single-string licks, double stops, connecting klicks, kickoffs and tags, licks in upper positions, and even an entire chapter devoted to “Orange Blossom Special.” There are chapters here to interest the advanced player, and valuable introductory chapters on music theory and technique for the novice bluegrasser. To help put the licks in perspective, many are set into typical bluegrass songs and chord progressions. In addition, readers will find frequent reference to the outstanding players of today, such as Vassar Clements, Sam Bush, Kenny Baker, Bobby Hicks, and Kenny Kosek, as well as past masters like Scotty Stoneman and Benny Martin. The soundsheet, which features Mary Laster, includes many of the licks in the book, and demonstrates the finer points of nuance and execution. It is also a helpful supplement to the standard notation in the book.
From the author’s preface: “This book was conceived four years ago, almost to the day, at a time when I was teaching fiddle and mandolin in New York City. It was my idea then, with my students in mind, to compile a book of the most often played, most important and most interesting fiddle tunes from the various Celtic and North American traditions. The tunes were chosen by cataloging a large number of recordings by tune title. A tally was taken to find out which had been recorded most often. This established a foundation of material that could not be left out. To this list I added the names of other pieces which had not been recorded as frequently, but which I knew were played regularly and with respect. I admit to sprinkling the collection with a few lesser known tunes which happen to be personal favorites, but I am sure they will hold their own when placed next to the old war horses of the fiddler’s repertoire. . . . Although I started out with my students in mind this book has turned out to be the book that I’ve always wanted and I hope that it will serve the advanced player as well as the beginner.”
The forty-five tunes in this collection represent the vast repertoire of traditional Scottish fiddle music dating back to the 1700s.There is a long history of music shared between fiddle, bagpipe and song. Included are laments, airs, marches, strathspeys, reels and jigs. the music has been edited and arranged for viola along with guitar chords if desired for accompaniment. the tunes are presented in sets of three or four for solo performance.
More than thirty-five famous and traditional old Bluegrass favorites. Includes stylistic bowings and chord changes.
" ... The perfect introduction to playing folk, bluegrass, and country styles on the violin."--Page 4 of cover