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The Black Watch is one of the finest fighting forces in the world and has been engaged in virtually every worldwide conflict for the last three centuries. Named after the dark tartan of the soldiers' kilts, it is the oldest Highland regiment. As part of the British army, their first battle abroad was in Flanders in 1745 but the regiment soon moved to North America to fight the French, and then shared the capture of Montreal, the Windward Islands and Martinique. The American War of Independence saw the regiment once again in America, fighting horrific battles and eventually storming Fort Washington in 1776. Since then the regiment has held its own from the Napoleonic Wars to the Indian mutiny to Iraq. The Black Watch is the UK's most decorated regiment, combining the proud history and tradition of an organisation that has been soldiering for over 250 years.
Describes the planes, the missions, and the men who fly reconnaissance.
Viewed through the eyes of those on the ground, Black Watch reveals what it means to be part of the legendary Scottish regiment, what it means to be part of the war on terror and what it means to make the journey home again. This book contains Gregory Burke's award-winning text, with production notes by the director John Tiffany and colour photographs that capture the powerful and inventive use of movement in this visceral, complex and urgent piece of theatre. The National Theatre of Scotland's production of Black Watch opened at the Edinburgh Festival Fringe in 2006 where it won a Herald Angel, a Scotsman Fringe First, a Best Theatre Writing Award from The List, a Stage Award for Best Ensemble, the Critics' Circle Award and the South Bank Show Award for Theatre. In 2007 it began a world tour in Scotland. "Completely brilliant." Daily Telegraph "Black Watch is a glorious piece of theatre, raw, truthful, uncomfortable, political, funny, moving, graceful and dynamic." Scotland on Sunday "A brilliantly realised piece." Evening Standard "A magnificent piece of social and political theatre. A high point not just of the festival but of the theatrical year" Observer
In the wake of the Jacobite Rebellions, companies of trustworthy Highlanders were raised from royal clans to protect the populace, deter cattle stealing and guard against any possible Jacobite incursion. Soon after its formation, the companies organized into a regiment of foot known famously as the "Black Watch," the name thought to derive from their dark-coloured tartans and their role to "watch" the Highlands. This book explores the uniforms, equipment and history of the Black Watch, from their involvement in the battles of Fontenoy and Ticonderoga in the mid-18th century, through to the Korean War of the 1950s.
Jenna Burtenshaw continues her dark fantasy trilogy The Secrets of Wintercraft with YA dystopian novel Blackwatch. In Wintercraft, fifteen-year-old Kate Winters learned she was one of the Skilled, a rare person who can bring the dead to life. Even among that rare group, Kate is special. She alone can understand the secrets of an ancient book of knowledge. In the sequel, Blackwatch, Kate is on the run from the Skilled, who have accused her of murder. And she is being hunted by an elite unit of assassins fighting in the war against Albion, Kate’s home. When a potent magic threatens the veil between life and death, fate reunites Kate with enigmatic villain Silas Dane, a man who cannot be killed. Only they can save Albion.
The Black Watch (Royal Highlanders), 42nd/73rd Foot, entered the Great War with two Regular, one Special Reserve (the 3rd) and four Territorial Force battalions (4th to 7th); by the end of the war the total had grown to twenty-two battalions (Becke), twenty-five according to the History's Foreword. Thirty thousand served in the Regiment in France, Belgium Salonika, Palestine and Mesopotamia and of these 8,390 died. The Regiment was awarded 69 Battle Honours, three VCs were won and a fourth was awarded to a BW officer in 1917 while he was commanding 1st Lincolns. This three-volume history is outstanding - Vol 1 deals with the Regular and the Special Reserve battalions, Vol 2 the TF battalions and Vol 3 the New Army (Service or Kitchener) battalions. Common to all three volumes are the Preface, Foreword (by the Colonel of the Regiment) and the page listing the Regiment's Battle Honours. In each volume the battalions are treated separately and for all the front line battalions, following the narrative describing their war service there are the same six appendices: Record of Officers' Service, Summary of Casualties, Officer casualty list, Other Rank casualty list, Honours and Awards and finally the list of Actions and Operations. In Volume 1 there is a seventh appendix to the 1st and 2nd Battalion narratives - a list of Other Ranks of each battalion who were commissioned during the war. In the case of the TF the second and third line battalions, which did not leave the UK, all are dealt with together. There is a bonus in Volume 2; at the end there is a section on the Royal Highlanders of Canada represented by the 13th, 42nd and 73rd Canadian Infantry Battalions, giving a brief account of their actions with appendices showing for each battalion a summary of killed, list of Honours and Awards and list of Actions and Operations. I believe this has got all you can hope for in a regimental history.
An analysis of African American televangelists as cultural icons Through their constant television broadcasts, mass video distributions, and printed publications, African American religious broadcasters have a seemingly ubiquitous presence in popular culture. They are on par with popular entertainers and athletes in the African American community as cultural icons even as they are criticized by others for taking advantage of the devout in order to subsidize their lavish lifestyles. For these reasons questions abound. Do televangelists proclaim the message of the gospel or a message of greed? Do they represent the "authentic" voice of the black church or the Christian Right in blackface? Does the phenomenon reflect orthodox "Christianity" or ethnocentric "Americaninity" wrapped in religious language? Watch This! seeks to move beyond such polarizing debates by critically delving into the dominant messages and aesthetic styles of African American televangelists and evaluating their ethical implications.