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Poetry. African American Studies. "There are people who come into your life, who come into this world with such velocity, bravery and beauty that whole hearts are changed, the whole earth is moved. Aja Monet is one of those rare people in my world, in this world. She is a lyrical shape-shifter, an ancient infant, bravely falling up. Her search for compassion and truth is relentless and voracious. Her time here, her work, here, her life is our poem. Here." Michaela Angela Davis"
Despite the warnings of his father, the great white Unicorn, Blackie ventures from his secure refuge in the heart of the forest into the restless, striving world of humans. His travels take him from the peaceful Shrine at the top of the world to the burning dragon pit at its bottom. Blackie meets monsters and beasts and humans of every rank from beggars, gypsies, peasants, and priests to knights, nobles, and his irrepressible, irresistible Princess. He learns the joys of love, friendship, and a well-baked bowl of cookies, as well as the miseries of sickness, treachery, and death. Ultimately, he learns what it means to be unicorn, a "holy beast" to the humans with his celebrated horn of violence in battle and healing in sickness.
I am 27 and have never killed a man but I know the face of death as if heirloom my country memorizes murder as lullaby —from “For Fahd” Textured with the sights and sounds of growing up in East New York in the nineties, to school on the South Side of Chicago, all the way to the olive groves of Palestine, My Mother Is a Freedom Fighter is Aja Monet’s ode to mothers, daughters, and sisters—the tiny gods who fight to change the world. Complemented by striking cover art from Carrie Mae Weems, these stunning poems tackle racism, sexism, genocide, displacement, heartbreak, and grief, but also love, motherhood, spirituality, and Black joy. Praise for Aja Monet: ““[Monet] is the true definition of an artist.” —Harry Belafonte ““In Paris, she walked out onto the stage, opened her mouth and spoke. At the first utterance I heard that rare something that said this is special and knew immediately that Aja Monet was one of the Ones who will mark the sound of the ages. She brings depth of voice to the voiceless, and through her we sing a powerful song.” —Carrie Mae Weems Of Cuban-Jamaican descent, Aja Monet is an internationally established poet, performer, singer, songwriter, educator, and human rights advocate. Monet is also the youngest person to win the legendary Nuyorican Poet’s Café Grand Slam title.
CHORUS is the anthem of a new generation of poets unified by the desire to transcend the identity politics of the day and begin to be seen as one. One hundred voices woven through testimony and new testament. It is the cry of the unheard. The occupation of the page itself. It embodies the “speak-up” spirit of the moment, the confidence propagated through hip-hop, and the defiant “WTF?” of the now. It is the voice that comes after the rebellious voice that once cried, “I want my MTV!” branded back to where punk was, slammed up and beyond it. A combination of trash, heart, and craft. An anthology in rant. CHORUS is what all modern-day losers chant.
Amy Krouse Rosenthal's New York Times bestselling picture book about a unicorn who believes that little girls are REAL is perfect for anyone interested in stories of friendship, unicorns, and the power of believing! Uni the unicorn is told there’s no such thing as little girls! But no matter what the grown-up unicorns say, Uni believes that little girls are REAL. Somewhere there must be a smart, strong, wonderful, magical little girl waiting to be best friends. In fact, far away (but not too far away), a real little girl believes there is a unicorn waiting for her, too. This magical story of friendship from the bestselling author of I Wish You More is perfect for Easter and spring-time reading. It reminds believers and nonbelievers alike that sometimes wishes really can come true. Don't miss the sequel, Uni the Unicorn and the Dream Come True!
Rifqa is Mohammed El-Kurd’s debut collection of poetry, written in the tradition of Ghassan Kanafani’s Palestinian Resistance Literature. The book narrates the author’s own experience of dispossession in Sheikh Jarrah--an infamous neighborhood in Jerusalem, Palestine, whose population of refugees continues to live on the brink of homelessness at the hands of the Israeli government and US-based settler organizations. The book, named after the author’s late grandmother who was forced to flee from Haifa upon the genocidal establishment of Israel, makes the observation that home takeovers and demolitions across historical Palestine are not reminiscent of 1948 Nakba, but are in fact a continuation of it: a legalized, ideologically-driven practice of ethnic cleansing.
Einojuhani Rautavaara (1928–2016) has been called Finland’s most notable musical export after Sibelius. His prolific output includes eleven operas; eight symphonies; eleven concertos; choral works for the Orthodox, Lutheran, and Roman Catholic churches; secular choral works; chamber music; vocal solos; and keyboard works. Many of these works were commissioned by internationally known performers and ensembles including Vladimir Ashkenazy, Richard Stoltzman, Hilary Hahn, Anne Akiko Meiers, Gerald Finley, the Philadelphia Orchestra, and the Juilliard School of Music Orchestra. Perhaps most frequently performed are his Cantus Arcticus, a concerto for recorded arctic birds and orchestra, Angel of Light, his seventh symphony, and the Lorca choral suite depicting Death as a stalker in a Spanish village. Rautavaara’s Journey in Music is divided into two sections; the first a biography and discussion of works that show his various style changes, from neoclassical, to twelve-tone, to neoromantic, and finally to a personal expressive style combining elements of twelve-tone and tonality. The second part divides his works by genre and gives more detailed information of stylistic analysis, libretto, provenance, and, often, reception.
An anthology of poetry by young people, edited by superstar poet and author Williams. Hundreds of poets, artists, and writers give him their work, hoping that he will read it and perhaps help them on their journey. Now, Williams fulfills those dreams.
"[A] scintillating tour de force . . . in a free-ranging style as distinctive as its subject . . . Forgoing the strictures and linearity of traditional biography, Gumbs enlivens her narrative with unconventional flourishes that in lesser hands might feel like a gimmick but here come across as revelation . . . Gumbs is a master stylist with a knack for writing sentences at once direct and expansive (“The scale of the life of the poet is the scale of the universe”). This is a feast for the intellect—and the soul." —Publishers Weekly (starred review) "A celebration of a tireless advocate . . . Stars, hurricanes, and even whale songs feature in a narrative notable for lyrical prose and unabashed admiration . . . Gumbs offers thoughtful analyses of Lorde’s poems, as well as the pressures and pleasures of her life: friends and lovers; marriage to a white gay man; motherhood; divorce; and recurring cancer . . . A defiant woman sensitively and incisively portrayed." —Kirkus Reviews (starred review) "Gumbs, one of our great poets, has delivered not only a masterful biography of Audre Lorde but a revolution in what a biography can be. Whether you only know Lorde through her most famous quotes or if you’ve read everything she wrote a thousand times, there is something new and exciting here for you. Structurally playful, deeply researched, vibrantly felt, it’s a masterwork all around." —LitHub A bold, innovative biography that offers a new understanding of the life, work, and enduring impact of Audre Lorde. We remember Audre Lorde as an iconic writer, a quotable teacher whose words and face grace T-shirts, nonprofit annual reports, and campus diversity-center walls. But even those who are inspired by Lorde’s teachings on “the creative power of difference” may be missing something fundamental about her life and work, and what they can mean for us today. Lorde’s understanding of survival was not simply about getting through to the other side of oppression or being resilient in the face of cancer. It was about the total stakes of what it means to be in relationship with a planet in transformation. Possibly the focus on Lorde’s quotable essays, to the neglect of her complex poems, has led us to ignore her deep engagement with the natural world, the planetary dynamics of geology, meteorology, and biology. For her, ecological images are not simply metaphors but rather literal guides to how to be of earth on earth, and how to survive—to live the ethics that a Black feminist lesbian warrior poetics demands. In Survival Is a Promise, Alexis Pauline Gumbs, the first researcher to explore the full depths of Lorde’s manuscript archives, illuminates the eternal life of Lorde. Her life and work become more than a sound bite; they become a cosmic force, teaching us the grand contingency of life together on earth.