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Everything you could ever want in a Golden Age of Detective Fiction novel. — Booklist Also known by its US title The Problem of the Green Capsule, this classic novel is widely regarded as one of John Dickson Carr's masterpieces and remains among the greatest impossible crime mysteries of all time. A sinister case of deadly poisoned chocolates from Sodbury Cross's high street shop haunts the group of friends and relatives assembled at Bellegarde, among the orchards of 'peach-fancier' Marcus Chesney. To prove a point about how the sweets could have been poisoned under the nose of the shopkeeper, Chesney stages an elaborate memory game to test whether any of his guests can see beyond their 'black spectacles'; that is, to see the truth without assumptions as witnesses. During the test – which is also being filmed – Chesney is murdered by his accomplice, dressed head to toe in an 'invisible man' disguise. The keen wits of Dr, Gideon Fell are called for to crack this brazen and bizarre murder committed in full view of an audience.
There’s a hush in the quiet Black dark secrets of Princeton’s Place. It’s a secret that goes beyond the shackles of space time hidden beyond the spectacles of the librarians here tending to the night desk of the Firestone Library at Princeton University. YOU are headed in the space beyond the librarian’s Black spectacles, a Black space of knowledge and understanding filled with the surprise outside the void suspicious called, Black. The librarian’s eyes mirror those of a mole buried in the moss of brown dirt. She lies in the smell of fresh rain water and curated soil called, words. It is magical space and only opens one’s eyes through the magnification beyond marginalized vocabulary called, books. It’s a magnification of another adventure. But YOU have to get your hands on the black specs first.
Also known by its US title The Problem of the Green Capsule, this classic novel is widely regarded as one of John Dickson Carr's masterpieces and remains among the greatest impossible crime mysteries of all time. A sinister case of deadly poisoned chocolates from Sodbury Cross's high street shop haunts the group of friends and relatives assembled at Bellegarde, among the orchards of 'peach-fancier' Marcus Chesney. To prove a point about how the sweets could have been poisoned under the nose of the shopkeeper, Chesney stages an elaborate memory game to test whether any of his guests can see beyond their 'black spectacles'; that is, to see the truth without assumptions as witnesses. During the test - which is also being filmed - Chesney is murdered by his accomplice, dressed head to toe in an 'invisible man' disguise. The keen wits of Dr, Gideon Fell are called for to crack this brazen and bizarre murder committed in full view of an audience.
'We shall therefore confine our walk to Central London where people meet on business during the day, and to West London where they meet for pleasure at night. If you will walk about the first City in the British Empire arm in arm with Merriman-Labor, you are sure to see Britons in merriment and at labour, by night and by day, in West and Central London.' In Britons Through Negro Spectacles Merriman-Labor takes us on a joyous, intoxicating tour of London at the turn of the 20th century. Slyly subverting the colonial gaze usually placed on Africa, he introduces us to the citizens, culture and customs of Britain with a mischievous glint in his eye. This incredible work of social commentary feels a century ahead of its time, and provides unique insights into the intersection between empire, race and community at this important moment in history. Selected by Booker Prize-winning author Bernardine Evaristo, this series rediscovers and celebrates pioneering books depicting black Britain that remap the nation.
A Dr Gideon Fell mystery from Golden Age author John Dickson Carr In the quaint English village of Sodbury Cross, pretty Marjorie Wills is suspected of poisoning chocolates in the local confectionary shop. Her uncle, the wealthy Marcus Chesney, believes eyewitnesses are unreliable. To prove his point, he sets up a clever test in front of three witnesses and a camera. They are asked to watch a staged series of events, during which a masked man enters the room to 'poison' Chesney by feeding him a large green capsule. As expected, the experiment concludes and no one can agree on what took place, except that Marcus Chesney is dead... How is that possible? And who is the culprit? It takes Dr. Gideon Fell to unravel this Golden Age classic.
The Das Kapital of the 20th century,Society of the Spectacle is an essential text, and the main theoretical work of the Situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's, in particular the May 1968 uprisings in France, up to the present day, with global capitalism seemingly staggering around in it’s Zombie end-phase, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This ‘Red and Black’ translation from 1977 is Introduced by Notting Hill armchair insurrectionary Tom Vague with a galloping time line and pop-situ verve, and given a more analytical over view by young upstart thinker Sam Cooper.
In Rough Tactics: Black Performance in Political Spectacles, 1877–1932, author Mark A. Johnson examines three notable cases of Black participation in the spectacles of politics: the 1885–1898 local-option prohibition contests of Atlanta and Macon, Georgia; the United Confederate Veterans conflict with the Musicians’ Union prior to the 1903 UCV Reunion in New Orleans; and the 1909 Memphis mayoral election featuring Edward Hull Crump and W. C. Handy. Through these case studies, Johnson explains how white politicians and Black performers wielded and manipulated racist stereotypes and Lost Cause mythology to achieve their respective goals. Ultimately, Johnson portrays the vibrant, exuberant political culture of the New South and the roles played by both Black and white southerners. During the nadir of race relations in the United States South from 1877 to 1932, African Americans faced segregation, disfranchisement, and lynching. Among many forms of resistance, African Americans used their musical and theatrical talents to challenge white supremacy, attain economic opportunity, and transcend segregation. In Rough Tactics, Johnson argues that African Americans, especially performers, retooled negative stereotypes and segregation laws to their advantage. From 1877 to 1932, African Americans spoke at public rallies, generated enthusiasm with music, linked party politics to the memory of the Civil War, honored favorable candidates, and openly humiliated their opposition.