Download Free The Black Queen Of Queens Is Solomons Song Of Songs Book in PDF and EPUB Free Download. You can read online The Black Queen Of Queens Is Solomons Song Of Songs and write the review.

There are different interpretations of the biblical book, Song of Solomon. This is understandable because interpretations of the book roots are in faith traditions and interpreters experiences of the Holy Spirit. The different interpretations of the book of Song of Solomon give insight that affirms God at work in the interpreters when the message of God is heard anew through each approach. Some interpret Song of Solomon as allegorical biblical text. This interpretation asserts the book of Song of Solomon, as a love story between God and the church, or Christ and the Church. Another allegorical interpretation of the book asserts the book, Song of Solomon, as a love story between Christ and the soul. Others interpret the book, Song of Solomon, as literal biblical text, read in a normal way. One literal interpretation of the book, Song of Solomon, asserts the book a love story between a young woman and a youth, who is a shepherd. In this interpretation the young woman rejects the love of the most powerful man on earth, Solomon, to embrace the love of a young shepherd. She marries the shepherd, and their marriage blooms in nature.
In telling the story of the Bible's birth and journey from ancient East to modern West, Romer explores legendary characters of the Old and New Testaments and depicts biblical sites whose names have resounded throughout history. (A) panorama worth viewing.--New York Times Book Review. Illustrations.
In Ancient Israel Lester L. Grabbe sets out to summarize what we know through a survey of sources and how we know it by a discussion of methodology and by evaluating the evidence. The most basic question about the history of ancient Israel, how do we know what we know, leads to the fundamental questions of Grabbe's work: what are the sources for the history of Israel and how do we evaluate them? How do we make them 'speak' to us through the fog of centuries? Grabbe focuses on original sources, including inscriptions, papyri, and archaeology. He examines the problems involved in historical methodology and deals with the major issues surrounding the use of the biblical text when writing a history of this period. Ancient Israel provides an enlightening overview and critique of current scholarly debate. It can therefore serve as a 'handbook' or reference-point for those wanting a catalogue of original sources, scholarship, and secondary studies. Grabbe's clarity of style makes this book eminently accessible not only to students of biblical studies and ancient history but also to the interested lay reader. For this new edition the entire text has been reworked to take account of new archaeological discoveries and theories. There is a major expansion to include a comprehensive coverage of David and Solomon and more detailed information on specific kings of Israel throughout. Grabbe has also added material on the historicity of the Exodus, and provided a thorough update of the material on the later bronze age.
In this text first published in 1893, missionary James Hudson Taylor illuminates the Song of Solomon, dividing it into six sections, with glosses on the scripture throughout. He discusses how the Song shines light on aspects of faith, human experience, and the relationship to God and Christ. Both the longtime faithful and those new to the Bible can enjoy this lovely work, as it can both remind and teach anew. Even those familiar with the Song are sure to find new insight in this concise and clear book of teachings.British missionary JAMES HUDSON TAYLOR (1832-1905) founded the China Inland Mission and served there for five decades. He is considered one of the most successful and most significant missionaries of the 19th century.
One of the most provocative writers on women's performances of Shakespeare on stage and film in Britain today, Rutter speculates on how the theatre `plays' women's bodies and how audiences read them.
In her new account of an old religion, Lynn Picknett explains that Lucifer means 'the light bringer' and was a personification of the Morning Star, the planet Venus and its goddess. 'He' was originally 'she' -- a divine representation of love, light and human warmth. The early Christian Church appropriated the name Lucifer, and it became synonymous with darkness and the Devil. Yet many great thinkers have covertly followed the old Luciferan way, most famously Leonardo da Vinci, who encrypted the symbols of his heretical beliefs in his work, visible only to those who have the key.
From the Pharaohs to Fanon, Dictionary of African Biography provides a comprehensive overview of the lives of the men and women who shaped Africa's history. Unprecedented in scale, DAB covers the whole continent from Tunisia to South Africa, from Sierra Leone to Somalia. It also encompasses the full scope of history from Queen Hatsheput of Egypt (1490-1468 BC) and Hannibal, the military commander and strategist of Carthage (243-183 BC), to Kwame Nkrumah of Ghana (1909-1972), Miriam Makeba and Nelson Mandela of South Africa (1918 -).
Sovereign Joy explores the performance of festive black kings and queens among Afro-Mexicans between 1539 and 1640. This fascinating study illustrates how the first African and Afro-creole people in colonial Mexico transformed their ancestral culture into a shared identity among Afro-Mexicans, with particular focus on how public festival participation expressed their culture and subjectivities, as well as redefined their colonial condition and social standing. By analyzing this hitherto understudied aspect of Afro-Mexican Catholic confraternities in both literary texts and visual culture, Miguel A. Valerio teases out the deeply ambivalent and contradictory meanings behind these public processions and festivities that often re-inscribed structures of race and hierarchy. Were they markers of Catholic subjecthood, and what sort of corporate structures did they create to project standing and respectability? Sovereign Joy examines many of these possibilities, and in the process highlights the central place occupied by Africans and their descendants in colonial culture. Through performance, Afro-Mexicans affirmed their being: the sovereignty of joy, and the joy of sovereignty.
For centuries, plays like Othello and The Tempest have spoken about 'race' to audiences whose lives have been, and continue to be, enormously affected by the racial question. But are concepts such as 'race' or 'racism', 'xenophobia', 'ethnicity', or even 'nation' appropriate for analysing communities and identities in early modern Europe? Did skin colour matter to Shakespeare and his contemporaries, or was religious difference more important to them? This book examines how Shakespeare's plays contribute to, and are themselves crafted from, contemporary ideas about social and cultural difference. It considers how such ideas might have been different from later ideologies of 'race' that emerged during colonialism, but also from older ideas about barbarism, blackness, and religious difference. Thus it places the racial question in Shakespeare's plays alongside the histories with which they converse. Shakespeare uses and plays with the vocabularies of difference prevailing in his time, repeatedly turning to religious and cultural cross-overs and conversions - their impossibility, or the traumas they engender, or the social upheavals they can generate. Shakespeare, Race and Colonialism looks in depth at Othello, The Merchant of Venice, Antony and Cleopatra, The Tempest, and Titus Andronicus, and also shows how racial difference shapes the language and themes of other plays.
A historical tour de force, The Invention of the Jewish People offers a groundbreaking account of Jewish and Israeli history. Exploding the myth that there was a forced Jewish exile in the first century at the hands of the Romans, Israeli historian Shlomo Sand argues that most modern Jews descend from converts, whose native lands were scattered across the Middle East and Eastern Europe. In this iconoclastic work, which spent nineteen weeks on the Israeli bestseller list and won the coveted Aujourd'hui Award in France, Sand provides the intellectual foundations for a new vision of Israel's future.