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The Black Master is a Festschrift with 16 papers written by colleagues or former students of Professor Gyorgy Kara, including some of the most renowned scholars in the field. The themes of the articles reflect the wide scope of Gyorgi Kara's research, with texts on Central Eurasian linguistics, history or ethnology. A list of his publications completes the volume. From the table of contents (17 contributions): C. Atwood, Poems of Fraternity: Literary Responses to the Attempted Reunification of Inner Mongolia and the Mongolian's People Republic B. Baumann, "Nakshatra Astrology" in Antoine Mostaert's Manual of Mongolian Astrology and Divination A. Birtalan, An Invocation to Dayan Derx Collected from a Darkhad Shaman's Descendant M. Dobrovits, The Tolis and the Tardus in Old Turkic Inscriptions J. Elverskog, Sagang Sechen on the Qing Conquest J. Janhunen, On the Development of the Sibilant System of Qinghai Bonan M. Kiripolska, A Few Remarks on Some Mongolian Texts in Stockholm R. I. Meserve, The Snowcocks of Central Asia and Mongolia D. Prior, Tonyuquq's Humiliation and an Old Turkic Etymology A. Rona-Tas, Turko-Mongolian Etymologies: Turkic yarp V. Rybatzki, Personal Names and Titles of the Naiman in the Secret History of the Mongols Y. Saito, On the Word in West Middle Mongolian A. Sarkozi, Proper Names in the First Chapter of the Mongolian Suvarnaprabhasottamasutra A.G. Sazykin, Mongolian Xylographs in St. Petersburg's Collections
"A remarkably fine work of creative scholarship." —C. Vann Woodward, New York Review of Books In 1860, when four million African Americans were enslaved, a quarter-million others, including William Ellison, were "free people of color." But Ellison was remarkable. Born a slave, his experience spans the history of the South from George Washington and Thomas Jefferson to Robert E. Lee and Jefferson Davis. In a day when most Americans, black and white, worked the soil, barely scraping together a living, Ellison was a cotton-gin maker—a master craftsman. When nearly all free blacks were destitute, Ellison was wealthy and well-established. He owned a large plantation and more slaves than all but the richest white planters. While Ellison was exceptional in many respects, the story of his life sheds light on the collective experience of African Americans in the antebellum South to whom he remained bound by race. His family history emphasizes the fine line separating freedom from slavery.
Black Sabbath's Master of Reality has maintained remarkable historical status over several generations; it's a touchstone for the directionless, and common coin for young men and women who've felt excluded from the broader cultural economy. John Darnielle hears it through the ears of Roger Painter, a young adult locked in a southern California adolescent psychiatric center in 1985; deprived of his Walkman and hungry for comfort, he explains Black Sabbath as one might describe air to a fish, or love to an android, hoping to convince his captors to give him back his tapes.
IntroductionCotton Mather: The Glory of GoodnessJohn D. Foss: A Journal, of the Captivity and Sufferings of John FossJames Leander Cathcart: The Captives, Eleven Years in AlgiersMaria Martin: History of the Captivity and Sufferings of Mrs. Maria MartinJonathan Cowdery: American Captives in TripoliWilliam Ray: Horrors of SlaveryRobert Adams: The Narrative of Robert AdamsEliza Bradley: An Authentic NarrativeIon H. Perdicaris: In Raissuli's HandsAppendix: Publishing History of the American Barbary Captive Narrative Copyright © Libri GmbH. All rights reserved.
In this liberating, kinky, and deliciously wicked collection of African-American erotica, the author guides readers through a world that celebrates black gay male sexuality. Original.
The story of William Ellison emphasizes the fine line separating freedom from slavery and sheds light on the collective experience of Blacks in the antebellum South.
From the late eighteenth century through the end of the Civil War, Choctaw and Chickasaw Indians bought, sold, and owned Africans and African Americans as slaves, a fact that persisted after the tribes' removal from the Deep South to Indian Territory. The tribes formulated racial and gender ideologies that justified this practice and marginalized free black people in the Indian nations well after the Civil War and slavery had ended. Through the end of the nineteenth century, ongoing conflicts among Choctaw, Chickasaw, and U.S. lawmakers left untold numbers of former slaves and their descendants in the two Indian nations without citizenship in either the Indian nations or the United States. In this groundbreaking study, Barbara Krauthamer rewrites the history of southern slavery, emancipation, race, and citizenship to reveal the centrality of Native American slaveholders and the black people they enslaved. Krauthamer's examination of slavery and emancipation highlights the ways Indian women's gender roles changed with the arrival of slavery and changed again after emancipation and reveals complex dynamics of race that shaped the lives of black people and Indians both before and after removal.